Spiel mit dem Feuer

I like mystery / crime movies where you try to figure out what is going on. In Never Talk To Strangers you have constant questions about who could be the stalker of Rebecca De Mornay. There is a constant tension between her and Antonio Banderas, sexual and mysterious, and it's a delight to watch. I thought both actors gave us a perfect performance in this movie. I read that some people thought the ending was so obvious. Well I can categorically tell you they are lying. Not in a million years you see the end coming. I would never have guessed and unless you saw the movie before or you read spoilers you will never guess either. And that's what makes Never Talk To Strangers special. If you like that kind of movies, with twists and turns, then this one is definitely worth a watch.

Hi there from 2021. Boy, it's the first time I disagree with the IMDb rates so much! It actually pushed me to create a channel and comment.

I remember I put this movie on in the middle of my Banderas binge-watch, not expecting much, and - because of the rates - waiting for it to go bad any second. But to my delight, it didn't!

The plot got me involved. Sarah seemed to be surrounded with truly vicious men, so I started to suspect each one of being the bad guy. But I still didn't see the final twist coming.

While pondering on the suspects, I also enjoyed the way a sexual tension between Sarah and Tony was pictured. They click with each other! Especially it's seen while compared to "Original sin" (another erotic thriller with Antonio). Even though I find Angelina Jolie astonishingly beautiful, in that movie I didn't feel any chemistry between her and Antonio at all, but here I saw a genuine passion between him and Rebecca De Mornay.

I also really liked some power moves from Sarah - they were not that common for 90s, so they added spice to the picture.

To sum up - I recommend to watch this movie, if you are in the mood for light mysteries, blood-boiling sex scenes and esthetic of 90s. It's interesting, relaxing and pleasent for your eyes.

I don't recommend it, if you are into super-scary stuff or expect to tempt your intelligence with highly difficult riddles.

Duh, it's a thriller during the early nineties Tarnished Age of Thrillers. I'm sure glad we're past that stage. So yes, if you don't know already, as a thriller it stinks.

But as a sex movie, it's not bad. I mean, who else would you rather see getting it on than Banderas and De Mornay. There's one classically trashy scene when Antonio nails the naked and voluptuous Rebecca up against a very trendy chain-link fence inside her very trendy loft. Antonio looks more angry than turned on and Rebecca looks more ashamed and uncomfortable, but she's naked, sexy, and making some happy sounds, so who cares? And who cares whodunit either?

A more or less typical thriller made special by Rebecca De Mornay's awesome performance. She is the executive producer of this picture and must have badly wanted to do this role -- I'm glad she did.

She plays a psychiatrist evaluating whether an accused serial killer is competent to stand trial. It becomes obvious early on that she was drawn to psychiatry because of her own severe emotional problems and difficult past. In the meantime, we are shown troubling relationships with men appearing in her personal life. An upstairs neighbor badly wants her, but she wants only to be friends. Her father shows up out of the blue seeking affection and assistance, but she resists him, and it is obvious that their relationship and her childhood were deeply troubled. A stranger (Banderas) she meets in a store ardently pursues her, and they begin an affair, but she has difficulty trusting him, both because he is something of a suspicious character and because, as she tells him, she has difficulty trusting anybody. Their relationship becomes volatile and angry, tinged with violent overtones. Then there is the issue of her ex-fiancé, who vanished abruptly and without explanation just before the scheduled wedding.

As happens in these kinds of films, she is sent a series of mysterious messages and packages with no return addresses. Then violent things start to occur. Someone is clearly trying to terrorize her, but who? So many suspects -- Banderas? The upstairs neighbor (who is of course jealous of Banderas)? The serial killer, acting through friends outside of prison? Her father? The ex-fiancée? I did not anticipate the answer to this question, revealed of course at the film's end, but it was not an especially unusual conclusion for films of this kind. What made this picture worthwhile was De Mornay's utterly believable portrayal of, let us say, a difficult character, reminiscent of what she did in "The Hand That Rocks The Cradle". She is simply great at this kind of thing, besides being classically gorgeous.

The other acting is fine, but no one stands out. Banderas is always good, but in this one he is mostly eye candy for the ladies. Harry Dean Stanton as the serial killer is suitably menacing and crazed, but this picture is really all De Mornay. I found it a bit slow at times, but the last 20 minutes or so made up for the weak spots. Definitely worth watching.

Though overlooked at the time of it's release, "Never Talk to Strangers" is a well-crafted thriller centering on the human dilemma of whether or not to trust others. Rebecca De Mornay stars as Dr Sarah Taylor, a psychologist in an unnamed city who has a difficult personal life. She meets the charming Tony Ramirez (Antonio Banderas) in a supermarket and- despite her many fears- is soon drawn into a passionate relationship with him. Soon after meeting Tony, Sarah acquires a stalker who sends her dead flowers and dismembers her pet cat. The audience is provided with a decent list of possible suspects including Tony, Sarah's missing ex-boyfriend Benny, or possibly her slightly sleazy upstairs neighbor (a surprisingly good Dennis Miller). Other possibilities include her alcoholic father, and associates of serial killer Max Cheski (the wonderful Harry Dean Stanton) on whom she is performing a court-ordered psychiatric evaluation.

As the plot unfolds, it appears as if De Mornay's character has nowhere to hide and nobody she can really trust. Various characters appear more or less likely to be guilty of terrorizing her. The film also very deftly portrays Sarah's need for a relationship with Tony even though she is terrified that he is hiding something from her. The acting is top notch and the plot is full of satisfying twists and turns. If you are in the mood for a strong, solid thriller then this ought to be a top choice.