Hilary und Jackie

Jacqueline du Pre is remembered as the beautiful, genius cellist who tragically died of multiple sclerosis at a young age. But this film, though a biopic, avoids the easy conventions of the tear-jerker. Instead, it portrays a talented but capricious young woman who found her rise to fame as difficult to handle, in some ways, as her subsequent decline. Three things lift it out of the ordinary: fine acting from the entire cast; a concerted attempt, in the construction of both plot and soundtrack, to genuinely convey the importance of music in her life; and an intelligent screenplay that uses the viewpoint of her sister Hilary, along with that of Jackie herself, to show her behaviour in two different lights. The veracity of the events has been disputed; but this is a complex, and ultimately moving, film.

"Hilary and Jackie" tells of two sisters who share a love of classical music and each other but take contrasting paths through adult life. A much lauded film worthy of its critical acclaim, "H&J" does have a peculiar twice-told tale approach to its presentation which tends to make it interesting but so complex as to dilute its effectiveness. Nonetheless, this British film with a typically "stiff upper lip" approach to its sentimentality, is well shot, scripted, and acted. A good watch which will be a little "over the top" for many.

As a child Hilary was the talented musician on the flute and the younger Jacqueline was encouraged to keep up if she wanted to accompany her sister on trips to musical events. So Jackie practiced hard on her cello to do so, gradually becoming better than her sister. As adults Hilary is now very much in the shadow of her brilliant sister Jackie, who is booked solid for shows. However where Hilary finds happiness and support from her partner and husband Kiffer, Jackie grows increasingly isolated from others. The pair's relationship drifts apart but comes together again to produce one traumatic moment in their relationship.

I'm sure it has been done many times but I still found this film's structure to be pretty clever. The central traumatic act in the narrative occurs halfway through the film; up until then we follow things from Hilary's point of view and then in the second half we jump backwards and work up to it again (and beyond) from Jacqueline's (more or less). The effect is that the first half of the film is engaging as it develops along lines we don't know while the second film is engaging as it underpins the reasons for Jacqueline's character and where she goes from there. I put of watching the film because I had no knowledge of the characters and no real interest in their music, however now that I have watched it I am glad I did as it is well made and interesting. It is very character driven and evenly paced, which will annoy some viewers but for me it worked really well and produced a story that didn't require you to know the people involved because you felt you did by the end.

Watson leads the cast really well, bringing out the innocent of her character as easily as she does the spite within Jackie. Griffiths yet again shows her talent in taking on yet another accent and strange character and pulling it off. They work well together although their best scenes are early on. Support is good from Frain, Morrissey, Dance, Imrie and others but the film is lead well by the main two actresses who work well with the material given them.

Overall this is a well paced film that will annoy some but is heavy in quality. The character development in the script is strong and the cast respond well to it. Tucker controls it all well with a good eye for a scene and some imaginative visual touches and brings out a film that is well-structured and engaging even if it won't be to everyone's tastes.

Films as intelligent and well crafted as this are hard to come by. `Hilary and Jackie' is an exceptionally well done character study of two real life sisters. Jackie (Emily Watson) is a world-class cellist and Hilary (Rachel Griffiths) lives a normal middle class life. The story is rich in character development depicting the sisters starting from their childhood when both were musical prodigies. Now that they are adults, they envy each other's life. The story follows Jackie's career and explores the sisters' relationship, including the deep resentment and enduring love they have for one another. Director Anand Tucker does a wonderful job of presenting the story. He induces great feeling from each scene and lays the raw emotions on the screen without embellishment whether pure or turbulent.

Emily Watson was superb in the lead role. Her's was an extremely complex character and her command of the range of emotions Jackie required was phenomenal. Lovers of classical music will appreciate the rich soundtrack and Watson's realistic cello renditions. Watson was nominated for best actress by the Academy in 1999 for this performance and I felt she was most deserving of the prize that ultimately went to Gwyneth Paltrow for `Shakespeare in Love'. Paltrow's performance was clever and charming, but had nowhere near the power Watson delivered in this film. Emily is such a talented actress, however, that I have little doubt eventually there will be some other envelope with her name inside.

Rachel Griffiths also gave a career performance as Hilary and she was nominated for best supporting actress, an award I felt she won hands down. Griffiths' tortured performance was gut wrenching and inspired. She played Hilary with deep sensitivity and handled her emotional conflicts brilliantly. The Academy's choice of Judy Dench was again perplexing as the Shakespeare juggernaut rolled on.

For those viewers who appreciate a powerful and disturbing drama, great acting, complex characters, terrific classical music and extraordinary character development, this film is a must. I rated it a 9/10. Don't miss it.

A superb film, on many levels. Any film that has won or was nominated for 21 awards must be worthwhile!

BUT - BE SURE TO READ the IMDB external reviews, viz. 'The Australian' and 'James Berardinelli's ReelViews'. These articles point out the factual errors (as well as praise).

I hope that this does not lessen the movie's greatness for you. It IS an excellent movie, sensitively done and a vehicle for health, family, sexual issues, etc.

Just don't take it as the absolute truth about Jacqueline du Pré. By the way, neither was the film 'Shine', about pianist David Helfgott.