Showdown

Unquestionably the worst movie of furie's career the film fails to hit the mark. This film boasts a good cast like hopper, weller and carrere. However the weak script and OTT special effects ruin the film and make the actors look bad. The major screw up in this film is the helicopter scene. When the copter starts to go out of control it is pitch black. However when the camera focuses out from inside its about ten o clock in the bloody morning. The bad guys cant seem to escape AND SPEND ABOUT 20 MINS ON ONE STAIR CASE! The main bad guy( dont know his name) is the worst performer in the film a major flop

Dennis Hopper to Peter Weller "Do you know who I am?" Weller "Yea the Jesus of craps". So it goes with witty dialog the best part of what is essentially a bad film. To enjoy "Top of the World" you have to ignore the plot, chases, shoot outs, and explosions. Instead focus on the often biting and amusing vocal bantering. With a frantic pace, the movie is only a couple minutes from the next priceless exchange of words. The list of character actors here is impressive, including Ed Lauter, Joe Pantoliano, Martin Kove, Peter Coyote, and David Alan Grier, among others. I say this. Go in expecting bad, and then simply be surprised how much there is to like. - MERK

Ex-cop Ray Mercer gets released from jail and is picked up by his estranged wife Rebecca. She is now seeing casino boss Charles Atlas and they stop off at one of his casinos on the ride to a cheap hotel for Ray. When in the casino Ray idly plays the games with his last few dollars and wins the jackpot. However before he can collect his money the casino is robbed – leaving Ray not only trying to get his prize money but mistaken as part of the gang. With double crosses and shootouts all over the place, all Ray wants is his winnings.

This promises much – look at the cast to see the potential. However what it delivers can be summed up buy it's weak plot. The story essentially sees Ray Mercer put in lots of action scenes – using the thinnest of excuses to keep the story moving. For example Ray jumps onto an armoured car and hangs on the roof, the truck then crashes and drives through a huge explosion – but Ray is unharmed. Likewise, we have the bad guys who do the robbery spend the whole film running round the hotel killing everyone looking for a way out – but yet the armed police on the ground floor cant seem to catch them!

To be fair, the spectacle is good – but it's bangs without substance. The action is OTT – does no one ever run out of bullets? The action has no real tension or excitement to it and is really dull – if you just want guns then you might like this, but really it's a poor action movie.

It's a shame because they managed to get a great cast on board. Weller and Tia Carrere are OK names and give OK performances. But add to that names like Dennis Hopper and Joe Pantoliano and you've got a good cast. Unfortunately none of them have anything to work with at all. The support cast also has plenty of familiar faces but again they are little more than cardboard cutouts who are there to get shot at or shoot people. These include Tagawa (from Mortal Kombat), Kove (Karate Kid, Cagney & Lacey), Peter Coyote (Sphere, Patch Adams).

Overall this is really daft plotting at it's worst. The action fails to ignite any interest and the whole think flops badly. What a way to waste a great cast – the director has been making films since the 50's – has he learnt nothing in all that time?

Good-looking production values here; obviously this thing had a middling decent budget, well used by an efficient, professional director (Sidney J. Furie). Unfortunately, nothing - and I mean NOTHING - here seemed completely new or original. EVERYTHING is a recycled cliché of the crime / revenge drama genre. Disgraced ex-cop (Weller) looking for answers among the crooks who framed him arrives in Las Vegas. He is also trying to reconnect with his estranged ex-wife (Carrere). Did I mention the crime boss who has a grudge against him (Hopper)? The problem isn't any one of these elements, it's all of them. There is just nothing new here. Peter Weller can carry a picture, and Tia Carrere makes a gorgeous object of desire and longing, plus Dennis Hopper makes a good villain, but we have seen them all do that before. The script gives them no new business, and over-familiar character types to work with. Every plot twist has been used before, every segment has a familiar feel to it. Las Vegas looks great and is well used visually as a setting, but I already mentioned that this is a professional, slick looking production. I found myself almost shouting at the screen to give me something I hadn't seen before. Didn't happen. Tia Carrere's cheekbones were the only things that kept me watching all the way to the end.

Not bad at all, but unless you are completely new to the crime drama genre, you will be hard pressed to find anything much entertaining here.

In TOP OF THE WORLD, ex-con, Ray (Peter Weller) and his soon-to-be ex-wife, Rebecca (Tia Carrere), head to Las Vegas for one final blast before their impending divorce. After winning big at the casino, everything seems great, until a gang of criminals moves in to poop on the party! Now, Ray must rise to the occasion.

Sound familiar? Well, that's no surprise, since this movie follows the same formula as every other post-DIE HARD, action movie of the 1980's-90's! Be it located in a high-rise, a train, a ship at sea, or a casino, it's always about the same. Endless gunfire, explosions, and impossible, unbelievable action sequences all go off like so many firecrackers.

The hero must overcome unfathomable odds to take on the bad guys, a group that is always outfitted like a small army, and usually led by an odious thug.

Unfortunately, such a film requires a Bruce Willis, a Stallone, or, of course, an Arnold to pull it off! In a pinch, perhaps Chuck Norris or Steven Segal. Weller just doesn't have the moxie! Make no mistake, he was fantastic in ROBOCOP! This just isn't his forte.

Without that uber-charismatic, or ultra-manly hero, it all crumbles into blandness, no matter how many lives are lost...