Baby Blues

I agree with missygoldstein@aol.com about what kind of parents they would have made. I mean this speaks a lot about what kind of parents they would have made. What if they would have had a child of their own and later on it had health issues, would they abandoned it? Or what if the child they would have naturally was born with problems, would they give it away? What if this baby they were going to adopt that they decided not to in the end was healthy and later on developed a life altering condition? If you consider a child yours, it's not just yours when it's healthy, it's yours when it's sick and if they thought they would get a pure healthy baby when they mom smoked and didn't take her vitamins they were crazy. Also did they think they could adopt, love and raise any child and never face any health or medical issues? I guess it was suppose to be healthy and stay healthy until it went off to college then any health concerns were then the kids problem. It's like "Well, we raised you healthy, now your not so you're on your own."

As a woman who lost her child to adoption 35 years ago, and who works voluntarily along with others for reform of adoption laws in Ireland, I found this film (shown on TV here last night) simply wonderful. I know that many previous message posters have commented on the "ugh ending", but I think that the whole point of the film was the carefully observed visual statements of all the characters, that the story continues, and will never end as long as they all live. Obviously, from my perspective, Laura Dern's face haunts me, as does Richard(Linklater's?)as they both sit in their clapped-out truck outside the hospital. I transpose their baby's face onto theirs. My ideal next scene if the film continued would see them bring their daughter home to join her brothers and sister. After all, was it ever suggested that they weren't loving parents? I'm surprised that other commentators on the film haven't stated the obvious - the golden kernel of The Baby Dance is the insightful screenplay and convincing script. I will be recommending this film to everyone I know.

The world was Stockard Channing's oyster when she thrilled us with Rizzo in "Grease", but since then her orbit has been somewhat lower. She's carved out a nice niche in the upper echelons of made-for-TV melodramas, and nearly every year she gets nominated for some award or other. It was the Golden Globes this year, for this performance. She seems particularly adept at playing women in tug-of-love battles over children (see also `An Unexpected Family'), and here she and Peter Riegert are the anguished but wealthy childless couple who throw money at poverty-stricken trailer-trash mother-of-four Laura Dern, hardly happy about the impending appearance of kidling number five; Dern and abusive hubby Richard Lineback are only too happy to sell the superfluous sprog. So far, so usual, but the twist (unlike most TV movies, there is a twist) comes when complications at the birth raises the possibility of brain damage. Will the yuppie couple pay for damaged goods? Will love of child conquer love of money for the trailer trash?

Didn't care for this one, way too slow and the subject was uninteresting. Why do folks want to adopt, especially from a pack of mobile home misfits? One look at these losers and I would have been hanging an exit. This trash couldn't afford a whiff of fresh air but they always had their beer and ciggies. Not a bad production, I just found all the people involved very irritating.

I continue to be impressed with Laura Dern's range. i've been a fan since Enightened, but I wasn't totally aware of how much range she has, how warm she can make her characters, how natural despite not necessarily playing them subtlety. She's an amazing actress, and this is actually one of her finest performances that I've seen. It's full of great pathos, great expressions that sort of tell you everything you need to know while not saying anything explicitly, Her character here could've come across as a caricature for most of the running time with a lesser actress, but Dern instantly makes her relatable and likable, and sort of empathetic towards her. That's a truly great mark.