IMDb-BEWERTUNG
7,0/10
9029
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA duel between a suspected murderer and a detective pressed by people who want results. But whose skin is really wanted.A duel between a suspected murderer and a detective pressed by people who want results. But whose skin is really wanted.A duel between a suspected murderer and a detective pressed by people who want results. But whose skin is really wanted.
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- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 9 Gewinne & 13 Nominierungen insgesamt
Empfohlene Bewertungen
If you've ever doubted Hugo Weaving's acting skill - then this is the movie to set you straight. Weaving's performance is spectacular, it's got a gritty, human tangible feel - I saw this on the big screen, but even on TV he still has that emotional realism you can't fault.
If you're a Weaving fan and you haven't seen this - then go and get it right now.
If you're a Matrix fan and you haven't seen this - go and get it now - you'll get to see agent smith on the other side of an interrogation room.
This movie is a non-stop discovery, you'll spend the entire movie questioning the characters, their motives and the truth of the tale unfolding.
I cannot recommend this movie strongly enough, it is an unknown classic.
If you're a Weaving fan and you haven't seen this - then go and get it right now.
If you're a Matrix fan and you haven't seen this - go and get it now - you'll get to see agent smith on the other side of an interrogation room.
This movie is a non-stop discovery, you'll spend the entire movie questioning the characters, their motives and the truth of the tale unfolding.
I cannot recommend this movie strongly enough, it is an unknown classic.
7=G=
"The Interview" dedicates most of it's run time to a police interview (Aussie for interrogation) of a suspect in a stolen car case. The interview is supposed to be a process where questions are asked and answered in an attempt to discern the truth of a matter. In this film, however, one question leads to another and another and so on until the truth seems inextricably buried and the usually clear line between good and evil becomes blurred beyond recognition. An dark, claustrophobic, artfully presented all-business psychodrama out of Australia, "The Interview" will prove an enjoyable watch for those into mind game flicks. With good acting by all, special kudos to Weaving for an excellent performance.
A claustrophobic, tense Australian psychological thriller that will have you guessing even after the closure. Basically has two characters; the suspect and the cop interviewing him. This is one of those films you just wish would hurry up and finish because it is agonising but riveting to watch. No special effects, stunning sets or killer soundtrack here; an acting tour de force by both the leads.
What makes this film outstanding is the script which slides and spirals down a path of almost unbelievable emotional snares and plot twists. The nightmarish flashback scenes allow no relaxation for the viewer, only a mesmerised state of fear.
The film is set for the most part in a room that looks like a cross between the 'Bladerunner' interview room and KGB murky, dust filled rooms of our collective cold war memories. Very atmospheric and full of menace.
The acting is intense and convincing throughout with Tony Martin (Wildside) and Hugo Weaving (The Matrix) really earning their acting dollars in this one. Yes, this does sound like a promo rather than a review but, honestly, I can't fault this film for what it is. Everything is utterly meshed and designed to create maximum emotional impact.
Brilliant !
What makes this film outstanding is the script which slides and spirals down a path of almost unbelievable emotional snares and plot twists. The nightmarish flashback scenes allow no relaxation for the viewer, only a mesmerised state of fear.
The film is set for the most part in a room that looks like a cross between the 'Bladerunner' interview room and KGB murky, dust filled rooms of our collective cold war memories. Very atmospheric and full of menace.
The acting is intense and convincing throughout with Tony Martin (Wildside) and Hugo Weaving (The Matrix) really earning their acting dollars in this one. Yes, this does sound like a promo rather than a review but, honestly, I can't fault this film for what it is. Everything is utterly meshed and designed to create maximum emotional impact.
Brilliant !
Agent Smith (actually named Eddie Fleming in this film) is taking a nap when the police barge in, trash his apartment, intimidate him, arrest him, and throw him into an "interview room" accusing him of car theft. Soon a charge of murder is added and Fleming is really at a loss of what to do. At a loss, that is, until the story takes a few twists and we see that "the interview" is really a fierce battle of wits with strings being pulled from every direction...
The title may be a bit misleading for American audiences as it means "interrogation" not the type of interview you have for a prospective job position. That aside, this is a fantastic film that deserves notice. Hugo Weaving with the rest of the cast gives a terrific performance and the script could hardly offer more when coupled with Craig Monahan's direction. Taking place in only a few rooms of a police station for pretty much the whole length of the film, yet there is a genuine suspense and the film space feels as open as the expanse of the mystery at hand rather than cramped like the setting.
All in all, this is one terrific little film that should be worth any movie watcher's time. 10/10
Not Rated, but contains occasional profanity
The title may be a bit misleading for American audiences as it means "interrogation" not the type of interview you have for a prospective job position. That aside, this is a fantastic film that deserves notice. Hugo Weaving with the rest of the cast gives a terrific performance and the script could hardly offer more when coupled with Craig Monahan's direction. Taking place in only a few rooms of a police station for pretty much the whole length of the film, yet there is a genuine suspense and the film space feels as open as the expanse of the mystery at hand rather than cramped like the setting.
All in all, this is one terrific little film that should be worth any movie watcher's time. 10/10
Not Rated, but contains occasional profanity
While the supporting cast is excellent, make no mistake: this is Hugo Weaving's film. He constantly keeps the audience guessing and easily changes his role from the victim to the villain by the tweaking of his facial features.
Hugo is starting to make waves in the international scene, and hopefully, if there's any justice he will a win similar success that Russell Crowe and Guy Pearce are enjoying. Roles in the Matrix (and now Lord Of The Rings) trilogy are winning him notice.
This film is recommended for those don't think any movie made in Australia (by Australians) can be worth watching. A very intelligent film that demands your attention and holds your intrigue until the very last shot.
Hugo is starting to make waves in the international scene, and hopefully, if there's any justice he will a win similar success that Russell Crowe and Guy Pearce are enjoying. Roles in the Matrix (and now Lord Of The Rings) trilogy are winning him notice.
This film is recommended for those don't think any movie made in Australia (by Australians) can be worth watching. A very intelligent film that demands your attention and holds your intrigue until the very last shot.
Wusstest du schon
- WissenswertesThe premise of this matches the S1 E5 "The Big Cast" of Dragnet which aired 02/14/1952. The suspect, played by Lee Marvin, confesses to a murder with the same circumstances as Hugo Weaving's story. In the episode, the suspect is arrested in the morning and fought with the police, reminiscent of Weaving's rough arrest. Throughout the episode, meals also played an important part.
- Zitate
Det. Sr. Const. Wayne Prior: It's about a fucking stolen fucking car, you fucking fuckwit!
- Crazy CreditsAt the beginning of the New Yorker Video DVD, right before the main menu appears, a quote of Eddie Fleming fills the screen: "Just goes to show you how the mind works." At the very end, after the credits roll, a quote of Det. Steele fills the screen: "I don't know Mr. Fleming, how does the mind work?" But if you run the end credits a second time a different quote appears at the end, this time from Det. Prior: "It's about a fucking stolen fucking car you fucking fuckwit."
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Details
Box Office
- Budget
- 2.600.000 AU$ (geschätzt)
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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