6 völlig Fremde mit sehr unterschiedlichen Persönlichkeitsmerkmalen werden unwillkürlich in ein endloses Labyrinth mit tödlichen Fallen gebracht.6 völlig Fremde mit sehr unterschiedlichen Persönlichkeitsmerkmalen werden unwillkürlich in ein endloses Labyrinth mit tödlichen Fallen gebracht.6 völlig Fremde mit sehr unterschiedlichen Persönlichkeitsmerkmalen werden unwillkürlich in ein endloses Labyrinth mit tödlichen Fallen gebracht.
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- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 13 Gewinne & 9 Nominierungen insgesamt
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Quentin wakes up in a square room with exits on each wall. Soon he is joined by other people, strangers, who also have no idea where they are. Looking around they find that each room leads to another one that looks just the same. One of the group is the famous prison escape artist Rennes, who realises that some of the rooms are booby-trapped but that he thinks he has got the solution. With no other ideas the group follow him and try to evade the traps and stay alive all the time with absolutely no idea of why they are here or who has imprisoned them.
I heard about this film years ago but only recently managed to find it on television to watch. It is hard to think that it is almost a decade old now but that it is still effective and a regular cult movie that people will still talk about. Its power is in its simplicity every room is the same and every next room could be safe or could be a trap; there is no reason for any of it and there appears to be no way out. Usually this sort of stuff makes for a great pitch but not always a good movie because the idea can't stretch beyond a catchy gimmick, however here it does it and makes it look easy. The whole film is our characters trying to work their way through the rooms without getting horribly killed. This in itself is gripping and at times unbearable to watch horror fans may be disappointed that long periods go by without a lot of gore but personally I prefer tension to the delivery.
At the same time we also get the characters feeding the mystery of the cube, building the tension and the sense of hopelessness without ever really solving anything. It answers questions with more questions and keeps things moving well. The development of the characters is better than I expected and I liked the way that the film played with the characters, changing them as the film went along. It isn't a fantastic character piece but again it is just something that helps keep the film moving and I suppose it was interesting to see the nature of people come out. In that regard I was also impressed by the cast. I had expected poor performances from a low budget film but actually they were all quite good. Wint is best but towards the end his performance became a bit too simplistic. Hewlett underplays and probably has the least character to deal with but is still good. De Boer was effective and interesting. Robson was a nice distraction. Guadagni was a good counterweight for Wint and played well to develop him and herself at the same time. Miller was good and the pace of the film helped distract from him basically doing a Rain Man impression.
Overall an impressive low budget thriller that works because it sticks to the simple idea while building side issues with the characters and the cube around it but never actually solving anything. Perhaps it is better not to over praise it because I thought it was at its best because I didn't know what was going to happen.
I heard about this film years ago but only recently managed to find it on television to watch. It is hard to think that it is almost a decade old now but that it is still effective and a regular cult movie that people will still talk about. Its power is in its simplicity every room is the same and every next room could be safe or could be a trap; there is no reason for any of it and there appears to be no way out. Usually this sort of stuff makes for a great pitch but not always a good movie because the idea can't stretch beyond a catchy gimmick, however here it does it and makes it look easy. The whole film is our characters trying to work their way through the rooms without getting horribly killed. This in itself is gripping and at times unbearable to watch horror fans may be disappointed that long periods go by without a lot of gore but personally I prefer tension to the delivery.
At the same time we also get the characters feeding the mystery of the cube, building the tension and the sense of hopelessness without ever really solving anything. It answers questions with more questions and keeps things moving well. The development of the characters is better than I expected and I liked the way that the film played with the characters, changing them as the film went along. It isn't a fantastic character piece but again it is just something that helps keep the film moving and I suppose it was interesting to see the nature of people come out. In that regard I was also impressed by the cast. I had expected poor performances from a low budget film but actually they were all quite good. Wint is best but towards the end his performance became a bit too simplistic. Hewlett underplays and probably has the least character to deal with but is still good. De Boer was effective and interesting. Robson was a nice distraction. Guadagni was a good counterweight for Wint and played well to develop him and herself at the same time. Miller was good and the pace of the film helped distract from him basically doing a Rain Man impression.
Overall an impressive low budget thriller that works because it sticks to the simple idea while building side issues with the characters and the cube around it but never actually solving anything. Perhaps it is better not to over praise it because I thought it was at its best because I didn't know what was going to happen.
10hippiedj
If you were to think about what situation would terrify you the most, Cube would be the ultimate challenge. In a way, it is a predecessor to TV's "Survivor" in which the people each have a skill that can help them survive and possibly get them out. It all comes down to human emotions and confrontations that get in the way of progress. It's a talky film, but that's the point-- figuring situations and dealing with different personalities is inevitable to any group. The solving of problems becomes very complex, but the viewer doesn't have to worry...let the characters figure it out as we go along for the ride. While so many sci-fi films want to wow you with effects, this film does something more challenging--it makes you think. With its limited budget and digital effects in use even before Titanic glorified them, Cube still proves itself as one of the more original and intelligent sci-fi films of the last decade, with a cult status already going strong. It is truly a nail-biter.
Cube is a movie that explores human nature and our instinctive urges for survival vs our humanitarianism. Not a new concept, I know, however this movie does it in style, with a plot so simple that it could only be the work of a conceptual genius. I don't intend to give too much away, as the power of the film lies in it's mystery, but I will say that this movie could almost be classified as disturbing, not due to its content, but rather the thoughts that it instills in the audience. I found myself rather shaken as I left the cinema, feeling as though I had been exposed to an ugly, hidden side of humanity and society. Don't get me wrong, this movie is definitely worth seeing, I would even be so bold as to say that it must be seen! I must admit that there are few movies I have seen that have had such a profound affect on me, and I don't think I am alone in my feelings.
The Cube is one of those 'just on the verge of becoming a cult movie' titles that unfortunately doesn't quite stick the landing, but it'll leave you thinking of just "what even is the point.." to many things afterwards.
Is it social commentary? Philosophical? Perhaps. But not obvious when watching it as it tries to entertain you.
Content warning for body horror, although as a teen watching this on VHS, the effects are pretty awesome and not something you forget easily, heck, the Resident Evil movie that came not soon after this one even lifted one of the horrible ways someone can die - and hint hint, the title gives it away.
8 is perhaps a high score, because while it is memorable and definitely worth watching for any true scifi fan, it is pretty hammy in most other aspects.
Is it social commentary? Philosophical? Perhaps. But not obvious when watching it as it tries to entertain you.
Content warning for body horror, although as a teen watching this on VHS, the effects are pretty awesome and not something you forget easily, heck, the Resident Evil movie that came not soon after this one even lifted one of the horrible ways someone can die - and hint hint, the title gives it away.
8 is perhaps a high score, because while it is memorable and definitely worth watching for any true scifi fan, it is pretty hammy in most other aspects.
Interesting, suspenseful flick, with some great direction, hampered by terrible acting and atrocious dialogue. The overall concept is an intriguing one, and could have made for a better film in the hands of a competent writer, but instead the screenplay is filled with idiotic characters and ludicrous dialogue. Combined with some terrible overacting by most of the cast, and the dialogue-heavy scenes become painful to watch. Fortunately, the 'action' sequences redeem the film, as they are shot well and become incredibly suspenseful - especially the scene with the quiet room. Some great gore effects and a fitting ambiguous ending make it a worthwhile viewing.
Wusstest du schon
- WissenswertesDirector Vincenzo Natali deleted a final moment from the film in which it's shown what is outside the cube. He said when he was paring the film down in the editing room it was the first thing he removed.
- PatzerWhen Leaven first checks the rooms' set of numbers for primes, she has to think for a few seconds for each set. The first set of numbers she checks ends in 5; the second set ends in 2. Numbers ending in 2 or 5 (other than 2 and 5 themselves) by definition cannot be prime. Someone proficient at math, as Leaven is, wouldn't need to think about the numbers; she'd register they were multiples of 2 and 5 and move straight to the last number.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- El cubo
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 365.000 CA$ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 501.818 $
- Eröffnungswochenende in den USA und in Kanada
- 57.147 $
- 13. Sept. 1998
- Weltweiter Bruttoertrag
- 565.727 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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