IMDb-BEWERTUNG
6,8/10
3122
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuOlof lives alone on a farm after the death of his mother. Unable to read and write, he is dependent on his younger friend, Erik. Olof advertises for a housekeeper, and Ellen arrives. During ... Alles lesenOlof lives alone on a farm after the death of his mother. Unable to read and write, he is dependent on his younger friend, Erik. Olof advertises for a housekeeper, and Ellen arrives. During summer Olof's heart and Erik's desires develops.Olof lives alone on a farm after the death of his mother. Unable to read and write, he is dependent on his younger friend, Erik. Olof advertises for a housekeeper, and Ellen arrives. During summer Olof's heart and Erik's desires develops.
- Für 1 Oscar nominiert
- 4 Gewinne & 5 Nominierungen insgesamt
Empfohlene Bewertungen
Left the theater feeling good, as another reviewer said. Not the most original story, but has many of the human touches and imperfections that Hollywood often hides. The leading actress is BEAUTIFUL, though still "one of us" in her (minor) imperfections. I was somewhat disconcerted by the Irish music background in a Swedish setting, but then again, what do I know? Hope to find this movie on DVD someday (I'll put it on my DVD wish list, somewhere below "Babette's Feast").
This was a wonderful movie about love, trust and self-discovery. The acting was first rate, and the photography was beautiful. It is a very sensitive portrayal of the very human need for love and acceptance, yet it is never heavy. The story moves along very well. The characters and plot are believable. I highly recommend it!
The Swedish film Under solen was shown in the U.S. with the title Under the Sun (1998). It was directed by Colin Nutley. The film is set in rural Sweden in 1956.
Rolf Lassgård plays Olof, a gentle 40-year-old farmer who has lived alone since his mother's death. The only way he can think of to meet a woman is to put an ad for a housekeeper in a newspaper. A woman answers the ad, and eventually comes to the farm. Helena Bergström plays the beautiful Ellen Lind, who has never been on a farm, and would seem to be an unlikely candidate for the job. However, for her own reasons, she takes the position and appears to do it well.
Certain important facts become clear early in the movie. Olof isn't stupid, but he can't read. That's never explained. Were there truly people in rural Sweden at the time who hadn't been taught to read? Possibly Olof had gone to school, but was dyslexic.
Olof's inability to read is a key plot element, because this disability allows his friend Erik to take advantage of Olof's trusting nature. Erik--played by Johan Widerberg--has worked on a cruise ship and is far more worldly than Olof. I didn't think Widerberg carried off the tricky job of being Olof's trusted friend. He portrayed Erik as obviously devious and scheming, and, in reality, I think Olof would have seen through this supposed friendship.
Naturally, the plot produces an inevitable triangle, although not in the obvious way one would expect. That's what makes the movie interesting.
Some points worth noting: Gunilla Röör plays the newspaper receptionist who helps Olof with the ad. She's an interesting actor, and I wish she had been given more than just this cameo role at the beginning of the film.
"Under the sun" sounds like a French or Italian movie--there's not that much sunshine in Sweden. However, the title refers to the Biblical quotation, "There is nothing new under the sun."
Every so often, director Nutley cuts away to a fighter jet performing maneuvers in the sky above the farm. We would expect a bird, not a fighter jet. (Once, it is a bird, but only once.) There's an interesting thread on IMDb about the symbolism of the fighter jet.
The musical score is beautiful, but the music is Celtic, not Swedish. There are some similarities between Celtic and Swedish music, but why not use Swedish music?
We saw this film on VHS (believe it or not), although I think it's available on DVD. It would work somewhat better on a large screen, because of the beauty of the sky and the countryside.
It's an unusual movie, and possibly not for everyone, but I enjoyed it and recommend it.
Rolf Lassgård plays Olof, a gentle 40-year-old farmer who has lived alone since his mother's death. The only way he can think of to meet a woman is to put an ad for a housekeeper in a newspaper. A woman answers the ad, and eventually comes to the farm. Helena Bergström plays the beautiful Ellen Lind, who has never been on a farm, and would seem to be an unlikely candidate for the job. However, for her own reasons, she takes the position and appears to do it well.
Certain important facts become clear early in the movie. Olof isn't stupid, but he can't read. That's never explained. Were there truly people in rural Sweden at the time who hadn't been taught to read? Possibly Olof had gone to school, but was dyslexic.
Olof's inability to read is a key plot element, because this disability allows his friend Erik to take advantage of Olof's trusting nature. Erik--played by Johan Widerberg--has worked on a cruise ship and is far more worldly than Olof. I didn't think Widerberg carried off the tricky job of being Olof's trusted friend. He portrayed Erik as obviously devious and scheming, and, in reality, I think Olof would have seen through this supposed friendship.
Naturally, the plot produces an inevitable triangle, although not in the obvious way one would expect. That's what makes the movie interesting.
Some points worth noting: Gunilla Röör plays the newspaper receptionist who helps Olof with the ad. She's an interesting actor, and I wish she had been given more than just this cameo role at the beginning of the film.
"Under the sun" sounds like a French or Italian movie--there's not that much sunshine in Sweden. However, the title refers to the Biblical quotation, "There is nothing new under the sun."
Every so often, director Nutley cuts away to a fighter jet performing maneuvers in the sky above the farm. We would expect a bird, not a fighter jet. (Once, it is a bird, but only once.) There's an interesting thread on IMDb about the symbolism of the fighter jet.
The musical score is beautiful, but the music is Celtic, not Swedish. There are some similarities between Celtic and Swedish music, but why not use Swedish music?
We saw this film on VHS (believe it or not), although I think it's available on DVD. It would work somewhat better on a large screen, because of the beauty of the sky and the countryside.
It's an unusual movie, and possibly not for everyone, but I enjoyed it and recommend it.
10ungerch
We loved this film. In a time of fast action, surprise, and worst-case scenarios, this is a human drama about living, love, relationship, and truth. The cinematography is stunning. Warm, golden hues of a Swedish summer ... and a reminder of life outside of our current era of technology and speed.
A story of two people falling in love for who they are ... not titles. Many visual and cinematographic metaphors and allusions.
A beautiful and touching film.
A story of two people falling in love for who they are ... not titles. Many visual and cinematographic metaphors and allusions.
A beautiful and touching film.
This film touched my heart. Set in rural Sweden in the mid '50s and beautifully telling the tale of shy, reluctant love, the jealousy between friends and the claustrophobic agony of illiteracy, the film leaves you with the hope that just sometimes the innocent might prevail over the cunning. As a bonus, on top of the psychological subtlety that Nutley handles so well, you are also treated to the beauty of a landscape still remembered and missed.
Nutley elegantly suggests outcomes of actions without overstating it, like when he lets one of his characters mention that he signed on as a crew member of Andrea Doria which went under in 1956, the year described in the film.
Paradoxically, no Swedish director has ever succeeded in describing the soul of the Swedish people or painting the beauty of the Swedish countryside as brilliantly or lovingly, for that matter - as Colin Nutley has.
Nutley elegantly suggests outcomes of actions without overstating it, like when he lets one of his characters mention that he signed on as a crew member of Andrea Doria which went under in 1956, the year described in the film.
Paradoxically, no Swedish director has ever succeeded in describing the soul of the Swedish people or painting the beauty of the Swedish countryside as brilliantly or lovingly, for that matter - as Colin Nutley has.
Wusstest du schon
- WissenswertesSweden's official submission as Best Foreign Language Film at the 2000's Oscar.
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 316.020 $
- Eröffnungswochenende in den USA und in Kanada
- 6.875 $
- 5. Aug. 2001
- Weltweiter Bruttoertrag
- 316.020 $
- Laufzeit2 Stunden 10 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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By what name was Das Glück kommt morgen (1998) officially released in India in English?
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