Begegnung des Schicksals

Random Hearts snuck up on me. Criticized for the implausibility of a) the premise and b) the pairing of an IA cop and a Congresswoman, as well as for its slowness, the film felt just fine to me , and even ended up being surprisingly absorbing. I found my interest engaged as the film cut back and forth between Ford's and Thomas's lives as they first found out about, and dealt in very different ways in very different environments with, their spouses' deaths and the subsequent revelation that they were involved with other people. It could happen; two people's philandering spouses could be on the same plane, the plane could go down, the survivors could be brought together by the aftermath. So what if it's improbable? Improbable is not the same as far-fetched. So..what if it did happen? Why not speculate?

Ford's and Thomas's performances are believable and nuanced. Instead of finding their coupling implausible (opposite sides of the tracks--give me a break) I felt it driven by a grief and betrayal neither party knew how to deal with. The script does not bring them together too soon or too easily, and the end of the film does not resolve their relationship conventionally, either. Where I find it unsatisfying is when the dialogue brings up interesting wrinkles in or insights into the ramifications of the situation, personal and professional, but never seems to pursue any of them very far. And if you make the mistake of thinking about it too hard, Harrison Ford does seem about 10 years too old for the part.

For five and a half bucks at Wal-Mart, with full length director commentary and behind-the-scenes featurette, the DVD is well worth owning. I don't think I would pay $20 for it on a bet, but my wife might. OK, ten...

Just trying to help bringing things in the balance, which won't work anyway when I see all the negative reactions.

Random Hearts is a movie with a very human, but complex theme. Two people meeting each other after their loved ones have died in a plane crash. Then they discover that both of them have had an affair. Coincidence, the affair of Dutch Van den Broeck's wife was with the husband of congress member Kay Chandler. Both character are brilliantly performed by Harrison Ford and Kristin Scott Thomas. They have very different ways in dealing with this issue.

Van den Broeck, being a policeman, who never suspected that his wife was having an affair (the movie starts with her inviting him to bed), just wants to know why... ("When was the last time that she spoke the truth to me") Kay Chandler wants to get rid of the thought as soon as possible and tries to concentrate on her job, being elected to congress again, and her daughter ("She must not know what her father has done"). They meet each other in Dutch's search for the truth.

While going through a very difficult time of accepting and dealing with their partner's death and adultery, both Key and Dutch grow towards each other. This is pictured very intensely and beautifully. Kay states is beautifully in the interview she gives in the hospital when Dutch has bee shot, "We are friends, but because of what we have gone through together, we are now more than friends, we are survivors".

There is no real why for the adultery, as Dutch discovers when listening to the voice-mail of the telephone in the apartment that was used for the adultery, when Peyton Van den Broeck says, "Why are we doing what we are doing?".

I don't see why people cannot just enjoy this very intense movie and they think it is a dull and horrible movie. OK, the end was a bit disappointing, but that was probably because I was under the impression that I was watching a romance and romances must have a certain ending. I think, however, psychological drama, may be a more fitting description of this movie.

One thing is for sure: I came into the cinema when the movie started and when the movie ended I went out of the cinema again. In between I was so taken by the beauty of the movie and the intenseness of the development in the two main characters that I just hadn't noticed how much time had gone by.

Kay (Kristin Scott Thomas) is a political newbie running for office. Her husband is played by Peter Coyote. Dutch (Harrison Ford) is police IA investigator and he thinks his marriage to Peyton (Susanna Thompson) is fine. However Dutch finds that his wife died in a plane crash suspecting that she's having an affair.

Director Sydney Pollack has made a very undramatic movie. It's slow moving. The first half of the movie meanders to the point of meaninglessness. When the mystery of their affair start to surface, Dutch goes into mean investigating machine mode. Dutch investigating was interesting for about 10 minutes, but the affair is never allowed to be in doubt. The question becomes where is the mystery. Kay puts it best. They're gone. There isn't even a possibility of divorce. So what's the point of the movie.

I guess the point is for these two leads to work out their anger and their loss together. It is just so slow with the jazzy trumpets and soft piano. Sydney Pollack thinks this is more profound that it actually is. The two leads have no chemistry. Harrison Ford is horribly cold. The romance is nothing more than melodrama. His police investigation is nothing but a sideshow. I would have more respect for the movie if Dutch goes ahead and shoots the suspect. If this movie is about Kay and only about Kay, the story has a little bit of potential. There is a bit more on her side with her daughter and political ramifications.

True, there are some goofs, for the one who wants to find them. They're not important, though.

The primary feature of this film is watching veteran expert actors do their craft. Kristin Scott Thomas is beautiful and plays well the part of a strong woman, but one who has been hurt. Same for Harrison Ford, who, for the ladies, is just as beau as Kristin is belle for us guys.

Their hurt at the hands of their adulterous spouses brings them together in an awkward manner, but one in which they find support in each other. How they evoke their hurt feelings and their humanity within on th screen is why these are such sought performers. The viewer cannot help but feel what they feel, nor can one help wanting to cheer them when they're together.

Yes, there are several action scenes involving angry corrupt cops, but they only spice it up a little, and are not a significant part of the movie.

For the lover of music, Dave Grusin provides a superb Jazz based background, featuring trumpeter Terrence Blanchard. Like the actors, Grusin shows why he is one of the most sought musical consultants in the movie business. Blanchard shows why he's one the premiere trumpeters on the scene.

Not a movie for the lovers of guts, blood, and gore. But for those who want to see a lot of what makes us feel inside, watch a beautiful English actress with big expressive blue eyes who can act, like Harrison Ford, to the endless soothing accompaniment courtesy of Dave Grusin and Terrence Blanchard, this is a move to watch with someone you love. Preferably in bed.

I thought it deserved at least an 8.

Random Hearts: Losing a significant other is a subject most people would rather not think about. Now, try to imagine this agony exacerbated by the knowledge that your spouse was headed for an illicit rendezvous when they died: the combination of grief and betrayal is simply too overwhelming to comprehend. This is what confronts Dutch Van Den Broeck (Harrison Ford) a hard-nosed cop with DC Internal Affairs and Kay Chandler (Kristin Scott Thomas) a US Congresswoman, when their cheating spouses are killed in a plane crash.

With heavy hitters Ford and Thomas on the Marquee, and the subject matter in question, I expected a well crafted, intriguing movie, or at the very least, an entertaining one. If only it were so. Hearts suffers from a flat, poorly written script, with corny formulaic dialogue - several "touching" moments left the audience in hysterics - leaving the actors with little too work with. The problems don't end there.

From its inception this movie was obviously intended as a romantic drama. I can only assume that the subplot involving an investigation of a duo of dirty cops was added as an afterthought to secure the ever-important 18-35 male demographic. The result is a quixotic mess: every time the movie begins to flow and find its legs, it veers off on a tangent, until you longer care what happens.

When the credits finally started rolling after 133 minutes I was positively exhausted. Unless you've seen all the movies that are currently out or are desperate for a pseudo date flick, give this a miss.