Nachdem er 19 Jahre lang das Spiel gespielt hat, das er sein ganzes Leben lang geliebt hat, muss sich Billy Chapel entscheiden, ob er alles riskieren und alles da rausbringen wird.Nachdem er 19 Jahre lang das Spiel gespielt hat, das er sein ganzes Leben lang geliebt hat, muss sich Billy Chapel entscheiden, ob er alles riskieren und alles da rausbringen wird.Nachdem er 19 Jahre lang das Spiel gespielt hat, das er sein ganzes Leben lang geliebt hat, muss sich Billy Chapel entscheiden, ob er alles riskieren und alles da rausbringen wird.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 7 Nominierungen insgesamt
J.K. Simmons
- Frank Perry
- (as JK Simmons)
Carmine Giovinazzo
- Ken Strout
- (as Carmine D. Giovinazzo)
Bill E. Rogers
- Davis Birch
- (as Bill Rogers)
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I would have to say that I have seen very few movies better than For Love of the Game. My favorite genre is Romantic Comedy. This wasn't a comedy, but it was feel good. It was light drama and it was extremely well done.
Costner portrayed an aging baseball player with a romantic attachment to the game that reminded me of Robert Redford in The Natural - another movie I rated a 9. The symbolism of the movie was the notion of ending a romance for the game and transferring that romance to a woman. For him, at least, there was room for only one at a time. And, fortunately for her, his career was at the very end. Fortunately for us, we got to see his last game interspersed with flashbacks.
The movie was brilliantly done with respect to the actual game of baseball. I cannot recall having seen a sports movie that did such an excellent job of maintaining accuracy about the game. I honestly could have believed I was watching an actual game. The plays were realistic. The situations realistic. And, Vin Scully was sensational doing the play by play.
I've only rated a few movies as 10's in my life. One of them was Field of Dreams - another Costner vehicle. This movie wasn't far behind FOD. In fact, it was nearly as magical and it was a lot more romantic. Why the reviewers of IMDB only give it a 6.7 is beyond me.
Costner portrayed an aging baseball player with a romantic attachment to the game that reminded me of Robert Redford in The Natural - another movie I rated a 9. The symbolism of the movie was the notion of ending a romance for the game and transferring that romance to a woman. For him, at least, there was room for only one at a time. And, fortunately for her, his career was at the very end. Fortunately for us, we got to see his last game interspersed with flashbacks.
The movie was brilliantly done with respect to the actual game of baseball. I cannot recall having seen a sports movie that did such an excellent job of maintaining accuracy about the game. I honestly could have believed I was watching an actual game. The plays were realistic. The situations realistic. And, Vin Scully was sensational doing the play by play.
I've only rated a few movies as 10's in my life. One of them was Field of Dreams - another Costner vehicle. This movie wasn't far behind FOD. In fact, it was nearly as magical and it was a lot more romantic. Why the reviewers of IMDB only give it a 6.7 is beyond me.
Why do I love this movie so much? I'm not a baseball fan. I didn't really like FIELD OF DREAMS. And I hated BULL DURHAM. Yet this movie just captivates me every time I watch it.
Part of it is the tight, real-time structure -- the whole movie takes place in a man's head while he pitches a perfect baseball game on the mound. It therefore combines the tension of a thriller with the poignant emotions of an elegy.
But what I loved most about this movie is that there are no clichés. Kevin Costner's character, Billy Chapel, is not a "sports underdog." It's very clear he is a great athlete who has had a great career, and that he can walk away at any time with lots of money and lots of respect. The only reason that pitching the perfect game matters to him is purely for the perfection of his art -- for the love of the game.
At the same time, not all the action is on the baseball diamond. In the romantic drama, Kevin Costner does much more than play the usual Costner "nice guy." Billy Chapel can be cold, egocentric, and difficult -- just like any other creative artist. But he always surrounds himself with people who are strong enough to challenge him and help him stay grounded. It's no exaggeration to say that the supporting cast in this film -- John C. Reilly as the catcher, Kelly Preston as the girl friend, and Jena Malone as the girl friend's adorable teenage daughter -- are very much the stars. They really set Costner up for an unusually mature, disciplined performance. Just the way Chapel's team mates set him up for the perfect game! This movie wasn't that well received by the critics. I remember one frightfully cultured fellow at the NEW YORKER sniffing that Costner's character is "arrogant." Note well that if an artist or an intellectual is cold and demanding, it's okay. But athletes should be jolly, ape like simpletons, the kind who know their place. This complex, poignant movie is actually quite subversive, since it forces you to realize that baseball is a thinking man's game and that athletes (and their working class fans) are not nearly as stupid as the real simpletons who write for the NEW YORKER.
Shocking!!!
Part of it is the tight, real-time structure -- the whole movie takes place in a man's head while he pitches a perfect baseball game on the mound. It therefore combines the tension of a thriller with the poignant emotions of an elegy.
But what I loved most about this movie is that there are no clichés. Kevin Costner's character, Billy Chapel, is not a "sports underdog." It's very clear he is a great athlete who has had a great career, and that he can walk away at any time with lots of money and lots of respect. The only reason that pitching the perfect game matters to him is purely for the perfection of his art -- for the love of the game.
At the same time, not all the action is on the baseball diamond. In the romantic drama, Kevin Costner does much more than play the usual Costner "nice guy." Billy Chapel can be cold, egocentric, and difficult -- just like any other creative artist. But he always surrounds himself with people who are strong enough to challenge him and help him stay grounded. It's no exaggeration to say that the supporting cast in this film -- John C. Reilly as the catcher, Kelly Preston as the girl friend, and Jena Malone as the girl friend's adorable teenage daughter -- are very much the stars. They really set Costner up for an unusually mature, disciplined performance. Just the way Chapel's team mates set him up for the perfect game! This movie wasn't that well received by the critics. I remember one frightfully cultured fellow at the NEW YORKER sniffing that Costner's character is "arrogant." Note well that if an artist or an intellectual is cold and demanding, it's okay. But athletes should be jolly, ape like simpletons, the kind who know their place. This complex, poignant movie is actually quite subversive, since it forces you to realize that baseball is a thinking man's game and that athletes (and their working class fans) are not nearly as stupid as the real simpletons who write for the NEW YORKER.
Shocking!!!
This is a tale of Kevin Costner's baseball pitcher in his last game as a pro and on the verge of a perfect game. All this is intercut with flashbacks to poignant moments in his life as he contemplates his career, his life and his loves.
Sam Raimi, surprisingly considering his horror leanings, directs very well, if a little schmaltzy toward the end. Costner is great, Kelly Preston is ok and a touch underwritten. John C Reilly offers great support.
Best not to judge the movie too harshly. Just put your phone down and let the warm waves of cheese wash over you as you succumb to the somewhat sappy loveliness.
Sam Raimi, surprisingly considering his horror leanings, directs very well, if a little schmaltzy toward the end. Costner is great, Kelly Preston is ok and a touch underwritten. John C Reilly offers great support.
Best not to judge the movie too harshly. Just put your phone down and let the warm waves of cheese wash over you as you succumb to the somewhat sappy loveliness.
This film is much more than a beautiful film about baseball. It's about life....about the continuity of life... about moving on... about taking stock of who you are, and who you are going to be. Billy Chapel stands there, quietly, introspectively, doing what he has always done, what he wants to always do, but knowing at the same time, through his reflections and his actions, that things change nevertheless. At the crux of the pennant game for the Yankees, this Detroit pitcher stands on the pitcher's mound, knowing, seeing, the flow of life. His team sold, knowing his days for the Tigers are over, that his catcher will likely not be there again, that his great love is leaving, that her daughter has grown, his friend playing now for the Yankees, even the last pitcher he faces - who began as a Tiger bat boy for the team his father played for, the Tigers - a boy whom the announcers say has no idea of what this moment is, although he does, his team owner watching the last great game of summer... deciding... about the rest of his life. Through his comments, his thoughts, and his reflections, he evaluates not only where he is going, but who he is and what he will be. And at the precipice of the rest of his life, a perfect game in the balance, he finds it... what his life means. This film never fails to make me cry.
This has to be one of the best movies I have ever watched and watched and... well, you get the picture.It is a revealing account of relationships and feelings and trust. Set during one major league baseball game, a man relives the past five years of his life from the pitchers mound. He realizes, over what may be the course of a perfect game, that his life has been anything but perfect. That the really important things in life are slipping away from him.This movie is full of life, it's sweet. It draws you in and holds your interest. I think the movie was underrated because of the subject matter. A romantic baseball movie? but that's just the surface. This movie goes very deep. If you give it a chance you will see that the reality of the setting and the people are extremely captivating, as well as fun. I can't think of another movie that has made me feel so good and so satisfied at the end. If you like baseball you can't help but love this movie. It's full of the most realistic ball playing I have ever seen in a film.If you like a sweet romance that doesn't have to rely on sex and nudity to tell the story, well, this is it. This has to be my all time favorite movie. I own it on vhs as well as dvd. The spotlight on location is a wonderful feature on both versions. It gives a fun look at the making of aspects. It also shows you interview clips from the professional ball people who were involved in the making of the film. I urge anyone who just wants to relax, enjoy a good story and feel better for watching it, to get this movie .
Wusstest du schon
- WissenswertesThe shots of Billy Chapel's parents at the beginning of the movie are Kevin Costner's actual parents.
- PatzerBaseball has a rule saying that any player who has been in the MLB for 10 or more years, and has played the last 5 or more consecutively with the same team has a full no-trade clause. Having played the last 19 for the Tigers, so they could not have traded Kevin Costner's character without his permission to do so.
- Zitate
Vin Scully: The cathedral that is Yankee Stadium belongs to a Chapel.
- SoundtracksSummer Wind
Written by Johnny Mercer, Henry Mayer, Hans Bradtke
Published by WB Music Corp. o/b/o The Johnny Mercer and Edition Primus Rolf Budde KG (ASCAP)
Produced by Russ Titelman & Billy Williams
Performed by Lyle Lovett
Courtesy of Curb/MCA Records
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- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Por amor
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 80.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 35.188.640 $
- Eröffnungswochenende in den USA und in Kanada
- 13.041.685 $
- 19. Sept. 1999
- Weltweiter Bruttoertrag
- 46.112.640 $
- Laufzeit2 Stunden 17 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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By what name was Aus Liebe zum Spiel (1999) officially released in India in English?
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