Corpse Bride - Hochzeit mit einer Leiche

After enchanting audiences with "The Nightmare Before Christmas," Tim Burton brings another stop-motion animated spectacle, "Corpse Bride." In this story, Victor Van Dort, an inept young groom-to-be, can't make his way through his wedding rehearsal. Going outside to get his lines right, he accidentally winds up marrying the corpse of a murdered bride-to-be. The animation is spectacular, proving stop-motion can be good enough to compete with computer animation. Johnny Depp provides the voice of Victor, showing mild-mannered and nervous grace. Helena Bonham Carter is the voice of Emily, the Corpse Bride, giving the dead character lively emotion. One striking element of the movie is the color scheme. In the living world, there is no bright color, making a near-black and white appearance. The story is well-written, and the music is good. Overall, "Corpse Bride" must definitely be seen!

Tim Burton's Corpse Bride was one of the best animated movies I've ever seen. My mother and I are so happy that he made another beautiful and original animated film since The Nightmare Beofre Christmas because we waited for it for 10 years. I'm glad to say that the wait was worth it. The Corpse Bride is a wonderful emotional yet fun story with heart. We had a wonderful time watching it in the theaters and we can't wait to go see it again this weekend. The visuals are so amazing that you'd have to go see the movie with your own eyes for its impossible to explain there perfection. The characters all look stunning and there are so many wonderful new characters in this movie that will keep your eyes glued on the screen. The voices of Johnny Depp, Helena Bonham Carter and Emily Watson are packed with fantastic emotion and acting. The score goes very well to the movie and the four songs that are performed sound wonderful. My favorites were "Remains of the Day" made me feel like dancing: it was such a jazzy fun song with the cool voice of Danny Elfmen. And my other favorite was "Tears To Shed" it broke my heart. Helena Bonham Carter sang that song with such heartbreak I loved it! The story is very entertaining and it has so much heart in it and Gothic like background. I loved the dialog some of my favorite lines were "Why Go Up There When People Are Dying To Get Down Here" and "Can A Heart Still Break Once It's Stopped Beating." But the most important thing is that this movie makes you feel less frightened about death. Death in this movie is a lot funner than living and the dead are always having a good time and partying that you feel like dying is not so bad. You should take anyone to see this movie if their paranoid about death it will soften their fears, Overall I strongly encourage anyone to go see this movie. I hope Tim Burten wins the Oscar for best animated movie this year. He truly deserves it! Thank you Mr. Burten for the Corpse Bride, Nightmare Before Christmas and years worth of your great films.

This is not my favourite Tim Burton movie by a long shot, but I did find myself enjoying it. The animation is absolutely amazing with the dark bold colours and inspired visual ideas. The music is good too, it adds very well to the atmosphere. The four songs are pretty decent, if nothing special. Remains of the Day was the one I liked best. The script is witty and deliciously dark in places, while the story is clever and fairly original, even if it drags slightly occasionally. The characters are wonderfully quirky and the voice work from the likes of Johnny Depp and Helena Bonham Carter is top notch. All in all, a beautifully crafted film, if not quite Burton's finest hour. 8/10 Bethany Cox

I liked this a lot, and a large part of the reason is that it is pure a Burton film as we are likely to find.

And when I say Burton, I mean that oddly successful collaboration between him and Elfman colored by commercial realities.

The big picture is that there are very few filmmakers with the skills and courage to be unique, to make movies that only they could. This goes beyond style into the nature of the soul.

If you do not have an interesting soul, you cannot be an artist. If you do not have the courage and ability to reveal that soul in some way to us, you cannot either. So hurrahs for the few in the world of film that do.

In a way, this film is a notion expanded around Ub Iwerks' (yes, that's a real name) "Skeleton Dance" done for Disney and quoted in a couple more hip Betty Boop cartoons. In another way, it is a simple date movie: boy gets girl, boy loses girl by misunderstanding, boy gets girl back and the thing ends in a wedding.

And also in a way, it is a love poem to his girl friend. I'm fascinated by these things, where a talented director (usually a man) can shape the image of the woman he loves. Films DO influence how we think of love, but this is more genuine and powerful than any of them, this real love that shines through purely cinematic means. Just think about casting the woman you love as a corpse! She is as alluring here as she has even been.

But beyond that is something that is more lasting, the business between Depp and Burton. Johnny is a fine actor, but many fine actors don't get the opportunity to explore new and unknown corners of darkness. He has and is better off for it. And so are we, though whenever this happens we end up with a new character template that inevitably becomes a stereotype. Depp already mines that stereotype in his Pirate movies.

But what concerns us here is how Burton/Elfman deepens what he has with Depp. He introduces the character as a pianist, and does so with a piano piece. That piece is a skillful blend of Chopin and pop, but more on the Chopin side. For many, Chopin is the most nakedly emotional yet dark soul they will encounter. No humor, only intimacy and passion.

So two clever things were done with this. The first is that the Depp persona (though an animated avatar here) was made deeper by reference to our deepest pianist. The second is that a few musical scenes and effects are set up, all of which reference the scene in some way. There's a sweet musical duet with Helena where they do fall in love. There may be few things more lovely than making love via music played to each other -- with each other.

Ted's Evaluation -- 3 of 3: Worth watching.

Burton takes another playful swipe at his stop-motion heroes with this nicely-done treat.

Victor Van Dort (Johnny Depp) is a milquetoast. A bumbling, unlucky dreamer. To make things worse, his parents (multi-talented Paul Whitehouse and Tracey Ullman) are forcing him into the classic "arranged marriage", which is more like a contract with the cash-strapped but aristocratic Everglots (Albert Finney & Joanna Lumley). Things turn around, however, when he meets his intended, Victoria Everglot (Emily Watson) who is actually very attractive, inside and out.

The ceremony is as arranged as the marriage, unfortunately, and the frustrated minister (Christopher Lee) demands that Victor take time out to PRACTICE HIS VOWS. This too, is awkward, as in the midst of his rehearsal, Victor places a ring upon a corpse's poking finger (just the place to rehearse a wedding, a cemetery) thus rousing the title character (Helena Bonham Carter), who leads Victor on a voyage through life and death and an unwitting quest to figure out what he really wants.

Exquisite, yes, and enjoyable, but not without a few flaws. Most of the songs, while well written, feel out of place, and potentially powerful villain, Barkis Bittern (post-Doctor Who Richard E. Grant) doesn't seem to be allowed to do enough. But the good far outweighs the bad--moviegoers who get past the title will find a light-hearted romp that is rife with parody and spoof, from the Harryhausen brand piano to the diminutive character Bonesapart (played by the diminutive Deep Roy). A cameo by Jack Skellington would have been cool (O.K., Disney) but Danny Elfman's Bonejangles does pull off an eye-popping number. Even the unsettling, Peter-Lorre-channeling maggot residing in the Bride's skull threatens to steal the show. Good cast (with many Burton stalwarts, incidentally), with the philosophy that less is more make for a good time.

Like it or not, it is well-worth noting that this film delivers many firsts to film-making, including new-style digital camera-work on refined stop-motion. To animators and film students, this offering comes highly recommended.