Die Terror-Kapsel

First scenes of Arcturus spaceliner and interaction of passengers with ship's computer are promising, but the movie falls apart shortly thereafter. Plot is interesting, the acting and writing just aren't up to it.

They seem to have spent most of the money on the very repetitive shots of the ship moving through space.

Life Pod is one of those films to watch out for, should it appear on your local cable station's movie listings late at night. Those who dismiss it in the first glance will miss an unusually compelling, worthwhile science fiction film that belies its low-budget origin.

Let's briefly rattle off some of it's merits:

~It's got no annoying loopholes; everything works and makes sense. Odd how a 'small' movie can sometimes do this better than a big-budget production.

~The special effects don't get in the way of the story. And there is quite good photography, too.

~The narrative itself, focuses on a human situation, rather than being pointlessly technological, or un-engaging fantasy. It's the same foundation that made 'Alien' great. People are at the heart of this movie.

~Set design is complementary in that is innocuous, unobtrusive, measured. Again, properly servile to the plot.

~The actors are all low-budget actors from TV land. Once again, a case of "less is more". They are unknowns, so they are abstracted for the viewer, and this allows for fluid, accessible characterizations.

~Pacing is efficient, economical, simple, and linear, with no waste. The director takes us exactly to the emotional climax comfortably and confidently.

With all that said, I think its just a great little sci-fi story: an intriguing plot that, humbly executed in a no-frills manner, sticks with you over time. I would love to have this in my collection.

Wow. Something of a surprise. Though flawed, it is far better that I expected.

The brand new space liner Arcturus with some 3,000 passengers is in the final days of its sixteen day trip to Jupiter. Without warning, the ship's Cerebral (central computer) sounds a disaster alarm and orders everyone to evacuate.

Soon, there are only a handful of people remaining including one of the ship's astrogators (Penny), the captain (Cary), and the director of the shipping line (Kenyon).

It turns out that the alarm was false and that the main Cerebral is acting

erratically. The remaining passengers and crew must escape the ship and

avoid personal conflicts in order to survive.

The film starts out very well. The opening commercial is a very nice touch. There are obvious parallels to 2001: A Space Odyssey and to the historic

sinking of the Titanic. The film does slow down at times and has pacing

problems, but is generally well made and well acted.

Life Pod is one of those movies that you just watch and try not to analyze too hard. The acting is rather amateurish, at best. The special effects are obviously low budget, but not too bad. The story line is rather stock, but with an interesting twist. Computer run amok, but not exactly a computer and the running amok is very understandable when the truth is revealed. Still the movie has its moments and is quite watchable. For me, at least part of the allure of this movie is the prominent role of Kristine DeBell. She may not be the greatest actress in the world, but having been a former playmate of the month, she is cute enough. In all Life Pod is much like other low-budget Sci-Fi movies of the 1980s and somewhat predictable.

The White Star Lines bit is cute, if completely inaccurate. The last of the White Star Lines Company stock was purchased by the Cunard Lines 1947 and the last ship to sail under the White Star colors was the Britannic (not the sister of Titanic) which was sold for scrap in 1960.

I first saw this in grad school, and recently watched it on late-late-night TV. For a remake of the 1940's Hitchcock movie, with minimal early 1980's special effects and sets, the story held up surprisingly well. Worth a couple of hours to see Joe Penny and Carl Lumbly (1980's actors with mainly TV roles), and Kristine DeBell ("Meatballs" and a memorable cameo on the Harry Anderson "Night Court" TV show). Reasonably decent acting, and the "surprise ending" wasn't completely telegraphed in the plot. There was no connection to 2001, other than a talking, slightly psychotic computer. More closely related to an episode of the a Rod Serling "Twilight Zone"