Jackie Chan ist Nobody

ok, so the acting wasn't the greatest, but the excellence in every other aspect of the movie completely compensated for it. It had a good story, amazing action sequences, and a good combination of action and comedy (what Jackie does so well). the fight scene on top of the building is the best fight scene i've ever seen. what makes it the best is how real it is, today's movies' fight scenes are full of wires and quick cuts in editing to confuse the audience into thinking there's more going on. this fight had amazing stunts with guys who really knew what they were doing, with Jackie's trademark funny expressions mixed in. By far JC's best, and I didn't even say anything about the car stunts.

As with Mr Nice Guy,this Jackie Chan vehicle is basically a Hong Kong production filmed in English with mostly western actors. It's actually an odd Chan film in some respects. For a start,the first third of the film hardly seems like a Chan film at all,apart from a few comic bits of business {Chan chased up a tree by a lion}which are mostly cut from the US version anyway. Even in shortened form,and with some good desert photography,the whole 'Chan finds himself among desert tribesmen' subplot seems an unnecessarily laborious way of getting into the amnesia story that becomes the main thrust of the story.

Nevertheless,after this the film becomes solid Chan fare with the same fast pacing of Mr Nice Guy. There's a great car chase and while the fights are quite short {as with most recent Chan films,he spends a lot of time running away from opponents},it's good to see Chan bashed about a bit-he looks very vulnerable in this film. Of course the acting is weak and some of the dialogue laughable {I'm not sure I agree with the reviewer here who says it was intentionally comic,but opinions differ!},while the intrigue of the amnesia/spy plot just becomes an excuse for the usual chasing around. However,one can almost forgive all this when the climax features a great fight on top of a skyscraper followed quite simply one of the most awesome and downright foolhardy stunts Chan has done. I won't describe it in detail,just see for yourself! You WILL be amazed.

There is a sense with Who Am I that the filmmakers attempted to tell a fairly complex story and then realised they were making a Jackie Chan movie and changed it accordingly,leaving a fair bit of confusion. Interestingly,Chan's original cut was around 3 hours long,and maybe that made more sense and balanced the two elements of the film better. Still,there's a lot of fun to be had here nevertherless. And just listen to Chan rap the part English,part Chinese theme song during the end credits.

This overlong Jackie vehicle looks like a DTV flick (of course it WAS a DTV flick, but that's no excuse), has an exposition-heavy script, and some of the action set-pieces (including the car chase) lack energy, but all's forgiven when we get to the last 20 minutes, where we witness one of the most exhilarating fight sequences ever filmed, followed shortly afterwards by (arguably) THE most breathtaking stunt Chan has ever attempted on-screen - and that's saying something! (**1/2)

I'm astonished that there were so many negative reviews here...

This film is OBVIOUSLY not meant to be taken seriously. It is very clearly intentionally a "joke" of a film. That people would complain about bad acting, strange dubbing, and/or a convoluted plot just leaves me flabbergasted.

From the very beginning, it should be evident that a big part of the point of the film is its own self-deprecating humor. Jackie loses his memory and is picked up by a primitive African tribe. The chief asks him, in an unintelligible language, "Where do you come from? What is your name?" to which Jackie replies (not understanding the questions) "What am I doing here? Who am I?" This is a JOKE, folks.

A few minutes later, Jackie saves a snake-bite victim with an IV he improvises from a COCONUT! When he's returned to "civilization," the doctor is impressed with that tactic, saying, "That coconut IV technique is only used by elite military units!" Is there any way to even dream of taking the plot/dialogue seriously at this point?

The acting is "bad" by design. The actors were obviously told to ham up everything they did. The meeting of the American intelligence officials is a completely ironic reference to the same sort of scene you'd expect in any James Bond movie. Dialogue is intentionally absurd, plot developments are intentionally obvious. The "Morgan" character is played perfectly (and hilariously) as a crooked CIA operative out for his own gain while feigning loyalty to the USA.

Yuki is a master stunt-driver with the naivete and wide-eyed innocence of a schoolgirl. Christine Stark is a completely laughable "reporter" who fools Jackie only as a result of his head injury; after she's "exposed," she rescues Jackie in an golf cart that can't seem to move faster than an electric wheelchair.

That the villains actually join each other in a verse of song ("Friendship, friendship!") near the end should serve as a good reminder of just how camp this picture strives to be. To criticize it for this as a "failing" seems to me to profoundly miss the point. Did the same viewers dislike that "Hot Shots: Part Deux" was absurd too?

Overall, the strengths of the film deserve the attention: it is a very funny parody of the overplotted "action/intrigue" genre, it has a terrific car chase, notable action sequences, and a terrific Jackie-Chan-Style fight scene at the beginning of the film's climax.

Perhaps I enjoyed this movie because I had grown up watching the "GI Joe" cartoon series, and had always been rather insulted by the fact that it managed to be both preachy and stupid at the same time. If you're looking for a great 100 minutes of parody and HUMOR, I'd recommend this movie. If you're more interested in believability and suspending your disbelief, this film will definitely not work for you at all. Inappropriate expectations would be the only "problem" I can imagine that would reduce one's enjoyment of this film.

If you want a more serious Jackie Chan film, you might try Drunken Master II, or Police Story. But if you're looking for an enjoyable and sardonic 100 minutes, this is truly one of Jackie's great vehicles.

Jackie Chan's movie has become modernized since Thunderbolt, and his association with Mitsubishi motors stronger. This movie is the end point or the apex of Jackie Chan's Hong Kong production before he really broke into Hollywood with Rush Hour. Most if not all of his movie since has been of international caliber, not confined to the Asian market.

Jackie Chan is a secret operations commando. He loses his memory while on a mission in South Africa. He gets picked up by the local tribe, then meets a rally driver and saves her brother's life. He becomes somewhat of a local celebrity, but his old colleagues, and South African intelligence is after him.

Jackie Chan is the first Asian asides from the Japanese to successfully created movies of international caliber, and he did this all by himself. The production of this movie is clearly beyond that of traditional Hong Kong movies, and refined to the point of international standards. The movie is beautifully shot, with exciting action scenes that only Jackie Chan seems to be able to create.

This movie has bit more action, and less comedy. Viewer's opinion may vary depending on which side of Jackie Chan movie they prefer to see more of.