2 Bewertungen
I just watched this one again as a reminder of Lakshmi – her delicate beauty was perfectly captured by Bharathan in his first directors role. It was a glorious first film for him, full of hope and panache, and of romance and music of course.
An accidental collision of bicycles on their way to college brings Mohan and Lakshmi together, culminating in a night of passion, a baby, the father marrying his father's choice, the mother sliding into a "sinful" position, abandoning their baby and eventually marrying her boss. And plenty more besides! The scene where she leaves her baby in the woods coming as it does at 65 minutes in is pretty harrowing stuff, she takes the easy solution but finds almost instantly it was the wrong one and ultimately nearly impossible to live with. On the other hand her ex's original decision to walk out and marry another is not considered as inherently wrong and is something he could live with. There's all kinds of social, political, religious and personal commentaries going on, too many to mention – the previous excellent comment covered it all well – and everything dovetails at the end to a fairly logical conclusion. The only minor niggle I ever had was that no matter how logical the last section dragged on for far too long. The songs were by Vayalar and M.B Shreenivasan, my favourites being Braahmama Muhoortham, entrancingly sung by Manoharan; and the beautiful Chandrothsavathinu sung by Yeshudas with an unusual middle section by Manoharan seldom looked more exquisite or regal, the whole song being a a wondrous piece of poetic sound and vision. I do confess to preferring happy songs with no dark clouds! All the leads seem incredibly photogenic with some marvellous photography and generally excellent production values; in fact some of the sets and costumes would have looked gorgeous in colour. Lakshmi's anguish was perfectly portrayed, especially with Yeshudas' Mounanghal Paadukayo – how is it she never achieved wider recognition? Although filmed a couple of generations ago now, the concepts and lessons of To Err Is Human that are expounded are sadly still to be learnt today by huge sections of humanity.
An accidental collision of bicycles on their way to college brings Mohan and Lakshmi together, culminating in a night of passion, a baby, the father marrying his father's choice, the mother sliding into a "sinful" position, abandoning their baby and eventually marrying her boss. And plenty more besides! The scene where she leaves her baby in the woods coming as it does at 65 minutes in is pretty harrowing stuff, she takes the easy solution but finds almost instantly it was the wrong one and ultimately nearly impossible to live with. On the other hand her ex's original decision to walk out and marry another is not considered as inherently wrong and is something he could live with. There's all kinds of social, political, religious and personal commentaries going on, too many to mention – the previous excellent comment covered it all well – and everything dovetails at the end to a fairly logical conclusion. The only minor niggle I ever had was that no matter how logical the last section dragged on for far too long. The songs were by Vayalar and M.B Shreenivasan, my favourites being Braahmama Muhoortham, entrancingly sung by Manoharan; and the beautiful Chandrothsavathinu sung by Yeshudas with an unusual middle section by Manoharan seldom looked more exquisite or regal, the whole song being a a wondrous piece of poetic sound and vision. I do confess to preferring happy songs with no dark clouds! All the leads seem incredibly photogenic with some marvellous photography and generally excellent production values; in fact some of the sets and costumes would have looked gorgeous in colour. Lakshmi's anguish was perfectly portrayed, especially with Yeshudas' Mounanghal Paadukayo – how is it she never achieved wider recognition? Although filmed a couple of generations ago now, the concepts and lessons of To Err Is Human that are expounded are sadly still to be learnt today by huge sections of humanity.
This is a Malayalam language film starring Lakshmi.
The film is a creation of P Padmarajan (Writer) and Bharathan (Director), both geniuses. With a talent like Lakshmi at their disposal, they have created a gem of a film.
I wonder why this one isn't watched (and thus rated) more. Especially given it's available for free on Hotstar.
The film explorers loneliness within marriage when there is a gap - both in terms of age and priorities of what one seeks in a marriage.
The side narrative in the film explores how misplaced priorities even ruins childhoods and scars lives.
The film bucks the trend in showing how the girl's father who has arranged the marriage to his own disciple, stands by her in her tough times. The pride he mentions isn't to be misconstrued as ego, but the importance he yields to his girl children, as he himself clarifies. Wish all parents of girl children in the past generations were like that!
The film is bold in not ending with a resigned-to-fate manner. But by the protagonist choosing to forge a path of her own choice.
Hats off to such a film created in the 70s.
The film is a creation of P Padmarajan (Writer) and Bharathan (Director), both geniuses. With a talent like Lakshmi at their disposal, they have created a gem of a film.
I wonder why this one isn't watched (and thus rated) more. Especially given it's available for free on Hotstar.
The film explorers loneliness within marriage when there is a gap - both in terms of age and priorities of what one seeks in a marriage.
The side narrative in the film explores how misplaced priorities even ruins childhoods and scars lives.
The film bucks the trend in showing how the girl's father who has arranged the marriage to his own disciple, stands by her in her tough times. The pride he mentions isn't to be misconstrued as ego, but the importance he yields to his girl children, as he himself clarifies. Wish all parents of girl children in the past generations were like that!
The film is bold in not ending with a resigned-to-fate manner. But by the protagonist choosing to forge a path of her own choice.
Hats off to such a film created in the 70s.