IMDb-BEWERTUNG
4,6/10
51.839
IHRE BEWERTUNG
Eine junge Veruntreuerin kommt im Bates Motel an, das selbst schreckliche Geheimnisse hat.Eine junge Veruntreuerin kommt im Bates Motel an, das selbst schreckliche Geheimnisse hat.Eine junge Veruntreuerin kommt im Bates Motel an, das selbst schreckliche Geheimnisse hat.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 Gewinne & 6 Nominierungen insgesamt
James Le Gros
- Car Dealer
- (as James LeGros)
Empfohlene Bewertungen
"Psycho" isn't the worst movie I've ever seen, but it . . . aw, it's terrible. An utterly soulless exercise in mimicry with an awful cast. what I really missed was Anthony Perkins; the guy had a clean- cut look that subverted his madness. But Vince Vaughn just screams serial killer. That's why none of this works. The stylistic choices are all ham-fisted, and there's no suspense because we're too busy comparing it to the original. And because it's "shot-for-shot", that's a hundred times worse than your average remake - most of which , by the way, usually bring something new to the table. Not here.
Avoid at all costs. This is not worth it.
2/10
One question, if I may . . . While we're on the subject of shot duplication, why the hell would you throw in an image of Heche hanging over the side of the tub? It deviates from the original, doesn't do your actress any favors (as Kevin Smith and Ralph Garman will certainly attest), and it's just asking for future Internet meme infamy.
Avoid at all costs. This is not worth it.
2/10
One question, if I may . . . While we're on the subject of shot duplication, why the hell would you throw in an image of Heche hanging over the side of the tub? It deviates from the original, doesn't do your actress any favors (as Kevin Smith and Ralph Garman will certainly attest), and it's just asking for future Internet meme infamy.
This known shocker concerns about Marion Crane(Anna Heche in similar role Janet Leigh),she works at a Phoenix office when his employer(Chad Everett) trust her a money .Seeing the opportunity to take the cash and beginning a new life along with her fiancé(Viggo Mortensen in role of John Gavin).Larcenous Marion Crane leaves Phoenix(Arizona) and heads with her car toward California where lives her lover.Later,when is caught in a storm, leaves the highway and pull into to the Bates hotel.The motel with twelve rooms(and 12 showers) is managed by a strange and paranoid young(Vince Vaughn-Anthony Perkins)who seems to be controlled by his overbearing mummy , and ,she's living in a creaky old mansion nearly to hotel,then rare things start to happen.After a detective called Arbogast(William H. Macy with similar character at Martin Balsam), her sister(Julianna Moore-Vera Miles)along with Sam(Viggo Mortensen)are looking for to Marion, asking help to sheriff(Philip Baker Hall-John McIntire).
The story is a rip off from original classic picture,frame-for-frame, with a few news scenes though filmed in glimmer color and lensed beautifully by cameraman Christopher Doyle.Thus,it contains the same screenplay by Joseph Stefano and Robert Bloch infused with deliciously macabre wit,plenty of grisly murders,stabbing shots,horror,suspense and lots of blood.The highlights film are,of course,the famous murder of Marion Crane-Anne Heche completely copied scene-for-scene although with a few more nudism and the creepy final images where is turned out the killing conclusion.Again the suspenseful music score,adding impressive excitement,nowadays deemed a classic soundtrack by Bernard Hermann is arranged by Danny Elffman.The motion picture is regularly directed by Gus Van Sant(Drugstore cowboy,Elephant,among others),nowadays considered a cult-director.The original Hitchcock film is highly superior to this one and the numerous movies which tried duplicate it, like as : Psycho II(1983) by Richard Franklin,Psycho III(1986)by Anthony Perkins,and for cable TV :PsychoIV(1990)by Mick Garris
The story is a rip off from original classic picture,frame-for-frame, with a few news scenes though filmed in glimmer color and lensed beautifully by cameraman Christopher Doyle.Thus,it contains the same screenplay by Joseph Stefano and Robert Bloch infused with deliciously macabre wit,plenty of grisly murders,stabbing shots,horror,suspense and lots of blood.The highlights film are,of course,the famous murder of Marion Crane-Anne Heche completely copied scene-for-scene although with a few more nudism and the creepy final images where is turned out the killing conclusion.Again the suspenseful music score,adding impressive excitement,nowadays deemed a classic soundtrack by Bernard Hermann is arranged by Danny Elffman.The motion picture is regularly directed by Gus Van Sant(Drugstore cowboy,Elephant,among others),nowadays considered a cult-director.The original Hitchcock film is highly superior to this one and the numerous movies which tried duplicate it, like as : Psycho II(1983) by Richard Franklin,Psycho III(1986)by Anthony Perkins,and for cable TV :PsychoIV(1990)by Mick Garris
Marion Crane steals $400,000 and is escaping to meet her boyfriend. When she gets tired during a stormy night she stops at the Bates motel. When she goes missing her sister, boyfriend and a private detective start to look for her. However the Bates motel run by Norman and his mother is a place of many secrets.
Remakes are regular things nowadays, but carbon copies are rare. This is a lift in terms of dialogue, shots almost everything at times. The big question is why? As a film in its own right it's not terrible but comparing it to the original it literally pales in comparison (despite the colour!). Why did we need this sure on some level it may reach those who haven't seen the original and don't want to watch an 'old' film. But really why should we indulge the multiplexers who refuse to watch anything made before 1991?
It's not bad it's poor a poor relation of the original. In the UK we often get 50th anniversary etc re-releases of old films nationwide (admittedly not in all cinemas), in fact Psycho was out a few years ago. So the idea that a cheap copy is good because it'll help open it up to new audiences.
The cast are all OK until you watch the original. Then Vaughn stands out as doing a poor imitation, Heche is nowhere near Leigh and Julianne Moore has too much 'strong woman' baggage from other roles to do well. Admittedly the all-star cast gives weight to the roles that were relatively minor Macy, Mortensen, Forster, James LeGros, Philip Baker Hall etc although really the question is why they all queued up to be in this toss!
Overall it's so-so as a film. However when you compare it to the original it's really a poor show and, because it's a carbon copy, you can't help but compare it line for line, scene for scene, actor for actor.
Remakes are regular things nowadays, but carbon copies are rare. This is a lift in terms of dialogue, shots almost everything at times. The big question is why? As a film in its own right it's not terrible but comparing it to the original it literally pales in comparison (despite the colour!). Why did we need this sure on some level it may reach those who haven't seen the original and don't want to watch an 'old' film. But really why should we indulge the multiplexers who refuse to watch anything made before 1991?
It's not bad it's poor a poor relation of the original. In the UK we often get 50th anniversary etc re-releases of old films nationwide (admittedly not in all cinemas), in fact Psycho was out a few years ago. So the idea that a cheap copy is good because it'll help open it up to new audiences.
The cast are all OK until you watch the original. Then Vaughn stands out as doing a poor imitation, Heche is nowhere near Leigh and Julianne Moore has too much 'strong woman' baggage from other roles to do well. Admittedly the all-star cast gives weight to the roles that were relatively minor Macy, Mortensen, Forster, James LeGros, Philip Baker Hall etc although really the question is why they all queued up to be in this toss!
Overall it's so-so as a film. However when you compare it to the original it's really a poor show and, because it's a carbon copy, you can't help but compare it line for line, scene for scene, actor for actor.
Film! What a mystery. Nobody can doubt that Gus Van Sant is a truly gifted filmmaker - I'm writing this after "Milk" - so how can it be that remaking a classic like "Psycho" shot by ,virtually, shot, Van Sant fails so miserably. Not an ounce of what made the original what it is, makes it to the remake. Every wrong choice found a home here. Anne Heche? Who thought of it? She is so bad with that unbearable little voice, one kind of wants her to die. Julianne Moore makes her Vera Miles part a butch, unattractive character. Viggo Mortensen, an actor I love, is kind of embarrassing as is William H Macy in the Martin Balsam part. The wardrobe is unforgivable and Chris Doyle, one of the best living cinematographers, creates a flat, painful, jarringly colorful frame but the worst of all is Vince Vaughn. Absolutely unforgivable. What a terrible, terrible performance. The exact opposite of Anthony Perkins where everything was intensely personal. Here it feels like a Saturday Night Live sketch, one of the less fortunate ones. I haven't been able to forgive Vince Vaughn. That silly, shallow giggle he gives to Norman Bates, will return to haunt him.
This is easily the worst remake in film history. I have never understood the idea of a remake at all. If a film, like Psycho, is so good to start with why on earth do you want to try and improve on it? If you insist on tampering with perfection, why then do you have to try to recreate it in it's whole? There is nothing original here. Gus Van Sant put nothing of himself into this film. They say imitation is the highest form of flattery, but this is ridiculous. There are a lot of sides to a character as complex as Norman Bates, and I suspect that Vaughn may have wanted to explore them. Instead Van Sant forced him into sticking to a cheap imitation of Anthony Perkins. Perkins turned in a performance that lead to one of the most memorable characters in film history and it would have been impossible for any actor, no matter how good to recreate that. The rest of the characters are stuck just as tight to similarly wooden imitations of the originals. It is almost painful to watch very talented actors (namely William H Macy) have that talent stifled. In the end, Gus Van Sant set out to pay homage to a great film. Instead he cheapened it, and created a movie that is not worthy of late night cable.
Wusstest du schon
- WissenswertesIn Psycho (1960), Sir Alfred Hitchcock wanted his opening shot to be a long, complete pan and zoom over the city into Marion's hotel room. Sadly, the technology was not yet perfected, and he achieved his effect through a series of pans and dissolves. The remake does a complete travelling shot, as Hitchcock had intended.
- PatzerSome continuity errors were deliberately included, being copied from the original Psycho (1960).
- Zitate
Norman Bates: A boy's best friend is his mother.
- Crazy CreditsThanks to John Woo for use of his kitchen knife.
- VerbindungenEdited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
- SoundtracksLiving Dead Girl
Written by Rob Zombie, Scott Humphrey
Performed by Rob Zombie
Courtesy of Geffen Records
Under license from Universal Music Special Markets
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Psicosis
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 60.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 21.485.655 $
- Eröffnungswochenende in den USA und in Kanada
- 10.031.850 $
- 6. Dez. 1998
- Weltweiter Bruttoertrag
- 37.170.655 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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