Füge eine Handlung in deiner Sprache hinzuIn 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and... Alles lesenIn 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and class-based marriages.In 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and class-based marriages.
- Auszeichnungen
- 5 Nominierungen insgesamt
Fotos
Empfohlene Bewertungen
Yes the story was perhaps too fanciful with just about every relationship portrayed, affected by the same issue but it sure does expose the issue as I had never considered it before.
It is interesting to read that Dorothy West had the book, 30 years in the making. I wonder how it would have been received if it had been completed prior to the beginnings of the racial revolution in the sixties with Dr Martin Luther King etc.
Somehow the whole thing seemed a bit "wooden" in delivery but nonetheless as it tackled a subject that I suspect has been unconsidered by most, it was worthwhile doing and not surprisingly needed the backing of Oprah Winfrey to see the light of day.
It put me somewhat in mind of the trans racial issues as presented in the musical Showboat which I would recommend to anyone who wants to explore these issues in a more subtle and tuneful production.
Halle Berry - fresh, beautiful, talented, what a lovely smile... the environment, the sets, the costumes (colors, styles, characterization), the lights and the colors of the scenes... the pear, the shore line, the woods, Marta's Vineyard sure must be a beautiful place. The beautiful white houses, the make-up displayed, the hairdos, the lines, the fact that it doesn't show violence, the fact that it deals with individual choice and the effect our choices have in others life. It suites the purpose of a TV movie, it has a message, it is clean, and healthy subject to watch and to think about. It's nice.
First of all, let me set the record straight for all those who do not know. This movie was based on "The Wedding," a book by the renowned Harlem Rennaissance writer Dorothy West. It is NOT based on a true story in any way, shape or form.
I have read other works by Dorothy West and found them to be very interesting. She set herself apart from the other Harlem Rennaissance writers at the time by writing about black upper middle-class, a social hierarchy that has gone virtually unexplored throughout African-American Literature. However, when I read "The Wedding," I was deeply resentful. The underlying tone of racism against interracial relationships staggers me, as I am a multiracial person. I found the characters detestable and the fact that there is virtually no plot progression throughout the novel is a huge problem. Ninety percent of the novel is backstory.
Many of these same elements are portrayed in the movie version of this book to the nth degree. First of all, Shelby Coles is supposed to be white. She is not light-skinned like Halle Berry. She is WHITE. She has blond hair and blue-eyes. She is the product of so many blends of black and white that her blackness has been genetically wiped out on the surface. The fact that they cast Halle Berry to play Shelby Coles destroys the only redeeming quality I found in the book. This is the scene where Shelby gets lost as a little girl and no one can find her because the police report says that she is black, but she looks white. Using this scene to establish the unequal treatment society puts on whites and blacks was the only redeeming quality I found in this book.
There are several other elements that I found so offensive from this movie (mostly character-wise) that it would be impossible to mention them all.
This is a deeply resentful movie about interracial relations, and should not have been made into a movie. This was the last book that Dorothy West wrote before she died, and I'm wondering if that has something to do with its irregular quality. All I know is that if you are multiracial or biracial, do not, under any circumstances, watch this movie or read West's book. Read some of the other books by West. They are so much better.
Wusstest du schon
- WissenswertesAs of 2025, this television miniseries is the only on-screen adaptation of any of Dorothy West's novels.
- Zitate
Corinne Coles: You've undermined me all my life. You've only loved part of me, and that's not enough.
Gram: How can... how can you say that? I... I dedicated my life to you.
Corinne Coles: You've always measured me by your standards. My mother was never happy because of you. I married for the wrong reasons, because for you.
Gram: Talk... all this talk is nonsense. You should be thinking about Shelby's wedding.
Corinne Coles: My life is falling apart. My husband is leaving me.
Gram: I don't want to think about that. I can't... I can't think about that.
Corinne Coles: You should think about that. You should think about what you've done to me, and my mother, and my father.
- VerbindungenReferences Später Frühling (1949)