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The Wedding

  • Fernsehfilm
  • 1998
  • 3 Std.
IMDb-BEWERTUNG
6,1/10
564
IHRE BEWERTUNG
Halle Berry, Lynn Whitfield, Carl Lumbly, and Eric Thal in The Wedding (1998)
DramaRomance

Füge eine Handlung in deiner Sprache hinzuIn 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and... Alles lesenIn 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and class-based marriages.In 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and class-based marriages.

  • Regie
    • Charles Burnett
  • Drehbuch
    • Dorothy West
    • Lisa Jones
  • Hauptbesetzung
    • Halle Berry
    • Eric Thal
    • Lynn Whitfield
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,1/10
    564
    IHRE BEWERTUNG
    • Regie
      • Charles Burnett
    • Drehbuch
      • Dorothy West
      • Lisa Jones
    • Hauptbesetzung
      • Halle Berry
      • Eric Thal
      • Lynn Whitfield
    • 12Benutzerrezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 5 Nominierungen insgesamt

    Fotos

    Topbesetzung35

    Ändern
    Halle Berry
    Halle Berry
    • Shelby Coles
    Eric Thal
    Eric Thal
    • Meade Howell
    Lynn Whitfield
    Lynn Whitfield
    • Corinne Coles
    Carl Lumbly
    Carl Lumbly
    • Lute McNeil
    Michael Warren
    Michael Warren
    • Clark Coles
    Marianne Jean-Baptiste
    Marianne Jean-Baptiste
    • Ellen Coles
    Cynda Williams
    Cynda Williams
    • Liz Odis
    Charlayne Woodard
    Charlayne Woodard
    Richard Brooks
    Richard Brooks
    • Lincoln Odis
    Gabriel Casseus
    Gabriel Casseus
    • Hannibal
    Shirley Knight
    Shirley Knight
    • Gram (Miss Caroline)
    Ethel Ayler
    Ethel Ayler
    • Eunice
    Paul Butler
    • Preacher
    Peter Francis James
    Peter Francis James
    • Isaac Coles
    Carl Gordon
    Carl Gordon
    • Mr. Hawkins
    Margo Moorer
    Margo Moorer
    • Emmaline
    Shilla Benning
    Shilla Benning
    • Gigi
    Joseph Bias
    • Young Isaac
    • Regie
      • Charles Burnett
    • Drehbuch
      • Dorothy West
      • Lisa Jones
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen12

    6,1564
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    Empfohlene Bewertungen

    8Andrew_S_Hatton

    It tackles a subject of which I was ignorant.

    Obviously we all compare ourselves with others to some degree even though it is not a praiseworthy activity, however I had never considered the extent to which class-ism probably wrecked relationships amongst Black families in the early 20th century.

    Yes the story was perhaps too fanciful with just about every relationship portrayed, affected by the same issue but it sure does expose the issue as I had never considered it before.

    It is interesting to read that Dorothy West had the book, 30 years in the making. I wonder how it would have been received if it had been completed prior to the beginnings of the racial revolution in the sixties with Dr Martin Luther King etc.

    Somehow the whole thing seemed a bit "wooden" in delivery but nonetheless as it tackled a subject that I suspect has been unconsidered by most, it was worthwhile doing and not surprisingly needed the backing of Oprah Winfrey to see the light of day.

    It put me somewhat in mind of the trans racial issues as presented in the musical Showboat which I would recommend to anyone who wants to explore these issues in a more subtle and tuneful production.
    2khatcher-2

    Better miss this saga, despite lovely Halle Berry

    I first met (and fell in love with) Halle Berry in Alex Haley's `Queen' (1993), TV mini series of some 259 minutes, shown here in Europe in two episodes. An excellent production with careful directing and good acting, especially from the beautiful Halle, even including the necessary aging which takes place throughout the film. I next found her as Khaila in `Losing Isiah' (1995), which was not bad, I suppose, just too predictable, although some scenes showed some pretty good interpretative skills. However, Charles Burnett's job on `The Wedding' – and Halle's attempt to play out the story – was just dreadfully, drearily dismal. There was little imagination, negligible capacity to make the characters `feel' alive, real; it just simply turned out to be another saga-like drudge. Whether a half-black lovely young woman can or shouldn't marry a perfectly white jazz musician, or whether she should or mustn't marry a an honestly black man, is just so out of date, it does not rub off. You would have to be really off your head for the beautiful Halle Berry, or simply an avid consumer of glossy women's mags to be able to stomache this film. Give it a miss.
    6Sergio Vicente

    nice sets, landscapes.... beautiful Berry

    Things I liked about The Wedding:

    Halle Berry - fresh, beautiful, talented, what a lovely smile... the environment, the sets, the costumes (colors, styles, characterization), the lights and the colors of the scenes... the pear, the shore line, the woods, Marta's Vineyard sure must be a beautiful place. The beautiful white houses, the make-up displayed, the hairdos, the lines, the fact that it doesn't show violence, the fact that it deals with individual choice and the effect our choices have in others life. It suites the purpose of a TV movie, it has a message, it is clean, and healthy subject to watch and to think about. It's nice.
    9moses_29115

    Oprah Winfrey does it again with The Wedding

    I loved this movie. It shows that prejudice is not just black and white, but also light and dark and have and have not! The movie is realistic because we hear terms like "beautiful light-skinned", "getting too dark" and "good hair" every day. The movie also shows how easy it is for that prejudice to be passed on from generation to generation and that the coming of age period in a person's life should not be taken lightly because that is the opportunity to right wrongs learned from the previous generation. Granted some may see this movie and hate the grandmother, to do so would be to liken yourself to her. Self hate exists among each race. It is particularly sad within the African American community because of the difficulty and intensity of the struggle for freedom. Humankind has to learn to be beautiful in spirit and in love. I think that is the point of the story.
    3kmm1128

    A flawed production based on a flawed book.

    I read the reviews of this movie and I am shocked and appalled that so many people found this a worthwhile production. While, it is true that the movie is an accurate portrayal of upper class black socialites in the 1930s-1950s, there are so many elements of this movie and the book on which it was based that I found offensive.

    First of all, let me set the record straight for all those who do not know. This movie was based on "The Wedding," a book by the renowned Harlem Rennaissance writer Dorothy West. It is NOT based on a true story in any way, shape or form.

    I have read other works by Dorothy West and found them to be very interesting. She set herself apart from the other Harlem Rennaissance writers at the time by writing about black upper middle-class, a social hierarchy that has gone virtually unexplored throughout African-American Literature. However, when I read "The Wedding," I was deeply resentful. The underlying tone of racism against interracial relationships staggers me, as I am a multiracial person. I found the characters detestable and the fact that there is virtually no plot progression throughout the novel is a huge problem. Ninety percent of the novel is backstory.

    Many of these same elements are portrayed in the movie version of this book to the nth degree. First of all, Shelby Coles is supposed to be white. She is not light-skinned like Halle Berry. She is WHITE. She has blond hair and blue-eyes. She is the product of so many blends of black and white that her blackness has been genetically wiped out on the surface. The fact that they cast Halle Berry to play Shelby Coles destroys the only redeeming quality I found in the book. This is the scene where Shelby gets lost as a little girl and no one can find her because the police report says that she is black, but she looks white. Using this scene to establish the unequal treatment society puts on whites and blacks was the only redeeming quality I found in this book.

    There are several other elements that I found so offensive from this movie (mostly character-wise) that it would be impossible to mention them all.

    This is a deeply resentful movie about interracial relations, and should not have been made into a movie. This was the last book that Dorothy West wrote before she died, and I'm wondering if that has something to do with its irregular quality. All I know is that if you are multiracial or biracial, do not, under any circumstances, watch this movie or read West's book. Read some of the other books by West. They are so much better.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      As of 2025, this television miniseries is the only on-screen adaptation of any of Dorothy West's novels.
    • Zitate

      Corinne Coles: You've undermined me all my life. You've only loved part of me, and that's not enough.

      Gram: How can... how can you say that? I... I dedicated my life to you.

      Corinne Coles: You've always measured me by your standards. My mother was never happy because of you. I married for the wrong reasons, because for you.

      Gram: Talk... all this talk is nonsense. You should be thinking about Shelby's wedding.

      Corinne Coles: My life is falling apart. My husband is leaving me.

      Gram: I don't want to think about that. I can't... I can't think about that.

      Corinne Coles: You should think about that. You should think about what you've done to me, and my mother, and my father.

    • Verbindungen
      References Später Frühling (1949)

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 22. Februar 1998 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • La boda
    • Drehorte
      • Southport, North Carolina, USA
    • Produktionsfirmen
      • Hamdon Entertainment
      • Harpo Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      3 Stunden
    • Farbe
      • Color
    • Sound-Mix
      • Dolby
    • Seitenverhältnis
      • 1.33 : 1

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    Halle Berry, Lynn Whitfield, Carl Lumbly, and Eric Thal in The Wedding (1998)
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