IMDb-BEWERTUNG
7,0/10
9020
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA duel between a suspected murderer and a detective pressed by people who want results. But whose skin is really wanted.A duel between a suspected murderer and a detective pressed by people who want results. But whose skin is really wanted.A duel between a suspected murderer and a detective pressed by people who want results. But whose skin is really wanted.
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- Auszeichnungen
- 9 Gewinne & 13 Nominierungen insgesamt
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THE INTERVIEW ( rating, * * * * out of 5 )
Edward Flemming, (Hugo Weaving) is a seemingly everyday guy a little bit down on his luck. In the early hours of the morning, his door is broken down and he is arrested for a crime he apparently knows nothing about.
Detective Sergeant John Steele, (Tony Martin) a cop with a dubious reputation, conducts a series of interviews searching for the truth. As time ticks by, it becomes obvious all is not as it seems. Does Edward have a confession to make? Is he innocent? Or is Steele stepping way over the line?
Writer/director Craig Monahan, with help in the script department by Gordon Davie, construct a tense and absorbing movie which is punctuated by a menacing soundtrack composed and performed by David Hirschfelder.
This is stylish film-making at its best. Lush production values, elegant lighting, the skilful manipulation of slow motion, all combine to take the discerning viewer on a strange and mysterious ride.
Everything about this movie works - fine acting, expert writing and imaginative directing. Craig Monahan moves the story slowly but surely - deft handling of mood and atmosphere.
This film has to be really watched as the usual over-the-top bells and whistles are traded for innuendo and simmering tension. The longer this film went, the more it felt like a return to classic film noir where true movie-making was about absorbing an audience with story and character.
'The Interview' has many surreal qualities due to its intelligent subtleties. However, if these elements are missed, it will undoubtedly fall a little flat.
My only real criticism is that the ending was a little unsatisfying. The movie built up such viewer unease that the finale just fell away almost making the whole exercise pointless. This aside, 'The Interview' is a rare film and should not be missed.
The reality is that this film is not for everyone due to its strict attention demand on the audience. If you're looking for a film where you can slip your brain into neutral then give this one a miss. However, if a sharp thriller where the narrative is driven by deception is your bag, then 'The Interview' will not displease.
Edward Flemming, (Hugo Weaving) is a seemingly everyday guy a little bit down on his luck. In the early hours of the morning, his door is broken down and he is arrested for a crime he apparently knows nothing about.
Detective Sergeant John Steele, (Tony Martin) a cop with a dubious reputation, conducts a series of interviews searching for the truth. As time ticks by, it becomes obvious all is not as it seems. Does Edward have a confession to make? Is he innocent? Or is Steele stepping way over the line?
Writer/director Craig Monahan, with help in the script department by Gordon Davie, construct a tense and absorbing movie which is punctuated by a menacing soundtrack composed and performed by David Hirschfelder.
This is stylish film-making at its best. Lush production values, elegant lighting, the skilful manipulation of slow motion, all combine to take the discerning viewer on a strange and mysterious ride.
Everything about this movie works - fine acting, expert writing and imaginative directing. Craig Monahan moves the story slowly but surely - deft handling of mood and atmosphere.
This film has to be really watched as the usual over-the-top bells and whistles are traded for innuendo and simmering tension. The longer this film went, the more it felt like a return to classic film noir where true movie-making was about absorbing an audience with story and character.
'The Interview' has many surreal qualities due to its intelligent subtleties. However, if these elements are missed, it will undoubtedly fall a little flat.
My only real criticism is that the ending was a little unsatisfying. The movie built up such viewer unease that the finale just fell away almost making the whole exercise pointless. This aside, 'The Interview' is a rare film and should not be missed.
The reality is that this film is not for everyone due to its strict attention demand on the audience. If you're looking for a film where you can slip your brain into neutral then give this one a miss. However, if a sharp thriller where the narrative is driven by deception is your bag, then 'The Interview' will not displease.
7=G=
"The Interview" dedicates most of it's run time to a police interview (Aussie for interrogation) of a suspect in a stolen car case. The interview is supposed to be a process where questions are asked and answered in an attempt to discern the truth of a matter. In this film, however, one question leads to another and another and so on until the truth seems inextricably buried and the usually clear line between good and evil becomes blurred beyond recognition. An dark, claustrophobic, artfully presented all-business psychodrama out of Australia, "The Interview" will prove an enjoyable watch for those into mind game flicks. With good acting by all, special kudos to Weaving for an excellent performance.
9hfk
What an excellent movie. Do not pass this one by: although it's virtually static (most of it takes place in a police station interview room, and most of what's left occurs in other portions of the same station) it is absolutely riveting. I wonder how many viewers of this movie shared my thoughts immediately afterwards: why in the world don't we see more movies of this calibre?
While the supporting cast is excellent, make no mistake: this is Hugo Weaving's film. He constantly keeps the audience guessing and easily changes his role from the victim to the villain by the tweaking of his facial features.
Hugo is starting to make waves in the international scene, and hopefully, if there's any justice he will a win similar success that Russell Crowe and Guy Pearce are enjoying. Roles in the Matrix (and now Lord Of The Rings) trilogy are winning him notice.
This film is recommended for those don't think any movie made in Australia (by Australians) can be worth watching. A very intelligent film that demands your attention and holds your intrigue until the very last shot.
Hugo is starting to make waves in the international scene, and hopefully, if there's any justice he will a win similar success that Russell Crowe and Guy Pearce are enjoying. Roles in the Matrix (and now Lord Of The Rings) trilogy are winning him notice.
This film is recommended for those don't think any movie made in Australia (by Australians) can be worth watching. A very intelligent film that demands your attention and holds your intrigue until the very last shot.
Despite Hollywood being awash with good Aussie actors and directors, generally our industry produces worthless dross.
This film, however, is one of the rare exceptions to that rule.
An "interview" is what police in Australia call an interrogation. This is a movie an excellent psycho drama about the relationship between a policemen and a suspect in one such interview.
The acting is good. And the directing is good. And most importantly, the story is good.
What a pity we haven't seen more from the writer/director team of Craig Monaghan and Gordon Davie.
This film, however, is one of the rare exceptions to that rule.
An "interview" is what police in Australia call an interrogation. This is a movie an excellent psycho drama about the relationship between a policemen and a suspect in one such interview.
The acting is good. And the directing is good. And most importantly, the story is good.
What a pity we haven't seen more from the writer/director team of Craig Monaghan and Gordon Davie.
Wusstest du schon
- WissenswertesThe premise of this matches the S1 E5 "The Big Cast" of Dragnet which aired 02/14/1952. The suspect, played by Lee Marvin, confesses to a murder with the same circumstances as Hugo Weaving's story. In the episode, the suspect is arrested in the morning and fought with the police, reminiscent of Weaving's rough arrest. Throughout the episode, meals also played an important part.
- Zitate
Det. Sr. Const. Wayne Prior: It's about a fucking stolen fucking car, you fucking fuckwit!
- Crazy CreditsAt the beginning of the New Yorker Video DVD, right before the main menu appears, a quote of Eddie Fleming fills the screen: "Just goes to show you how the mind works." At the very end, after the credits roll, a quote of Det. Steele fills the screen: "I don't know Mr. Fleming, how does the mind work?" But if you run the end credits a second time a different quote appears at the end, this time from Det. Prior: "It's about a fucking stolen fucking car you fucking fuckwit."
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Details
Box Office
- Budget
- 2.600.000 AU$ (geschätzt)
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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