The Ugly

I'd never heard of this film before viewing the "Boogeymen" compilation, and was inspired to hunt it down afterwards, believing I might have missed out on a horror film of stunning importance. Indeed, Paolo Rotondo earned his award for his portrayal of Simon, a shy, good-looking and incredibly violent serial killer. Paolo makes his character sympathetic as we flash back to his childhood and see him beaten by his schoolmates and humiliated further by his weirdo mother. We don't blame him when he kills her. We understand, even if it's on a primal level, the bursts of anger that make him kill again and again. We even hope he will win the girl of his dreams, though when he does, we know it's only a matter of time before she too falls under the razor blade. Simon is a complex character, the sort who stops to rescue an injured dog with the fresh corpse of his most recent murder still in the backseat, or refrains from murdering a little girl because she is deaf, and therefore as damaged as he is.

The film that surrounds Simon is unpleasant, to say the least. It is disgusting and difficult to watch and not always easy to follow. The ambiguous ending left me just as confused as I was when the film began. It was as though the people who made this film couldn't decide whether they wanted a straightforward story of a serial killer, or a dark fantasy about demons and the supernatural powers of the twisted mind. Everything is hinted at, but nothing is verified, and at films end, you are left to make up your own mind. I couldn't help but feel disappointed, especially since it seemed that Mr. Rotondo put his all into a character for a film that just wasn't worth the effort. It left me feeling sick and depressed.

Intelligent, attractive psychiatrist Karen Schumaker (Rebecca Hobbs) shows up at a mental hospital to re-assess Simon (Paolo Rotondo)--A handsome, soft-spoken schizo serial killer who left no pattern for a compulsive string of grisly mass murders. Flashbacks reveal childhood abuse at the hands of taunting bullies and an imposing, domineering mother and of his razor-wielding murder spree. It's all because of "The Ugly," his scarred alter ego that compels him to kill. Simon turns out to be so brilliant, he not only gets under Karen's skin... but inside her head as well.

This unique thriller has excellent lead performances, flashy editing, stylish direction and top-notch production values, but the director blurs the line between troubling reality and twisted fantasy far too often and tacks on a clichéd and disappointing ending. An unusual touch was the usage of ink-black blood for the murder scenes. I don't care what the metaphoric implications of that choice are, I found it to be both annoying and ineffective.

Despite those flaws, THE UGLY is certainly worth watching and showcases many talents (in front of and behind the camera) to watch for in the future.

The successful psychologist Dr. Karen Schumaker (Rebecca Hobbs) comes to a mental institution directed by Dr. Marlowe (Roy Ward) to evaluate the dyslexic serial-killer Simon "The Ugly" Cartwright (Paolo Rotondo). Simon discloses the sad story of his life, bullied at school and abused by his mother Evelyn Cartwright (Jennifer Ward-Lealand). His only friend Julie was separated from him by his mother when he was a teenager. Simon claims that he hears voices that force him to kill. When Dr. Schumaker earns his trust, she discovers what is going inside Simon's head.

"The Ugly" is an original film with a different combination of drama, thriller and horror. The two nurses are nasty and the plot keeps the attention of the viewer until the very last scene. Unfortunately the conclusion is disappointing and gives the sensation that something is missing to be a great film. My vote is six.

Title (Brazil): "The Ugly- O Maníaco" ("The Ugly – The Maniac")

The Ugly is an awesome and unknown experience. If you've seen it, it's kinda like you're in on a really good secret. The direction of this movie amazes me. Scott Reynolds definitely has his own style of directing and is a great storyteller. Some of the things he pulls to tell his story actually surprise me. I don't want to get into the plot because the less you know the better the movie is. Paolo Rotondo does an amazing job playing the character of Simon. He comes off as extremely believable. The whole creepy cast is actually good. The orderlies crack me up and Simon's doctor is beyond eerie. The Ugly is one of the best horror films I've stumbled across in years.

New Zealand is not a country that instantly springs to mind when one is asked the question of "which countries make good films", and that's for good reason; as they haven't made all that much. One film they have made, however, is this one; The Ugly. And it's not bad at all. While never brilliant, and certainly not matching the claim on the DVD box (on par with Seven and Silence of the Lambs, this is not), The Ugly still represents a minor success within the overpopulated psychological thriller sub-genre. Getting this sort of movie right is difficult because the auteur needs to find just the right balance between scares and intrigue, all the while ensuring that it remains believable. While Scott Reynolds hasn't managed to pull this off to a massively high standard; he's done well in capturing the essence that the film needs, so kudos to him for that. The story follows a psychiatrist that is brought in to analyse Simon Cartwright; a notorious and extremely mental serial killer. However, as she gets deeper into his mind, she finds it increasingly harder to escape...

One thing I love about productions made in countries that don't mass-produce movies is the way that the local accents and dialect always find their way into the movie. The Ugly features lots of thick Australian accents, and it's nice to see in my opinion, as it firmly establishes the movie in it's home country. The film is at it's eerie best when our 'hero' is telling of his crimes and why he committed them. Just like he does with the psychiatrist, Simon Cartwright draws us into his world and it's a fascinating ride to be on. However, this asset is also the film's downfall as the action is never fantastically intriguing, and the plot tends to wander off at times which doesn't allow the viewer to stay in tune with the movie, thereby hindering it somewhat. However, the foreboding atmosphere and interesting array of characters ensure that the film never comes to a complete halt and it's short running time makes sure that the film is efficient and doesn't waste time on needless elements. I certainly recommend this movie, just as you long as you know that it's no Silence of the Lambs.