Der Staatsfeind Nr. 1

Well, I like this one. I like the cast, the visuals are well done, but what is more important is the plot that I like really much. It's not the most sophisticated plot of all times, but I think it's quite good, and to some degree, realistic. Of course it's not possible to move sattelites that quickly, or zoom in on a videotape that much and still have crystal-clear visual, but quite some technology seen is realistic today, or in the near future. This is an hollywood flick, all right, so they have quite much action and everything looks very easy, steering a sattelite seems to be no harder than playing a video game, what makes it all seem a bit unrealistic/sci-fi-like, but today's technical posibilities are quite large, and continue to grow, so informing oneself about the issue (I mean the real world issue) is not a bad idea.

To give you some points to think:

• It's routine for the credid card companies to document every transaction made with the cards, go figure who gets the docs if police is investigating.

• Every call / fax done is documented for billing, go figure, who...

• At least for your ISP it's possible to read every unencrypted email you send or receive, go figure ...

• Today there are MANY cameras in public areas in Great Britain, with numbers still growing.

• Face recognition software is already being used in combination with some surveillance cameras.

• Dictation software that can interpret your spoken word and convert it into written text is being sold to you today, maybe some organisations have much better versions at their hands ...

The list could go on, but what I want to say is that one should think about the posibilities and listen to what the politicians say, and what they want to allow the federal organisations.

You want to be able to still _enjoy_ the movie in some years time, not thinking of it as being somewhat normal just as everyday life, all right?

Why? Well for starters there is the best chase sequence since The French Connection. Then there is Will Smith as an actor - not just a star, though later in the movie he is admittedly overshadowed by veteran Gene Hackman.

There are two layers to this movie: On the surface is a pacy thriller with edge-of-the-seat chases but underneath lies a telling commentary on government surveillance. It is one of those truth-in-fiction stories which makes its point about government intrusion into privacy dramatically and effectively.

There are references to the classic, The Conversation: The surveilled couple talking in the park, and the Hackman character's premises are an obvious recreation of his workshop in the earlier movie. If you haven't yet seen The Conversation - see it before you see this one - you will understand the Hackman character a lot better (besides, it is a superb movie in its own right).

Oh, and Jon Voight is terrific as the bad guy...

Enemy of the State was released in 1998, only 3 years before the Nein Eleven false flag that excused the launching of the most intrusive surveillance apparatus the world has ever known.

And just like the Congressdoosh in the movie, everybody except for RonP aul said it would only be used on dirty furriners to protect the Good Ol' USofA.

But as Edwards Nowden and later Julia Nassange revealed a decade later, America's alphabet agencies soon turned the surveillance against Americans themselves.

Fast-forward to 2021, where it turns out the movie plays more like a documentary than a political thriller. The good guys are now the bad guys. Politicians are hopelessly compromised. The sp00ks are in charge. All our moves are on camera somewhere. Everything we write - including our movie reviews - is logged. There is no privacy.

Somewhere in the bowels of Hollywood there is probably a script in development about the disingtegration of the Western World, probably disguised as a Fall of the Roman Empire Netflix series, featuring barbarian hordes and starving serfs. Twenty years from now it will all come depressingly true.

Enjoy the film !

Sucessful lawyer Robert Dean is passed information by an old friend without noticing. Seconds later that friend is killed and Dean is targeted by a group within the Government who wish to cover up a conspiracy involving the murder of a congressman. With the Government's full weight of surveillance equipment brought to bear Dean turns to ex-NSA agent Brill to help protect him, find the information and get it out into the open.

This is much better than the ususal summer crash, bang, wallop stuff we usually get fed. It's greatly helped by the sense of paranonia that runs through the whole story from the Government's power and corruption at some levels. The film starts well, with 'everyman' Dean being drawn into a game of cat and mouse, framed for a crime he didn't commit and forced to go on the run from Government agents. Will Smith carries the film only so far but it realy gets interesting when Hackman turns up as Brill. He casts light on the ability of the government and is almost able to play them at their own game. Brill makes an appearance when the film starts to become too much of a staight chase movie.

To me the use of Hackman as Brill is the best bit of casting ever and makes this film stand out as being clever. In the 70's Hackman played a surveillance expert in Copolla's The Conversation. The film ends with Hackman being monitored himself, with him ripping his house apart looking for the bugs. What makes his casting as Brill so good is that Brill is where Hackman's "The Conversation" character would be 20 years on - it feels like it's the same character again. The director also deserves a lot of praise - he manages to keep the pace up throughout the film, whether it be scenes of chasing action or technological pursuit. The script helps as well - the conspiracy and the paranoia is strong throughout.

Smith is good in the lead, but he isn't quite as good an "everyman" as classic actors as Cary Grant or James Stewart were. Smith also struggles to carry the whole movie and the chases do get a bit samey after a while. Fortunately Hackman is brilliant as Brill, he is a classy actor and brings a lot of weight to the film just as Smith begins to feel the strain. Jon Voight is also good as the villian of the piece. The supporting cast is deep! There were so many famous faces in small roles that I really felt this was an allstar cast, despite the fact that it's a Smith vehicle. Gabriel Byrne makes a fleeting appearance, Ian Hart is there, Jake Busey (son of Gary) shows up, Jason Lee (actor in many Kevin Smith films) witnesses the murder, a gorgeous Lisa Bonet has a small part, James Le Gros, Regina King etc etc. The cast is well packed with famous faces - they don't all get the chance to put on a show but it adds quality at all levels.

Overall this is a fancy chase movie, but good direction, a strong and deep cast and a fantastic Hackman all make this film much better than it could have been. The last scene of the film is a little too upbeat but other than that it's pretty good stuff.

I remember when this came out and how much it freaked people out. Could we really be living in such a surveillance state? Could the government really be monitoring us whenever they want?

Well, over 20 years later and... Yeah, that's probably all true and then some. Still, this was a fun movie with a compelling enough story, solid acting and a surprisingly deep cast of comedians playing serious computer nerds.

Biggest downside to me was the tech itself. Movies of this nature can't help themselves from reaching into the nonsense handbag and pulling out things like the "zoom and enhance" cliché or the ability to tell exactly where someone is at all times with pinpoint accuracy among others.

Dated though it may be, this was still a pretty enjoyable watch. I'd say it's worth checking out if you have it streaming somewhere.