IMDb-BEWERTUNG
6,7/10
39.839
IHRE BEWERTUNG
Die Geschichte der Romanze zwischen dem König von Siam und der verwitweten britischen Lehrerin Anna Leonowens in den 1860er Jahren.Die Geschichte der Romanze zwischen dem König von Siam und der verwitweten britischen Lehrerin Anna Leonowens in den 1860er Jahren.Die Geschichte der Romanze zwischen dem König von Siam und der verwitweten britischen Lehrerin Anna Leonowens in den 1860er Jahren.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 2 Oscars nominiert
- 14 Nominierungen insgesamt
Empfohlene Bewertungen
This is a good movie, and it's very much worth seeing. Visually it is stunning-- the fake palace they built, and the geography is well worth the price. There are some complications that make it less than great, however. These problems might be inherent in the material-- adapting an actual English lady's actual diary. Should one poke fun at the colonializing 19th century British? The various "local" political rivals who evidently were more than willing to accept British trade and other "help" in exchange for fulfillment of personal ambitions? Or does one go entirely modern and politically correct, and pretend that the entire planet was a Berkeley coffee house just waiting for a chance to express neo-Marxist thought?
This movie tried really hard to appear "p.c." and historical at the same time. There were some glaring inconsistencies, however-- e.g., the British woman was evidently "shocked" by the death penalty being applied for what amounted to treason against the king, and yet in her own country, just 15 years before, the death penalty was routinely applied to shoplifters, petty thieves, vagrants, and anyone else the English nobility found inconvenient, annoying, or simply yucky.
The domestic montages were at times awkward and fakey. E.g., when the camera tried to build a sense of "Hey, we're getting along now!" by roaming around the palace grounds, showing the king, his kids, his old ladies and Anna all noticing birds and smiling at each other; noticing ducks and smiling at each other; noticing cutesy-poo antics of the young ones and smiling at each other. That was very stilted and phony feeling.
But this movie was much better than the critics mostly said. For example, for me, the relationship between the king and the teacher was actually very realistic, quite believable, and powerful. So maybe it's just that many professional critics don't like to see what real humans might do in a love situation with complications-- after all, they do go apoplectic whenever a movie wants you to feel something deep and real. So ignore them, and enjoy it for what it is-- a valiant and earnest effort to tell a complicated and difficult story. I gave it an "8."
This movie tried really hard to appear "p.c." and historical at the same time. There were some glaring inconsistencies, however-- e.g., the British woman was evidently "shocked" by the death penalty being applied for what amounted to treason against the king, and yet in her own country, just 15 years before, the death penalty was routinely applied to shoplifters, petty thieves, vagrants, and anyone else the English nobility found inconvenient, annoying, or simply yucky.
The domestic montages were at times awkward and fakey. E.g., when the camera tried to build a sense of "Hey, we're getting along now!" by roaming around the palace grounds, showing the king, his kids, his old ladies and Anna all noticing birds and smiling at each other; noticing ducks and smiling at each other; noticing cutesy-poo antics of the young ones and smiling at each other. That was very stilted and phony feeling.
But this movie was much better than the critics mostly said. For example, for me, the relationship between the king and the teacher was actually very realistic, quite believable, and powerful. So maybe it's just that many professional critics don't like to see what real humans might do in a love situation with complications-- after all, they do go apoplectic whenever a movie wants you to feel something deep and real. So ignore them, and enjoy it for what it is-- a valiant and earnest effort to tell a complicated and difficult story. I gave it an "8."
This is a masterful piece of filmmaking that over romanticizes a true story to improve its entertainment value. However, the generous use of artistic license can be almost completely forgiven because the final product is so pleasing. Director Andy Tennant weaves together resplendent visual images, wonderfully warm lighting, magnificent set design, breathtaking locations and beautiful costumes to produce a banquet of sensory delight. I'm surprised this film didn't get more technical awards, since it was one of the most exhilarating filmmaking experiences I had all year.
The story was engaging, though admittedly the characters were overly idealized. This is especially true of King Mongkut, who was far more educated, dashing and genteel than it would have been reasonable to expect. Also, the romantic overtones between him and Anna were a bit much. But the way they were presented enhanced the overall effect so I have difficulty being too critical.
The story also had some constructive subtleties. In addition to the obvious storylines about the education of the children, the effect Anna was having on the King and the impending war, there was a deeper message. It illustrated the truism that exposure to different peoples and cultures can help us to grow in understanding not only of them, but of ourselves as well. For it was clear that Anna was as much changed by Siam and the King as he and the children were by her.
I was highly impressed with the performance turned in by Yun-Fat Chow. His English is much improved since my last viewing of him in Replacement Killers' and The Corruptor'. He imbued King Mongkut with dignity and strength without forsaking the human side. The camera just eats him up. It is easy to see why he has been the dominating force in eastern films for years.
Jodie Foster, on the other hand, was off her game. She was good as Anna, but frankly, we've come to expect more from her. Foster is a powerful actor who didn't seem quite sure what to do with this character. In some scenes she rose to the occasion and gave us the Anna we hoped for; resolute, defiant, opinionated and principled. At other times she seemed tentative and totally intimidated by the role, just limping through her lines. I give her high marks for her English accent, but her total performance just wasn't up to her capabilities.
This was one of the most entertaining and delightful films I've seen this year. Yes, liberties were taken but I am inclined to overlook them. It was beautifully filmed and directed; a feast for the senses. I rated it a 9/10. I highly recommend it.
The story was engaging, though admittedly the characters were overly idealized. This is especially true of King Mongkut, who was far more educated, dashing and genteel than it would have been reasonable to expect. Also, the romantic overtones between him and Anna were a bit much. But the way they were presented enhanced the overall effect so I have difficulty being too critical.
The story also had some constructive subtleties. In addition to the obvious storylines about the education of the children, the effect Anna was having on the King and the impending war, there was a deeper message. It illustrated the truism that exposure to different peoples and cultures can help us to grow in understanding not only of them, but of ourselves as well. For it was clear that Anna was as much changed by Siam and the King as he and the children were by her.
I was highly impressed with the performance turned in by Yun-Fat Chow. His English is much improved since my last viewing of him in Replacement Killers' and The Corruptor'. He imbued King Mongkut with dignity and strength without forsaking the human side. The camera just eats him up. It is easy to see why he has been the dominating force in eastern films for years.
Jodie Foster, on the other hand, was off her game. She was good as Anna, but frankly, we've come to expect more from her. Foster is a powerful actor who didn't seem quite sure what to do with this character. In some scenes she rose to the occasion and gave us the Anna we hoped for; resolute, defiant, opinionated and principled. At other times she seemed tentative and totally intimidated by the role, just limping through her lines. I give her high marks for her English accent, but her total performance just wasn't up to her capabilities.
This was one of the most entertaining and delightful films I've seen this year. Yes, liberties were taken but I am inclined to overlook them. It was beautifully filmed and directed; a feast for the senses. I rated it a 9/10. I highly recommend it.
I saw this in the theater way back in 99' and really was touched by this, in a way I had no idea that I would be. This was well made and visually wondrous, the two(Chow and Jody) were almost magical in their roles I was amazed at how incredibly well they brought the characters in a remake to be more beautiful than the original. Even though they didn't have the chemistry of other on screen romance-couples, it still makes you feel things about the couple and that time in history. I am not used to seeing Chow in this kind of character either.
My heart was definitely taken by this wonderful film, what a surprise! The director performed a brilliant job in creating this modern day work of excellence. Not many can stand the test of time effectively, like I think this is.
Bravo I recommend this to all. It is a lasting family feature that I believe will endure for a long time. (*****)
My heart was definitely taken by this wonderful film, what a surprise! The director performed a brilliant job in creating this modern day work of excellence. Not many can stand the test of time effectively, like I think this is.
Bravo I recommend this to all. It is a lasting family feature that I believe will endure for a long time. (*****)
This is the second film of the year (the other being "The Green Mile") that I have seen that I believe will recieve Oscar nominations in several categories, of which, best film, best male and femal actor and best cinematography will be definitely considered.
"Anna and the King" is an epic film about a British woman who accepts an offer to go to Siam (Thailand) to teach western education to the King of Siam's 58 children. Upon reaching Siam, Ms. Leonowens (Jodie Foster) is made to find her way to the King's palace by herself and subsequently made to wait weeks before she is allowed to meet him. Coming from a British background she is appalled by this treatment and decides to take matters into her own hands by bursting into the King's court, breaking every protocol on the way, and boldly confronting King Mongkut (Chow Yun-Fat) about her situation. This obviously does not sit well with the King but at the same time he is intrigued by this woman's boldness and so the story begins about cultural education (both British and Siamese) and a blossoming romance that has you yearning for a happy ending.
Foster plays Anna Leonowens very well and at times makes you hate her for her narrow minded view of the world as she portrays a woman who truely believes that "British teachings are the ways of the world." Her comments about British rule and colonization makes you cringe at times as she comes across as this arrogant, cold woman who believes that she is in Siam to bring culture and wisdom to a backwards country. Foster manages to portray every aspect of this character flawlessly and takes the audience for an emotional rollercoaster from, hate to love to compassion and every emotion in between.
The most notable difference in character development is the portrayal of King Mongkut. Chow Yun-Fat brings a quiet strength and sophistication that was never present in Yul Brynner's portrayal of the King. In this film we are shown a very intelligent man that understands more than he lets on. In fact, he seems to lead Ms. Leonowens around without her really knowing it and in some cases teaches her lessons about the world and how it really is. As the saying goes, "actions speak louder than words" and this is definitely the case for King Mongkut. Fat does not have as many lines as Foster does but he is in as many scenes and in most cases commands more of a presence.
The rest of the cast was excellent as well and there were very few slow points in the film. The colors used were very vibrant and creates a feel of exoticness. As well, the cinematography was incredible. Sweeping shots of the landscape showing the green carpets of the land and the incredible shots of the elaborate palace create an atmosphere of an epic film. Subtitles are used quite a bit but it only adds to the authenticity of the film.
The one thing that I was disappointed in was the fact this movie was based on Ms. Leonowens' diary which may be subject to biased occurances of certain situations or historical inaccuracies.
Overall though, I was thoroughly impressed and entertained with this film. Although Jodie Foster is the top billing name, this film definitely belongs to Chow Yun-Fat and it would be ashame not to see him get an oscar consideration for his performance. He is an accomplished international actor and it seems that Hollywood has finally discovered that. My recommendation, go see this film. You will not be disappointed.
A
"Anna and the King" is an epic film about a British woman who accepts an offer to go to Siam (Thailand) to teach western education to the King of Siam's 58 children. Upon reaching Siam, Ms. Leonowens (Jodie Foster) is made to find her way to the King's palace by herself and subsequently made to wait weeks before she is allowed to meet him. Coming from a British background she is appalled by this treatment and decides to take matters into her own hands by bursting into the King's court, breaking every protocol on the way, and boldly confronting King Mongkut (Chow Yun-Fat) about her situation. This obviously does not sit well with the King but at the same time he is intrigued by this woman's boldness and so the story begins about cultural education (both British and Siamese) and a blossoming romance that has you yearning for a happy ending.
Foster plays Anna Leonowens very well and at times makes you hate her for her narrow minded view of the world as she portrays a woman who truely believes that "British teachings are the ways of the world." Her comments about British rule and colonization makes you cringe at times as she comes across as this arrogant, cold woman who believes that she is in Siam to bring culture and wisdom to a backwards country. Foster manages to portray every aspect of this character flawlessly and takes the audience for an emotional rollercoaster from, hate to love to compassion and every emotion in between.
The most notable difference in character development is the portrayal of King Mongkut. Chow Yun-Fat brings a quiet strength and sophistication that was never present in Yul Brynner's portrayal of the King. In this film we are shown a very intelligent man that understands more than he lets on. In fact, he seems to lead Ms. Leonowens around without her really knowing it and in some cases teaches her lessons about the world and how it really is. As the saying goes, "actions speak louder than words" and this is definitely the case for King Mongkut. Fat does not have as many lines as Foster does but he is in as many scenes and in most cases commands more of a presence.
The rest of the cast was excellent as well and there were very few slow points in the film. The colors used were very vibrant and creates a feel of exoticness. As well, the cinematography was incredible. Sweeping shots of the landscape showing the green carpets of the land and the incredible shots of the elaborate palace create an atmosphere of an epic film. Subtitles are used quite a bit but it only adds to the authenticity of the film.
The one thing that I was disappointed in was the fact this movie was based on Ms. Leonowens' diary which may be subject to biased occurances of certain situations or historical inaccuracies.
Overall though, I was thoroughly impressed and entertained with this film. Although Jodie Foster is the top billing name, this film definitely belongs to Chow Yun-Fat and it would be ashame not to see him get an oscar consideration for his performance. He is an accomplished international actor and it seems that Hollywood has finally discovered that. My recommendation, go see this film. You will not be disappointed.
A
Let the magic of romance and the beauty of Siam sweep and take you away to a world where the king rules the land and a teacher rules the king's heart. "Anna and The King" is a true masterpiece that is filled with heart & soul, a beautiful setting and superb performances.
I was very impressed with the performance of Chow-Yun Fat because he made the transition from action star to dramatic actor flawlessly. Fat showed his versatility in playing a king. Fat pulled off this role with perfection. He made it so easy for me to enjoy this movie because of his screen presence and believability of the performance as well as the chemistry between Anna and the King of Siam.
This masterpiece can not be complete without the performance Jodie Foster gave as Anna Leonowens. Foster delivered the type of performance worthy of an Oscar. She once again has established herself among the elite that have the special gift of natural talent.
Foster and Fat come together beautifully to bring the true story of the romance of Anna Leonowens and King Momokut. The chemistry can be felt from a distance and it works from the first minute they come together.
"Anna and The King" is visually stunning in so many ways with beautiful settings such as the palace. Also, the costumes are well-made and suited the movie perfectly. "Anna & The King" will take you on a journey that will touch, warm and fill your heart with spirit only a motion picture masterpiece can bring.
I was very impressed with the performance of Chow-Yun Fat because he made the transition from action star to dramatic actor flawlessly. Fat showed his versatility in playing a king. Fat pulled off this role with perfection. He made it so easy for me to enjoy this movie because of his screen presence and believability of the performance as well as the chemistry between Anna and the King of Siam.
This masterpiece can not be complete without the performance Jodie Foster gave as Anna Leonowens. Foster delivered the type of performance worthy of an Oscar. She once again has established herself among the elite that have the special gift of natural talent.
Foster and Fat come together beautifully to bring the true story of the romance of Anna Leonowens and King Momokut. The chemistry can be felt from a distance and it works from the first minute they come together.
"Anna and The King" is visually stunning in so many ways with beautiful settings such as the palace. Also, the costumes are well-made and suited the movie perfectly. "Anna & The King" will take you on a journey that will touch, warm and fill your heart with spirit only a motion picture masterpiece can bring.
Wusstest du schon
- WissenswertesThe real King Mongkut was paralyzed on one side of his face.This fact is completely omitted from the film.
- PatzerUpon introducing his queens and concubines to Anna, Mongkut states that his concubines are not as numerous as those of the Emperor of China.
Emperor Tongzhi was 5 years old at his ascension. Tongzhi married Empress Xiaozheyi and two official concubines in 1872 at the age of 16. He later married two more Official Concubines before his death from smallpox at age 18 in 1872, which is four Concubines. Tongzhi preferred the company of his wife, Empress Xiaozheyi, to that of any of his four Concubines.
- Zitate
[last lines]
King Chulalongkorn: It is always surprising how small a part of life is taken up by meaningful moments. Most often they are over before they start, although they cast a light on the future and make the person who originated them unforgettable. Anna had shined such a light on Siam.
- SoundtracksJade Cong
Written by Simon Rowland-Jones
Courtesy of Zomba/Firstcom/Chappell Music
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Details
Box Office
- Budget
- 92.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 39.263.420 $
- Eröffnungswochenende in den USA und in Kanada
- 5.223.416 $
- 19. Dez. 1999
- Weltweiter Bruttoertrag
- 113.996.937 $
- Laufzeit2 Stunden 28 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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Oberste Lücke
By what name was Anna und der König (1999) officially released in India in English?
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