Zwei Mutanten besuchen eine Privatschule für ihresgleichen, deren Team aus Superhelden sich einer Terroristenorganisation mit ähnlichen Kräften stellen muss.Zwei Mutanten besuchen eine Privatschule für ihresgleichen, deren Team aus Superhelden sich einer Terroristenorganisation mit ähnlichen Kräften stellen muss.Zwei Mutanten besuchen eine Privatschule für ihresgleichen, deren Team aus Superhelden sich einer Terroristenorganisation mit ähnlichen Kräften stellen muss.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 14 Gewinne & 26 Nominierungen insgesamt
Rebecca Romijn
- Mystique
- (as Rebecca Romijn-Stamos)
John Nelles
- Rogue's Father
- (as John E. Nelles)
Zusammenfassung
Reviewers say 'X-Men' is lauded for introducing iconic characters, strong performances, and tackling themes of discrimination and identity. Hugh Jackman's Wolverine and Ian McKellen's Magneto receive particular acclaim. However, the film faces criticism for outdated special effects, underdeveloped characters, and a perceived shallow plot. Pacing issues and certain character choices are also noted. Despite these drawbacks, 'X-Men' is recognized for revitalizing the comic book genre and establishing a standard for subsequent adaptations.
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With so many movies out right now that are designed solely for entertainment puposes--from "Gone in 60 seconds" to "MI-2" to "Scary Movie"--it is promising to sit through a 90-minute film based on a comic-book that actually gives you an opportunity to think and be challenged.
Bryan Singer's "X-men: The Movie" is nothing more than an introduction to the lives of the characters from the comic book. The very fact that his movie doesn't try to add new elements, or change elements that already existed within the comic, is what makes it so successful.
X-men the comic series has been around for more than 30 years. And for good reason. It has dealt with all of the important elements that good storytelling includes--rejection, loneliness, hope, fear, distrust, love, selfishness, power, and the price you pay for doing what you believe is right. By consistently exploring various difficult elements of humanity, the X-men comic has been able to be not only entertaining but stimulating as well.
Thankfully, Singer's movie translation is no exception. "X-men" is very well executed, with excellent character work for the leads (Logan, Rogue, Magneto and Xavier), a good exploration of the motives of each character, and dialogue that is sharp and intelligent. However, lest you think X-men is only intellectual, let me assure you that the special-effects department has done an incredible job of mingling the human elements of the story with action. From Wolverine's claws to Rogue's devasating touch, from Storm's namesake displays of nature to Magneto's awesome power, "X-men" constantly finds new and arresting ways of showing-off each mutants power. And the closer you get to the end, the more exciting it is.
True, the movie was not perfect. Certain story elements were modified slightly for big-screen adaptation (nothing, however, that is disloyal to the ethic of the series). The soundtrack was only sufficient, rather than being something truly memorable. And not all of the characters were given equal time on screen (some important characters were completely missing).
But for a 90 minute movie that needs an action plot, it's obviously impossible to give all the X-men (and their evil counterparts) equal attention or character development. In fact, the sheer scale of the series alone all but requires a sequel to flesh out what was missing in this first, "Intro to X-men" movie.
Yet, as a beginning exploration of the "X-men" universe, this movie shines. It is attractive, fun and meaningful. Whether you're an X-men fan, you're looking for something that will make you think, you want an action movie, you enjoy sci-fi, or you just want to leave the theater feeling like you didn't just waste a couple of hours and seven bucks, go see Bryan Singer's "X-men." You won't be disappointed.
Bryan Singer's "X-men: The Movie" is nothing more than an introduction to the lives of the characters from the comic book. The very fact that his movie doesn't try to add new elements, or change elements that already existed within the comic, is what makes it so successful.
X-men the comic series has been around for more than 30 years. And for good reason. It has dealt with all of the important elements that good storytelling includes--rejection, loneliness, hope, fear, distrust, love, selfishness, power, and the price you pay for doing what you believe is right. By consistently exploring various difficult elements of humanity, the X-men comic has been able to be not only entertaining but stimulating as well.
Thankfully, Singer's movie translation is no exception. "X-men" is very well executed, with excellent character work for the leads (Logan, Rogue, Magneto and Xavier), a good exploration of the motives of each character, and dialogue that is sharp and intelligent. However, lest you think X-men is only intellectual, let me assure you that the special-effects department has done an incredible job of mingling the human elements of the story with action. From Wolverine's claws to Rogue's devasating touch, from Storm's namesake displays of nature to Magneto's awesome power, "X-men" constantly finds new and arresting ways of showing-off each mutants power. And the closer you get to the end, the more exciting it is.
True, the movie was not perfect. Certain story elements were modified slightly for big-screen adaptation (nothing, however, that is disloyal to the ethic of the series). The soundtrack was only sufficient, rather than being something truly memorable. And not all of the characters were given equal time on screen (some important characters were completely missing).
But for a 90 minute movie that needs an action plot, it's obviously impossible to give all the X-men (and their evil counterparts) equal attention or character development. In fact, the sheer scale of the series alone all but requires a sequel to flesh out what was missing in this first, "Intro to X-men" movie.
Yet, as a beginning exploration of the "X-men" universe, this movie shines. It is attractive, fun and meaningful. Whether you're an X-men fan, you're looking for something that will make you think, you want an action movie, you enjoy sci-fi, or you just want to leave the theater feeling like you didn't just waste a couple of hours and seven bucks, go see Bryan Singer's "X-men." You won't be disappointed.
Though "X-Men" starts slowly, the slow buildup and great payoff proved that this film is worthy of the successful franchise it spawned.
"X-Men" is a rare treat-- a blockbuster that lives up to its hype and a comic book adaptation that hits the mark.
Along with Tim Burton's "Batman", this stands head and shoulders above all other superhero movies. It's a genre that's usually synonymous with silly, campy, cartoonish crap, but Bryan Singer delivers a long-awaited exception to the rule. "X-Men" is smart, stylish, and very cool... one of the better sci fi/fantasy films of the last decade.
Of course, it helps to have good source material.
The X-Men comics, which originated in the 1960s, are more politically progressive and morally complex than older superhero stories such as "Superman" where the heroes are always right, and truth, justice, and the American Way always prevail. The series is a well-crafted parable about individuality and discrimination. The characters are mutants--struggling to find a place in a society that rejects them. Its primary villain, Magneto, isn't an evil lunatic-- he's a sympathetic character, a misguided revolutionary playing Huey Newton to Professor Xavier's Martin Luther King. The iconic character, Wolverine, is a beer-swilling anti-hero who cares little for ideals and fights only to protect himself and his loved ones. The female characters are as powerful and important as the men, rather than being mere love interests.
Rather than making just another flashy explosion-per-minute-special-effects-extravaganza, Singer practices the lost arts of character and plot development. As a result, the movie has a far greater depth than the average big budget summer flick. The acting is also quite good on the whole. Hugh Jackman, who plays Wolverine, is fantastic--a bona fide Clint Eastwood caliber badass. Some of the dialogue is fairly cheesy, but in the hands of Ian McKellan and Patrick Stewart it sounds quite convincing. (Stewart has made a career out of making lame dialogue sound cool.)
Hard-core fans of the comics have complained about the omission of several popular X-Men. This is silly. A movie that gave the background on every character in the comic books would be 6 hours long. There will be plenty of time to develop new characters in the forthcoming sequels. Fans have also complained about the casting of Anna Paquin as Rogue. I disagree. Rogue is unable to touch another human being without harming them--she would not realistically act like a confident, sassy warrior. Paquin did a tremendous job of conveying the fear and isolation that such a young woman would feel. She will undoubtedly grow into the part in future movies.
In the end, "X-Men" is a comic book movie. Superpowers are explained with silly pseudoscientific babble, the plot revolves around a fairly ridiculous take-over-the-world scheme, and names like "Magneto" are spoken with a straight face. Don't read all the glowing reviews and expect Citizen Kane. But don't underestimate "X-Men" either. It is an intelligent movie that people will enjoy whether or not they are familiar with the comic.
Along with Tim Burton's "Batman", this stands head and shoulders above all other superhero movies. It's a genre that's usually synonymous with silly, campy, cartoonish crap, but Bryan Singer delivers a long-awaited exception to the rule. "X-Men" is smart, stylish, and very cool... one of the better sci fi/fantasy films of the last decade.
Of course, it helps to have good source material.
The X-Men comics, which originated in the 1960s, are more politically progressive and morally complex than older superhero stories such as "Superman" where the heroes are always right, and truth, justice, and the American Way always prevail. The series is a well-crafted parable about individuality and discrimination. The characters are mutants--struggling to find a place in a society that rejects them. Its primary villain, Magneto, isn't an evil lunatic-- he's a sympathetic character, a misguided revolutionary playing Huey Newton to Professor Xavier's Martin Luther King. The iconic character, Wolverine, is a beer-swilling anti-hero who cares little for ideals and fights only to protect himself and his loved ones. The female characters are as powerful and important as the men, rather than being mere love interests.
Rather than making just another flashy explosion-per-minute-special-effects-extravaganza, Singer practices the lost arts of character and plot development. As a result, the movie has a far greater depth than the average big budget summer flick. The acting is also quite good on the whole. Hugh Jackman, who plays Wolverine, is fantastic--a bona fide Clint Eastwood caliber badass. Some of the dialogue is fairly cheesy, but in the hands of Ian McKellan and Patrick Stewart it sounds quite convincing. (Stewart has made a career out of making lame dialogue sound cool.)
Hard-core fans of the comics have complained about the omission of several popular X-Men. This is silly. A movie that gave the background on every character in the comic books would be 6 hours long. There will be plenty of time to develop new characters in the forthcoming sequels. Fans have also complained about the casting of Anna Paquin as Rogue. I disagree. Rogue is unable to touch another human being without harming them--she would not realistically act like a confident, sassy warrior. Paquin did a tremendous job of conveying the fear and isolation that such a young woman would feel. She will undoubtedly grow into the part in future movies.
In the end, "X-Men" is a comic book movie. Superpowers are explained with silly pseudoscientific babble, the plot revolves around a fairly ridiculous take-over-the-world scheme, and names like "Magneto" are spoken with a straight face. Don't read all the glowing reviews and expect Citizen Kane. But don't underestimate "X-Men" either. It is an intelligent movie that people will enjoy whether or not they are familiar with the comic.
The answer to that question can be found in this movie with a resounding YES. Being a fan of X-Men comics and cartoons, I watched this movie with great skepticism. It was wonderful how the characters remained true to the comics.
The special powers that our mutant heros and villains possess are displayed exceptionally. It made me wish that I could have a special power of my own.
Enough can not be said of the phenomenal cast of actors that were selected for their roles. Not only did they fit their parts perfectly, but they made you believe. Bravo to Patrick Stewart, Hugh Jackman, Ian McKellen and a host of actors who were lucky enough to take part in this adventure.
Bryan Singer does a fantastic job of bringing it all together. The special effects in this movie, only enhance the great script and acting. After seeing the DVD with the outtakes, the editing was quite effective.
The true battle of good versus evil can always make for a great story but when a comic book is adapted to film and you feel that what you see is really possible, it is a true stroke of genius.
The special powers that our mutant heros and villains possess are displayed exceptionally. It made me wish that I could have a special power of my own.
Enough can not be said of the phenomenal cast of actors that were selected for their roles. Not only did they fit their parts perfectly, but they made you believe. Bravo to Patrick Stewart, Hugh Jackman, Ian McKellen and a host of actors who were lucky enough to take part in this adventure.
Bryan Singer does a fantastic job of bringing it all together. The special effects in this movie, only enhance the great script and acting. After seeing the DVD with the outtakes, the editing was quite effective.
The true battle of good versus evil can always make for a great story but when a comic book is adapted to film and you feel that what you see is really possible, it is a true stroke of genius.
If this film had been given to the wrong director it could have been incredibly cheesy. Being a reader of the comics I know that there are a few things that works on the page of a comic book but not in a film and let me say that the costumes is one of these things that in all probability wouldn't work. Singer chose to go with black leather outfits and I, for one, am very thankful for this choice. There are many things in this film that works but unfortunately there are a few things as well that prevent the film from being truly great.
Lets start with the things that work. Acting wise the film is very good. This is above all attributed to some excellent casting. Hugh Jackman is simply perfect as Wolverine and brings out the duality of the character in a very satisfactory manner. Also the scenes were we see a glimpse of the rage in the character work remarkably well. The only thing that could be said about him is that he is too tall but it seems most people, including myself, have accepted this fact. I think also that it was a wise choice to let a relatively unknown actor play the part because in that way we have no preconceived notions about him. As for Professor X no other man than Patrick Stewart could/should play him. Stewart simply becomes Xavier both in presence, voice and looks. An example of perfect casting. Ian McKellen is brilliant as Magneto and succeeds in creating a human villain rather than the usual cliché like villains we see in Hollywood productions. The acting aside from the ones mentioned above is pretty good. Not spectacular but good. The only one who does not look and act like the character we know from the comics is Anna Paquin who plays Rogue. The character is nothing like in the comics and Paquin's performance doesn't help the character.
When it comes to music and sound effects in general the film is a notch above average. The musical score has a very grand, even epic, feel to it and this suits the film very well. The score is not as memorable as the score from Batman (1989) but it is very adequate. As for the general sound effects they are both very fitting and believable adding to the overall credibility of the film which is considerable. The sound Wolverine's claws make when they come out is exactly as I imagined it. Very well done. The effects in general are also very well made. Not as good as in Spider-Man but still very good. A lot of care has been taken to make the effects seem as believable as possible and from where I'm standing they work. The only character whose powers I did not fully believe in was Toad's. Ray Park is an excellent athlete but many of his stunts look like obvious wire work. This is a pretty general complaint I have as some of the action look rehearsed. There is, however, some interesting action scenes and overall the action is acceptable.
The story is pretty well written and the dialog is both witty and sharp. Especially much of the dialog between Wolverine and Cyclops (James Marsden) is very entertaining and true to the comic books. Where I feel the story is lacking is in the climax which I am afraid to say is a little silly. Magneto's plan for world domination is actually pretty stupid when you think about it and that is a shame because much of the exposition is very well done. Generally, however, the first film is all about setting the stage for the films to come and it does do that in a satisfactory manner.
All in all X-Men is definitely one of the better super hero movies out there and although it was surpassed by the sequel it still stands as a true testament to Singer's skill.
8/10
Lets start with the things that work. Acting wise the film is very good. This is above all attributed to some excellent casting. Hugh Jackman is simply perfect as Wolverine and brings out the duality of the character in a very satisfactory manner. Also the scenes were we see a glimpse of the rage in the character work remarkably well. The only thing that could be said about him is that he is too tall but it seems most people, including myself, have accepted this fact. I think also that it was a wise choice to let a relatively unknown actor play the part because in that way we have no preconceived notions about him. As for Professor X no other man than Patrick Stewart could/should play him. Stewart simply becomes Xavier both in presence, voice and looks. An example of perfect casting. Ian McKellen is brilliant as Magneto and succeeds in creating a human villain rather than the usual cliché like villains we see in Hollywood productions. The acting aside from the ones mentioned above is pretty good. Not spectacular but good. The only one who does not look and act like the character we know from the comics is Anna Paquin who plays Rogue. The character is nothing like in the comics and Paquin's performance doesn't help the character.
When it comes to music and sound effects in general the film is a notch above average. The musical score has a very grand, even epic, feel to it and this suits the film very well. The score is not as memorable as the score from Batman (1989) but it is very adequate. As for the general sound effects they are both very fitting and believable adding to the overall credibility of the film which is considerable. The sound Wolverine's claws make when they come out is exactly as I imagined it. Very well done. The effects in general are also very well made. Not as good as in Spider-Man but still very good. A lot of care has been taken to make the effects seem as believable as possible and from where I'm standing they work. The only character whose powers I did not fully believe in was Toad's. Ray Park is an excellent athlete but many of his stunts look like obvious wire work. This is a pretty general complaint I have as some of the action look rehearsed. There is, however, some interesting action scenes and overall the action is acceptable.
The story is pretty well written and the dialog is both witty and sharp. Especially much of the dialog between Wolverine and Cyclops (James Marsden) is very entertaining and true to the comic books. Where I feel the story is lacking is in the climax which I am afraid to say is a little silly. Magneto's plan for world domination is actually pretty stupid when you think about it and that is a shame because much of the exposition is very well done. Generally, however, the first film is all about setting the stage for the films to come and it does do that in a satisfactory manner.
All in all X-Men is definitely one of the better super hero movies out there and although it was surpassed by the sequel it still stands as a true testament to Singer's skill.
8/10
Wusstest du schon
- WissenswertesHugh Jackman took ice-cold showers every morning of filming in order to help get into character. This tradition started when jumping into the shower at 5 a.m. before realizing there was no hot water. Shocked awake but not wanting to wake his sleeping wife, he gritted his teeth and bore it before realizing that this mindset, wanting to scream and lash out at something, but having to hold it in, was the mentality that Wolverine is in constantly. He then made cold showers his Wolverine preparation routine for each movie featuring the character.
- Patzer(at around 1h 14 mins) Between when Cyclops blows open a door in the Statue of Liberty, and when he sees Jean in peril, he gains and loses a pair of gloves between shots.
- Crazy CreditsWhen the 20th Century Fox logo fades away, the X in the logo stays for a second longer before it also fades away.
- Alternative VersionenThe special edition DVD titled X-Men 1.5 features an option to add the deleted scenes back into the film, increasing the runtime to 111 minutes.
- VerbindungenEdited into FX2: Visual Effects (2003)
- SoundtracksStill I Long for Your Kiss
Written by Lucinda Williams and Duane Jarvis
Performed by Lucinda Williams
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- X-Men 1.5
- Drehorte
- Casa Loma - 1 Austin Terrace, Casa Loma, Toronto, Ontario, Kanada(interiors of Xavier's mansion)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 75.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 157.299.718 $
- Eröffnungswochenende in den USA und in Kanada
- 54.471.475 $
- 16. Juli 2000
- Weltweiter Bruttoertrag
- 296.339.528 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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