Wenn der Nebel sich lichtet - Limbo

Having finally caught us with John Sayles' "Limbo", it must be said that the king of the indie scene can still surpass any genre.

Casting his friend (and movie veteran) David Strathairn as an Alaskan fisherman with an emotional crisis is one of the film's many pluses. Strathairn brings an everyman quality to every role he's in. The film is also not unlike Strathairn's own "The River Wild". At least, without the contrivances. Mary Elizabeth Mastrantonio is also good as a bar singer (she sings pretty well too) hauling her teenage daughter (Vanessa Martinez, very good in her debut) through gig after gig. The film also has some thriller elements; but, this of course, is Sayles, who wisely pushes for character development and dialogue ladened with truth.

As he proved with EIGHT MEN OUT, MATEWAN, CITY OF HOPE, and PASSION FISH, Sayles is a truly gifted writer/director. Keep it coming.

Don't Believe the Type (...below). John Sayles' Limbo is a slow-burning, stonker of a movie! The character interaction and dialogue are sublime and subtle. Personally I love to see David Strathairn in the lead role, and it is to Sayles' credit that he has, and continues to give this deft actor a chance to shine. For those who have complained about the 'boring storyline' and 'dissapointing finale' I feel sorry, really very sorry - Sorry, that you could not enjoy the films' depth and intelligence as I did. And if you didn't like the ending, then well, you just don't get it, do you?

Tops marks Mr. Sayles, One of your Best!!

I'd suggest that viewers watch 'Limbo' on DVD with the voice-over narrative by John Sayles, the director. A lot of insights provided there, including a lot of little details which give you insight into movie-making--the reason for multiple takes, visual effects, the importance of 'continuity', and even a lot about sound, which was a big issue in the making of this film.

I was amazed to learn that Mary Elizabeth Mastrantonio is such a terrific singer--she sang all the songs and, in fact, her voice was recorded live while shooting the scenes, not dubbed in later in post-production. Sayles describes this in his narrative.

Sayles had less to say in the narrative about the ending, but based on the comments he DID make it was all quite intentional--not the result of studio politics or a screenwriter (Sayles himself) who couldn't decide on a final ending. In fact, I would suggest that it is Sayles' standing in the business that permitted this film to be produced & released without answering the question of what becomes of those characters, though it also occurs to me that it could be the reason why this film didn't get much of a marketing push. Clearly the audience is left hanging in--dare I say it--a state of limbo. Sayles has no intention, based on his comments, of a sequel, though he invites anyone else to dream one up if they wish.

But aside from all this, it was a terrific film, with interesting characters, shot in unusual and often stunning locations ("Insomnia" comes to mind when thinking of recent films shot in Alaska with its scenic backdrops).

The cast was generally quite good--Mastrantonio and Strathairn were terrific, and Kris Kristofferson was a great choice as the likable but edgy local, Smilin' Jack Johannson. Vanessa Martinez was, for me, less convincing as the daughter until the boat trip and beyond, but that is when her character becomes truly important to the story and her work was quite good when it mattered most; up to then it was all teenage angst.

Overall, I enjoyed 'Limbo' a great deal, and the limbo in which the audience is left with such abruptness was, for me, almost a slap in the face--a welcome one--in striking contrast to the 'Star Wars' series in which George Lucas took 6 movies and nearly 30 years to tell us how Darth Vader came to be.

Note: I am NOT slamming Lucas or 'Star Wars' by that comment, only making a point.

Once again, as do all John Sayles films, this is no Hollywood fare. There are no easy answers or solutions to the questions raised or problems illustrated. John Sayles gives his insightful subtle approaches to another aspect of life and living, of ordinary people tackling everyday encounters and challenges. Nothing spectacular (yet it is quietly spectacular). It's another multi-character study, and Sayles is very good at telling the story and providing the different premises and details in a seemingly casual manner. Sayles fans know it will not be a boring journey - life lessons will be assimilated.

In LIMBO, photography is skillfully delivered by veteran cinematographer Haskell Wexler (the unforgettable "Medium Cool" 1969, which he also wrote and directed; "The Thomas Crown Affair" 1968 with director Norman Jewison; two with Sayles: "Matewan" 1987, "The Secret of Roan Inish" 1994). Here, graphic detail shots are included on fishing, informing us of the intricacies involved - it's Sayles ingredients to the core.

Mary Elizabeth Mastrantonio, as always, a tour de force. She gets to demonstrate what a wonderful singer she can be. She did a terrific job - she sings so well that it sounds like Judy Collins at times! David Strathairn, for once, is not in a supporting role. He is in the male lead role and as expected, a quiet sensitive delivery of his character as a fisherman incognito. There is mother and daughter tension at play here. Vanessa Martinez played the teenage daughter and what a superb performance - hers is no easy role. The segment by the campfire where she reads from a diary book, her subtle expressions and poignant portrayal complete this triangle of complex emotional cauldron a-brewing…yet she held her own in capturing our attention on her touching delivery.

This is not an easy film to consume - it provides mind probing and requires reflective thinking. A John Sayles fan MUST-SEE, or anyone who's ready for a different movie and a change of pace.

Music is by Mason Daring. As usual, the film is written, directed, and edited by John Sayles himself.

After seeing this movie on DVD, I found that I admired Sayles as a director, actress Mastrantonio as a talented singer, and David Straithern as an actor. Earlier I was only familiar with the above-average work of Mastrantonio but here she is remarkable. It is indeed sad that such interesting and well-made movies never fetch an Oscar, if not major Oscars. It is indeed "Ox-bow incident" revisited.

Every aspect of the film is well crafted and rivetting for any intelligent viewer.

The DVD commentary is a great one for movie enthusiasts.