Our Mutual Friend
- Miniserie
- 1998
- 1 Std. 28 Min.
IMDb-BEWERTUNG
8,0/10
2868
IHRE BEWERTUNG
Ineinandergreifende Geschichten über Liebe, Gier und geheime Identitäten im London der 1860er Jahre von Charles Dickens.Ineinandergreifende Geschichten über Liebe, Gier und geheime Identitäten im London der 1860er Jahre von Charles Dickens.Ineinandergreifende Geschichten über Liebe, Gier und geheime Identitäten im London der 1860er Jahre von Charles Dickens.
- 4 BAFTA Awards gewonnen
- 9 Gewinne & 6 Nominierungen insgesamt
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Fine adaptation of a powerful Dickens novel, full of the frustrating spectrum of strengths and weakness inherent in every Dickens story; from the powerful rage he expresses in documenting social injustice, to his goody-two-shoes pedestal-bound heroines. It's about class, love, the river, London, and it's full of great scenes and haunting visuals: witness a tormented Bradley Headstone stalking Eugene Wrayburn through the streets of the City at night. The length of the series does the work justice; the casting is outstanding expect no less from any good BBC adaptation. The always excellent, underrated Stephen Mackintosh brings complexity and delicacy to his John Rokesmith; Paul McGann gets the best lines; and the entire cast brings the writing to life in a good-looking production - who cares if perhaps it all looks just a tad better than it should. A staple in my DVD collection, highly recommended.
I've been recently seeing so many good adaptations of classical novels into mini-series, that I am becoming convinced they should never be made into feature length at all. I saw this on video all at once, which was almost six hours long. But, I could not stop watching. The character and plot developed so well, it was like reading a novel in one go. I don't often have the endurance to read a novel in one go. I must be honest I have not read 'Our Mutual Friend'. Often, when I see an adaptation of a novel, I want to read the novel. But this adaptation was so satisfying that I didn't really feel that need.
The performances were slightly varied in style, which seemed to suggest that it was the actors who had the control, not the director. David Morrissey's Bradley Headstone was very realistic, portraying him as a kind of ready to burst, angry and passionate man, as his face often changed color with anger, despair, passion and fear. So Keeley Hawes as Lizzie Hexam, being intimidated by and scared of Headstone was believable. I'd seen Keeley Hawes in the 'Begger Bride' before this, and I was fairly impressed by her portrayal of a completely virtuous character. She easily portrayed the mild, beautiful, and so very modest girl.
This adaptation also had the biggest TV role for Anna Friel at the time. And she was surprisingly good, and I always will expect her to play the feisty role, which is not a bad thing.
So, nice one.
The performances were slightly varied in style, which seemed to suggest that it was the actors who had the control, not the director. David Morrissey's Bradley Headstone was very realistic, portraying him as a kind of ready to burst, angry and passionate man, as his face often changed color with anger, despair, passion and fear. So Keeley Hawes as Lizzie Hexam, being intimidated by and scared of Headstone was believable. I'd seen Keeley Hawes in the 'Begger Bride' before this, and I was fairly impressed by her portrayal of a completely virtuous character. She easily portrayed the mild, beautiful, and so very modest girl.
This adaptation also had the biggest TV role for Anna Friel at the time. And she was surprisingly good, and I always will expect her to play the feisty role, which is not a bad thing.
So, nice one.
I saw this as soon as it came out on Masterpiece Theater and loved it! All the actors did a wonderful portrayal of the characters. (one of my particular favorites is Mr.Venus) The Boffins were superb, Lizzie was fabulous, everyone had the BEST facial expressions! . . . I could go on forever! :o) If you haven't seen it, you definitely should. It is really worth the full 6 hours.
"Our Mutual Friend," is another well done BBC adaptation of a classic Charles Dickens story, set in the complex London of 1860, beset with the poor, overseen by the unseemly rich with a class structure at it's most delineated.
All of these stories deserve the mini-treatment, to allow us into the sprawl of the period and soak up its language and atmosphere and this is right up there with the best of them. The waterfront sets are magnificent as are the sets for the refuse dump where a lot of the action takes place. The cast is enormous and includes many recognised British names, from Timothy Spall, one of my personal favourites, to Margaret Tyzack, another favourite from the original "Forsyte Saga" series.
Each character is well drawn and complex in all its humanity and struggle for survival. Keely Hawes shines as a woman ill suited to a life on the river, retrieving drowned corpses for their clothes and possessions, and as her counterpart, Anna Friel is sparkling with wit and beauty as a poverty stricken woman striving to acquire a rich husband.
The script is authentic to Dickens and the era, underlaid with a haunting musical score and overlaid with a cinematography that sweeps from the multi-layered greys of the slums and river life to the lush English gardens of the well-to-do and their sumptuous parties.
Much like the mini "Pride and Prejudice", all the plot lines sweep to a happy, clean and simple denouement in the end, but the ride is sure-footed with many interesting characters to bewitch and fascinate along the way and a suspenseful drama to hold interest.
9 out of 10 and not to be missed.
All of these stories deserve the mini-treatment, to allow us into the sprawl of the period and soak up its language and atmosphere and this is right up there with the best of them. The waterfront sets are magnificent as are the sets for the refuse dump where a lot of the action takes place. The cast is enormous and includes many recognised British names, from Timothy Spall, one of my personal favourites, to Margaret Tyzack, another favourite from the original "Forsyte Saga" series.
Each character is well drawn and complex in all its humanity and struggle for survival. Keely Hawes shines as a woman ill suited to a life on the river, retrieving drowned corpses for their clothes and possessions, and as her counterpart, Anna Friel is sparkling with wit and beauty as a poverty stricken woman striving to acquire a rich husband.
The script is authentic to Dickens and the era, underlaid with a haunting musical score and overlaid with a cinematography that sweeps from the multi-layered greys of the slums and river life to the lush English gardens of the well-to-do and their sumptuous parties.
Much like the mini "Pride and Prejudice", all the plot lines sweep to a happy, clean and simple denouement in the end, but the ride is sure-footed with many interesting characters to bewitch and fascinate along the way and a suspenseful drama to hold interest.
9 out of 10 and not to be missed.
This is a great adaptation. It is well cast and all the performances are excellent. I particularly liked the performances of David Morrissey as Bradley Hellstone and Stephen Mackintosh as John Rokesmith.
The script remains fairly faithful to the book, and the costumes and scenery give a very convincing Victorian look.
The script remains fairly faithful to the book, and the costumes and scenery give a very convincing Victorian look.
Wusstest du schon
- Zitate
Lizzie Hexam: Will you walk beside me, Mr. Wrayburn, and not touch me.
Eugene Wrayburn: I'll TRY.
- VerbindungenFeatured in Dickens (2002)
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- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- 我們共同的朋友
- Drehorte
- The Historic Dockyard Chatham, Chatham, Kent, England, Vereinigtes Königreich(back streets of the workhouse)
- Produktionsfirma
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By what name was Our Mutual Friend (1998) officially released in India in English?
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