Zwei beste Freunde werden von ihren Freundinnen verlassen und suchen Zuflucht im örtlichen Einkaufszentrum.Zwei beste Freunde werden von ihren Freundinnen verlassen und suchen Zuflucht im örtlichen Einkaufszentrum.Zwei beste Freunde werden von ihren Freundinnen verlassen und suchen Zuflucht im örtlichen Einkaufszentrum.
Renée Humphrey
- Tricia
- (as Renee Humphrey)
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I was originally going to write how "Clerks" managed to accomplish allot more than Mallrats with a much much smaller budget, but why kill the fun. This movie is great and a welcome addition to the world that Kevin Smith has created. Instead of the wise-ass remarks from the "loveable" Randal, we have the great Brodie Bruce (Jason Lee) ripping up the screen with his rude and crude observations. Mallrats is fun, enjoyable, and the one Smith movie you don't have to pay attention to, to enjoy.
This movie is about TS whose girlfriend breaks up with him after they get into yet another fight. His girlfriend's father seems to have it in for him and wants nothing more than TS and his daughter to part ways. After the breakup TS winds up at his buddy Brodie's house. From here it begins. Brodie will keep you laughing the rest of the way. Jason Lee made this character and this character made the film. Unlike in "Clerks", Jay & Silent Bob have a large part in this movie. They are in charge of helping TS get back with his girlfriend, which involves much sabotage. There is one main storyline and a couple of other ones along the way.
In all this is a great movie and who cares how it was put together. Allot of people felt it was a big jump for Kevin Smith (writer/director, Silent Bob) and Scott Mosier (producer) to go from a small independent budget to a Studio backed million-dollar budget. I might tend to agree, but who cares, this movie Rocks
This movie is about TS whose girlfriend breaks up with him after they get into yet another fight. His girlfriend's father seems to have it in for him and wants nothing more than TS and his daughter to part ways. After the breakup TS winds up at his buddy Brodie's house. From here it begins. Brodie will keep you laughing the rest of the way. Jason Lee made this character and this character made the film. Unlike in "Clerks", Jay & Silent Bob have a large part in this movie. They are in charge of helping TS get back with his girlfriend, which involves much sabotage. There is one main storyline and a couple of other ones along the way.
In all this is a great movie and who cares how it was put together. Allot of people felt it was a big jump for Kevin Smith (writer/director, Silent Bob) and Scott Mosier (producer) to go from a small independent budget to a Studio backed million-dollar budget. I might tend to agree, but who cares, this movie Rocks
I guess that people can be split in two ways - those that like Kevin Smith's films and those that don't. From watching his films, he seems to like his characters to exist in his strange world where things are exaggerated and ridiculous characters do unrealistic things.
That sums up Mallrats - it's the story of two friends who both lose their girlfriends and then spend the rest of the day hanging around in the local mall. Whilst hanging around they meet friends and get into scrapes as they strive to get their girlfriends back.
I suppose if you looked at it coolly it's all a bit silly - fully of ridiculous situations and scrapes that are resolved in unbelievable ways. But then if you accept Smith's world of comic book style adventures and cartoon film making then this is great. Whereas his later Chasing Amy brings adult subjects into the comedy - this is pure cartoon comedy, although understand it's not dumb like slapstick - but crazy, clever humour with plenty of jokes occuring all around the main action.
OK the overall plot is weak at best, but the story is more about the characters and the situations along the journey to the end of the film and here is where Smith wins. He has created crazy characters that are funny and often exaggerated versions of people or of people's reactions to situations (witness the magic-eye poster guy for an example of exaggerated humour).
Lee is fantastic, this is the role he was made for - he reacts in an exaggerated way to everything and really hams it up. I suppose he's a comic-book reading loser but in this world he is funny and in control. He is loud and abusive to others and it's great! Jeremy London is a weak straight man and doesn't really convince.
Jay & Silent Bob are good as always - although for most of the movie they exist in their own little subplot of taking on the mall police. Again their adventures are exaggerated for humour.
If you hated Clerks and Smith's other movies then you'll hate this. However if this world is one that appeals to you then you'll love this movie's reckless abandonment of reality and enjoy the adventures involved in a trip to the mall.
That sums up Mallrats - it's the story of two friends who both lose their girlfriends and then spend the rest of the day hanging around in the local mall. Whilst hanging around they meet friends and get into scrapes as they strive to get their girlfriends back.
I suppose if you looked at it coolly it's all a bit silly - fully of ridiculous situations and scrapes that are resolved in unbelievable ways. But then if you accept Smith's world of comic book style adventures and cartoon film making then this is great. Whereas his later Chasing Amy brings adult subjects into the comedy - this is pure cartoon comedy, although understand it's not dumb like slapstick - but crazy, clever humour with plenty of jokes occuring all around the main action.
OK the overall plot is weak at best, but the story is more about the characters and the situations along the journey to the end of the film and here is where Smith wins. He has created crazy characters that are funny and often exaggerated versions of people or of people's reactions to situations (witness the magic-eye poster guy for an example of exaggerated humour).
Lee is fantastic, this is the role he was made for - he reacts in an exaggerated way to everything and really hams it up. I suppose he's a comic-book reading loser but in this world he is funny and in control. He is loud and abusive to others and it's great! Jeremy London is a weak straight man and doesn't really convince.
Jay & Silent Bob are good as always - although for most of the movie they exist in their own little subplot of taking on the mall police. Again their adventures are exaggerated for humour.
If you hated Clerks and Smith's other movies then you'll hate this. However if this world is one that appeals to you then you'll love this movie's reckless abandonment of reality and enjoy the adventures involved in a trip to the mall.
This is a niche film. If you can put yourself into the mindset of a 20-something slacker, who has no ambition whatsoever in life, this film may engender some sense of emotional investment in its characters and a sense of identifying with same. However, if this situation is impossible for you, then you will not only not see the humor herein, you will most likely bemoan the time wasted in its viewing.
This is a Jay and Silent Bob flick wherein the two buds are dumped by their gals, subsequently seeking major wound-licking in the mall. It plays like the Revenge of the Nerds, though not as intelligently, nor with the same amount of heart, but with a more modern spin.
If you've of a mind, this can be highly entertaining. If not, don't say you weren't warned.
It rates a 7.2/10 from...
the Fiend :.
This is a Jay and Silent Bob flick wherein the two buds are dumped by their gals, subsequently seeking major wound-licking in the mall. It plays like the Revenge of the Nerds, though not as intelligently, nor with the same amount of heart, but with a more modern spin.
If you've of a mind, this can be highly entertaining. If not, don't say you weren't warned.
It rates a 7.2/10 from...
the Fiend :.
As most Smith fanboys know, Mallrats has been trashed critically, financially (bad box-office) and by a lot of Smith's own fan-base.
Personally I like it. Even without watching the DVD with commentary by Smith its obvious that this outing was backed by Hollywood, emitting a polish and lack of gloom that his other films don't have and thus gaining flack over its lack of "Indie" look and feel and hammy storyline. Had this film been in black in white, shot using a cheaper production method, or had a less happier ending, it possibly would have fared better with the fans than it did.
Listen to the dialogue though and its soon apparent this is indeed pure Smith. And it shines. The long diatribes about seemingly nothing, the anti-establishment rumblings of Brody (who ironically spends a lot of the film clarifying escalator ettiquite and other mall law), and a bigger involvement of Jay and Bob (but not too much) make this as good, if not better than the other Kevin Smith films and quite possibly my favourite of his.
Its hard to rate this film, you'll either really like it and give it a 10 or tuck into another chocolate pretzel after giving it a 1.
Personally I like it. Even without watching the DVD with commentary by Smith its obvious that this outing was backed by Hollywood, emitting a polish and lack of gloom that his other films don't have and thus gaining flack over its lack of "Indie" look and feel and hammy storyline. Had this film been in black in white, shot using a cheaper production method, or had a less happier ending, it possibly would have fared better with the fans than it did.
Listen to the dialogue though and its soon apparent this is indeed pure Smith. And it shines. The long diatribes about seemingly nothing, the anti-establishment rumblings of Brody (who ironically spends a lot of the film clarifying escalator ettiquite and other mall law), and a bigger involvement of Jay and Bob (but not too much) make this as good, if not better than the other Kevin Smith films and quite possibly my favourite of his.
Its hard to rate this film, you'll either really like it and give it a 10 or tuck into another chocolate pretzel after giving it a 1.
To everybody who did not like this movie: You are not obviously Kevin Smith fans. I am, and everyone one of the NJ3 are great. This one is just different. Shannen Doherty is surprisingly cool in this one, and Jason Lee is hysterical. Jay and Silent Bob are hysterical as usual, and everyone else is great. Watch if you are a Smith fan, just keep an open mind.
Wusstest du schon
- Wissenswertes(at around 10 mins) Brodie's comic book collection seen in the movie was director Kevin Smith's collection at the time (which has grown considerably since). The collection is what Smith was able to purchase back after selling his original collection to finance production of Clerks - Die Ladenhüter (1994).
- PatzerWhen Brodie and TS first arrive at the mall, the license plates on the cars state New Jersey, then the remainder show Minnesota.
- Crazy CreditsEnd credits finish with: Jay and Silent Bob will return in "Chasing Amy"
- Alternative VersionenThere is also a 10th Anniversary Extended Edition, running 2hours and 2 minutes.
- VerbindungenFeatured in Siskel & Ebert & the Movies: Get Shorty/Now and Then/Mallrats (1995)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Mallrats - Kaufhausclique in Liebesnöten
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.122.561 $
- Eröffnungswochenende in den USA und in Kanada
- 1.153.838 $
- 22. Okt. 1995
- Weltweiter Bruttoertrag
- 2.122.561 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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