Henry und Nancy Clark sind ein Ehepaar, das die Leidenschaft schon lange verloren hat. Aber jetzt hat ihr jüngstes Kind das Nest verlassen, und die Clarks haben die Chance, nach New York zu ... Alles lesenHenry und Nancy Clark sind ein Ehepaar, das die Leidenschaft schon lange verloren hat. Aber jetzt hat ihr jüngstes Kind das Nest verlassen, und die Clarks haben die Chance, nach New York zu ziehen.Henry und Nancy Clark sind ein Ehepaar, das die Leidenschaft schon lange verloren hat. Aber jetzt hat ihr jüngstes Kind das Nest verlassen, und die Clarks haben die Chance, nach New York zu ziehen.
- Auszeichnungen
- 1 wins total
- Desk Clerk
- (as Daniel T. Parker)
Empfohlene Bewertungen
Nothing about this film suggested that it would be anything special; in fact the presence of Marc Lawrence as writer only promised the sort of safely comic humour that he produced with Two Weeks Notice, Miss Congeniality and similar projects. And from the very start it is obvious that Lawrence has produced his usual standard and that director Weisman has no aspirations to do more than churn out a rather derivative but amusing rom-com. So that is just what we get and if that is OK with you then you should be alright, although hardly impressed. The plot bumbles along from one unlikely scenario to the next; most of them are ho-hum but occasionally it tickled me. Most viewers (myself included) will find it all a bit obvious and weak but the undemanding will maybe find it amusing enough to serve as a distraction.
Part of the film working (albeit on this level) is the partnership of Martin and Hawn. Even with the rather obvious material to work with, they do work well together and produce some laughs where they may not have existed on the page. Martin is only ever a hair away from mugging but, although not a shade on his former glory, he fits the lazy tone well. Hawn is a bit less convincing but is still quite amusing; the only problem with her is that she has to carry the more emotionally complex character and she can't get that right and mainly just overplays it for easy laughs, robbing the film of the engaging realism that it needed to have if it really wanted to pull off the emotional ending (which of course it doesn't actually want to do!). Cleese is embarrassing and can do nothing with the poor material he is served with it is pretty much below him and it shows.
Overall then a totally by-the-numbers, obvious little romantic comedy. It is fairly forced and contrived which was a problem but bits of it rose above the rest and generally it provided just enough to be distracting for those in an undemanding mood. However the majority of us will see something that lacks any real effort and it doesn't encourage me to do much into it when watching. The two leads brighten it up a little bit but it is hard not to see the glaring lack of originally and spark at pretty much every turn.
The 1999 remake, with Steve Martin and Goldie Hawn in the central roles, manages to be a far worse film. The original at least seemed grounded in some sense of reality as the couple fell victim to a believable, if overstated, series of tourist mishaps; this version spins off into slapstick delirium, going so far as to have its main characters actually swinging on hotel signs six stories above street level and John Cleese as a snippy concierge prancing around in lady's clothing to Donna Sommer's "Bad Girls." Also, in the original, Jack Lemmon seemed determined to really take on all the people who arrayed themselves against him and the film conveyed a real sense of this implacable, almost malevolent force known as NEW YORK coming down with all its might on this innocent couple from the Midwest. In the remake, Steve Martin seems strangely passive and unharried and the victory-over-the-city theme comes along only at the very end. Without that added dimension of epic frustration, the new film robs the original of whatever audience identification it might once have had and simply devolves into an undisciplined display of unfunny slapstick.
Martin, Hawn and Cleese are game players, but this "Out-of-Towners" should indeed have been driven out of town!
Don't rush so fast to see this one. It is better to wait until it comes out on video.
Two of my favorite comedic actors are Goldie Hawn and Steve Martin. I grew up on them. But, they just don't cut the mustard in this remake. I can't place my finger on it, but it just isn't funny. It's not just the writing, it's the actors and their direction.
I was so excited when this movie was released. Who doesn't love John Cleese? Well, I don't in this role. I did enjoy seeing a great stand-up comic, Steve Mittleman, in a cameo role in the early portion of the film. Mittleman was one of the funniest comics I remember from my childhood days.
This movie is a waste of time.
Wusstest du schon
- WissenswertesHenry and Nancy Clark's son Alan is played by Goldie Hawn's real son, Oliver Hudson.
- PatzerHenry's necktie becomes neatly tied between shots when he is on the elevator.
- Zitate
Henry Clark: Do you know what your problem is?
Mr. Mersault: No, what's my problem?
Henry Clark: You live here. You're jaded. What you need is a fresh perspective from an outsider from say Ooo-hio! Because you have forgotten just how amazing this city is. I have had more experiences in this city than many people who have lived here their whole lives. I mean, I met colorful characters. I've taken a breathtaking cab ride through Central Park. I climbed to the top of a luxury hotel. Not in the elevator, actually on the hotel. And then, I fell - in love with my wife all over again at Tavern on the Green, on the actual green itself. And - and then I had *sex* in front of the Mayor! I mean, where else can something like this happen? Only in New York!
Mr. Mersault: What did you just say?
Henry Clark: You mean the whole thing or the tag line for your new campaign, "Only In New York"? Which, incidentally, I copyrighted just before I came up here, along with the visual of the Statue of Liberty giving the high five to a family of tourists.
Bill: Oh, this guy's very good.
Henry Clark: Can I have a doughnut?
- Soundtracks(Just Like) Starting Over
Written and Performed by John Lennon (1980)
Courtesy of Capital Records under license from EMI Music Special Markets
Top-Auswahl
- How long is The Out-of-Towners?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Eine schlaflose Nacht in New York
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 75.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 28.544.120 $
- Eröffnungswochenende in den USA und in Kanada
- 8.224.215 $
- 4. Apr. 1999
- Weltweiter Bruttoertrag
- 28.544.120 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1