'The Hilarious Posters (1906)' is a clever effects film from French cinemagician Georges Méliès. A workman affixes a giant poster to a wall and departs, before all the posters come to life to cause mischief. A group of policemen arrive on the scene, but are bombarded with flour, and the poster-figures eventually escape into the real world. The transition from the two-dimensional posters to their flesh-and-blood counterparts is a little abrupt, and might have worked better as a slow fade, but otherwise the effect is impressive. Méliès must have built a nifty film set to house each of the poster characters in the one frame, especially the figures in the top poster (who are depicted, unlike their companions, in full profile). The visual effect - that is, an assumed still image suddenly coming to life - mirrors the advent of cinema itself, at which photographs were suddenly made to move. Méliès later wrote of his first experience with cinema: "a still photograph showing the place Bellecour in Lyon was projected... I had hardly finished speaking when a horse pulling a wagon began to walk towards us, followed by other vehicles and then pedestrians, in short all the animation of the street. Before this spectacle we sat with gaping mouths, struck with amazement, astonished beyond all expression." By recreating this experience with posters we at first assume to be two-dimensional and lifeless, Méliès makes a self-reflexive statement about cinema itself.
