Die Rache des Paten

Originaltitel: Quelli che contano

1974
BPjM Restricted
1 Std. 37 Min.

IMDb-BEWERTUNG

IHRE BEWERTUNG

Barbara Bouchet and Henry Silva in Die Rache des Paten (1974)

Eine geläuterte Prostituierte tut sich mit einem bezahlten Auftragskiller zusammen, um einen italienischen Bandenkrieg zu beenden.Eine geläuterte Prostituierte tut sich mit einem bezahlten Auftragskiller zusammen, um einen italienischen Bandenkrieg zu beenden.Eine geläuterte Prostituierte tut sich mit einem bezahlten Auftragskiller zusammen, um einen italienischen Bandenkrieg zu beenden.

Regie
- Andrea Bianchi
Drehbuch
- Sergio Simonetti
- Piero Regnoli
Hauptbesetzung

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

6,2/10

777

IHRE BEWERTUNG

Regie
- Andrea Bianchi
Drehbuch
- Sergio Simonetti
- Piero Regnoli
Hauptbesetzung

Siehe Produktionsinformationen bei IMDbPro

Benutzerrezensionen22

Ausgewählte Rezension

Joseph Brenner does it again!!!!

WOW! Another false ad campaign by Joseph Brenner! He mis-advertises this film at the theatres as some kind of a woman beating movie, as the poster shows a woman's face all bruised up, with the caption "for a lousy 50 bucks he could do whatever he wanted with her", when it is another Italian Mafia film with Henry Silva! Even the video box hints it is some kind of a motel sex film, when it isn't! And it isn't a good mafia movie either! This is one of the mafia films that is so bad it probably ENDED the mafia film craze! The opening credit isn't even the original, as it is a tacked in credit with music from DELTA FOX! UGH! To be avoided!

Serpent-5
18. Juni 2000
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Wissenswertes
The original title of this film, Quelli che contano, roughly translates to "Those That Matter," but it was far too subtle for the U.S. distributor. When Joseph Brenner released the film stateside, it became the easier to sell Cry Of A Prostitute, with a lurid roughie style ad campaign focused on the battered and bloody visage of supporting player Barbara Bouchet.

Patzer
Even for the split second it's exposed in it's unnaturally lurid green, the customs officer in the opening scene should have recognized the sick "child" the smugglers are carrying with them is actually a clothes mannequin, which should have become all the more clear to the police and doctors in the next scene, gathered around the table where it was laid out and cut open.

Zitate
Tony Aniante: [in response to Margie's having thrown herself at him] Let's cut right through the bullshit. We both know what you are.
Margie: [with drunken enthusiasm] A whore! That's more than obvious. I was a hooker when Rico got me in the Bronx. 3 bucks a pop and 2 bucks a handjob , in a car. You think that stops me from being a woman, huh?