Die Mächte des Wahnsinns

"In The Mouth of Madness" is one of John Carpenter's better flicks. It features the usually bland Sam Neill in a surprisingly good and likable performance, and is packed with oodles of intriguing concepts and spiffy details. The music is good (it was cowritten by Carpenter) and the movie has a great look. There are also lots and lots of ginchy make-up effects, and while some are better than others (the kid who turns into an old man looks like a kid wearing a Spencer's Gifts Old Man mask and fright wig), but the sheer abundance of them make this unique.

Neill plays John Trent, a no-nonsense insurance investigator who loves his job and has disdain for most of humanity- but with a sense of humor. He's sent to find a missing mega-selling author Sutter Caine (Jurgen Prochnow, in a role that would have been kick-ass if played by Stephen King), whose books are a nation-wide craze. Trent ends up in Hobb's End, a town right out of Caine's books (literally) where the morbid tales of fiction are becoming reality.

The movie, although muddled in places, too repetitive (on purpose), and too reliant on flash forwards, has lots of things to say about the perception of reality and it interesting and entertaining.

The supporting cast is good: John Glover and David Warner are psychiatrists, a subdued Charleton Heston is a publisher, and Bernie "Revenge of the Nerds" Casey is Trent's boss, but the highlight is Frances Bay as the sweet Mrs. Pickman. She provides the film's high points and ends up looking like something from the director's "The Thing". The weak link in the cast is the leading lady, Julie Carmen, who delivers every line like she just chugged a case of Nyquil. In addition to her lousy acting, she's dressed in ugly outfits and has a kind of "in-your-face" ugliness. In one scene there is a special effects dummy head in place of Carmen's and the dummy head out-acts her.

This is not as great as "The Thing" but better than "They Live" as far as John Carpenter's paranoid, reality-bending flicks go, and is worth checking out.

After the box-office failure of "Memoirs of an Invisible Man" in 1992 forced him to work in TV (with the movie "Body Bags"), director John Carpenter returned to his roots in the horror genre and began working in what would be his return to the big screen with the 1995 horror film, "In the Mouth of Madness", a movie that would become the third and final part of his Apocalypse Trilogy (an unrelated series of horror films started with "The Thing" and followed by "Prince of Darkness"). Together with writer Michael De Luca, Carpenter crafted a film that pays honest tribute to the genre's original root: the written word.

In the film, Sam Neill plays John Trent, a freelance insurance investigator hired to find out if the disappearance of horror writer Sutter Cane (Jürgen Prochnow) is part of a complicated marketing plan, as he is the most popular writer at the moment. However, it seems that Cane has really disappeared, as not even his publishers know where he is. Together with Cane's editor, Linda Styles (Julie Carmen), Trent will attempt to find out where Cane is, but will discover that the famed horror writer has a deep dark secret hidden in the apparently not so fictional town of "Hobb's End".

Inspired by legendary horror writer H.P. Lovecraft, De Luca's story is a powerful ride to the dark side where the line of fiction and reality disappear. Themes such as the duality of reality and fantasy and the concepts of God and free will are carried through the film's remarkably well-done script, becoming one of the most interesting, intelligent and insightful horror stories ever put on film. As a tribute to Lovecraft, De Luca captures that atmosphere of dread and madness that was so characteristic of Lovecraft's works and that no film adaptation of his works has managed to capture.

A fitting return to form, "In the Mouth of Madness" is again John Carpenter at his best, giving form to De Luca's imaginative script with amazing talent and an effective care for the story not seen since "The Thing". While the plot is clearly inspired on the work of H.P. Lovecraft, Carpenter completed the "tribute" by adding countless of references to Stephen King and Nigel Kneale (his own favorite writer), making "In the Mouth of Madness" a homage to writers of horror fiction. With great skill, Carpenter crafts a film that is never boring nor tiresome, and that even manages to transmit the feeling one would get by reading a book.

Sam Neill delivers an excellent performance as John Trent, who incredulous of Cane's talent, enters the unknown and discovers the source of Cane's popularity. It is a very natural and believable performance that can give the chills as Neill makes his character to be so easy to be identified with. Jürgen Prochnow and Julie Carmen deliver both excellent performances too, although their characters receive few screen time (even for important supporting roles) as it is truly Neill who carries the film becoming the focus of the story.

"In the Mouth of Madness" is a haunting horror film that is both intelligent and effective thanks to Carpenter's expertise as director, and more than 10 years after is release it's hard to see why it failed at the box-office. While it's not a perfect film, it's a lot better than the average, and while it's true that it seems to lose some steam in the last third, the ending is really one of the best in horror history. Despite some quibbles with the special effects (as I think that Carpenter shows a lot more than what was needed), the film is overall a very well-done film that deserved a better reception in its day.

With an excellent cast and a superb story, "In the Mouth of Madness" ends up as a really inventive story that proves that horror in film can deliver the same creative as it has in literature. An intelligent and twisted tale of horror, this homage to horror fiction makes a really great film. To most people, the name John Carpenter is (and will always be) related to the "Halloween" franchise, but personally, I find "The Thing" and this film as the best works of his career. 9/10

I know how to appreciate an "Old" movie, but i have to say that i was pretty excited about viewing this one, and found me laughing on the creepy parts. That is the only negative thing i have to say about this movie, and was really disappointing. Nevertheless the script is FREAKING AMAZING. The way the movie is directed and its development is really good. Dialogues are impregnated of religious and evolution theories topics. I personally loved the way how all this conversations and subject-matter were developed in the movie's plot... that isn't predictable. It's a good movie to see and pay attention, surely wont burn your brain but if you have a good sense for hidden things, you'll be thinking about them for quite a while. So in summary: great movie! (all thanks to the script and directors ability), failed horror intention and smart people plot.

7/10.

I knew about this movie, and knew it was a movie heavily influenced by Lovecraft, but oddly enough I have never gotten around to watching it before now in 2023. Which is rather odd, given my fascination with Lovecraftian writing, horror movies and John Carpenter movies.

And boy, have I been missing out on a rather interesting and entertaining movie experience here. Writer Michael De Luca put together a very enjoyable and entertaining script, where the audience follows John Trent's (played by Sam Neill) descent into madness. And it is done in a very good way, where we as the audience feel like we are right there alongside him. And wow, this was indeed a very Lovecraftian themed movie.

There were lots of nice little details that were tributes and nods towards H. P. Lovecraft and his work throughout the movie, which was something I found very interesting and a nice touch for director John Carpenter to have in the movie.

The acting performances in "In the Mouth of Madness" were good, and Sam Neill really carried the movie quite well with his performance. But there are other familiar performers on the cast list as well, with the likes of Jürgen Prochnow, David Warner, John Glover, Bernie Casey, Peter Jason, Frances Bay, Wilhelm von Homburg and even Charlton Heston. So you are in capable hands here.

Visually then I found "In the Mouth of Madness" to be rather impressive. The movie starts out subtle and then John Carpenter gradually piles on the effects and reveals more and more of the monstrosities and otherworldly things that start to manifest and take form.

It was really a great mistake on my account that I never got around to watching "In the Mouth of Madness" before now in 2023. If you enjoy Lovecraftian-themed movies, then this is definitely a movie you don't want to miss out on.

My rating of "In the Mouth of Madness" lands on an eight out of ten stars.

I found this film terrifying. Sure there is no man in a stripy jumper coming to 'stab you up' and no one is tied to a chair and worked on with an angle grinder.

This film makes excellent use of those iconic every day objects that become scary in the correct context. (E.G Clowns, mannequins, Victorian prams or a child's ball bouncing down a stair case.) People who have seen this will know what I mean when I say the word bicycle.

Rather than physical peril this film uses assaults on your grasp of reality. mine obviously isn't that great as I find this movie petrifying.

The production of the film isn't great and there are more exciting films out there. But if you have some imagination, are a little romantic and like being scared without having to sit through some poor soul forced to spectate live at their own autopsy, then this deserves every one of its eight stars.