Der Husar auf dem Dach

I found this film to be excellent. Though I am a student of history, I really do not know all the details regarding this episode of the freeing of Italy from Austrian authoritarianism. Though interesting, the historical aspect of the movie was not that important to me. It was a highly enjoyable adventure film that could have been placed in lots of different historical times.

Besides being a great adventure film it masterfully dealt with a most wide range of emotions. There were many undertones and harmonics dealing with fear, desperation, horror, escape, passion, love, honor and divine, or natural, justice.

What was so fascinating to me was how the movie showed the power of freedom, courage and focus. The protagonist was raised by his mother (a most curiously powerful presence in this movie even though we never see or hear her)to be independent and freedom loving and this movie shows how strong and almost invincible this makes him because he believes it and lives it with all his heart. All around him the world is literally falling apart and going mad from fear and disease and yet, by neither railing against it nor taking on these thoughts, he triumphs with his will to live and being true to his own vision at all times.

And as an added bonus, the visual artistry of this movie, from the titles all the way to the end is beautiful to behold. The scenery, costumes, sets, actors, camera angles and etc. are all brilliantly satisfying. The movie was a joy to see.

Juliette Binoche and Olivier Martinez look great, and they throw themselves enthusiastically into their roles. They do have a certain chemistry together, but the film devotes much more attention to the effects of the French cholera epidemic in 1832 on the countryside. The plot that kicks off the story rather dramatically is that of the assassination plots against Italian nationalists by Austrians who'd like to take over northern Italy. The end of the movie, however, reveals the true focus of the story. I wish that the majority of the movie was devoted to that story.

The Horseman on the Roof has to be one of the most beautiful looking films I've ever seen, which is odd for a movie about a cholera epidemic.

Set in a beautiful summer in the mid-19th century, it follows Olivier Martinez's Italian in exile as he is chased across France by Austrian agents intent on killing as many Italian rebels as they can only for his pursuers to be outrun by a cholera epidemic that picks off friends and foes. Along the way his path crosses with various victims and survivors - a doctor who teaches him a neat disinfecting trick of setting your hands on fire, a cute governess, Jean Yanne's duplicitous peddler, Gerard Depardieu's paranoid mayor, and most importantly Juliette Binoche, who is determined to find her husband. Naturally they become travelling companions as they try to get through roadblocks and avoid being put into quarantine by the soldiers cordoning off the roads - a virtual death sentence - and eventually nearly become more. The film looks so good in cinemascope and so much of it is terrific than you can just about forgive the fact that the ending is a bit of a washout after everything that's gone before.

A really enjoyable old-fashioned epic, I'd definitely pick this up if it ever turned up on DVD uncut with English subtitles (the Miramax disc is typically cut by 17 minutes thanks to Harvey Scissorhands).

Provence provides a stunning locale for this romantic adventure. The camera work is exquisite and every opportunity is taken to capture the natural beauty of this region. The story is simple enough. Angelo, an Italian colonel (handsome Olivier Martinez) escapes from Austrian-oppressed Italy to raise funds in the continuing battle against Austria. He finds more than an unsympathetic acceptance in France. Most of the towns through which he rides are beset with cholera. The camera scenes of the dead and dying victims, horse-drawn carts packed high with bodies and funeral pyres are terrifying enough, but it is the fluttering of black wings as crows seek out the eyes of the dying victims that frighten most. Some of the close-ups are pretty grim. In lighter vein I liked the scene where a cat befriends our horseman and he talks to it on the roof about how wars are won with money as much as guns. The cat is a great little actor. The horseman an accomplished swordsman carves his way through many a desperate situation (What hero doesn't?) He acquires a bottle of medicine from a dying stranger who has taught him a massage technique to avert death from cholera. On his way back to Italy with a bag of gold coins, he gives protection to Pauline, a doctor's wife (Juliette Binoche)who is seeking out her missing husband in the cholera-infected area. The young 25-year old colonel who sends almost daily letters to his mother in Italy (they are really a diary of events) behaves as the perfect gentleman at all times, but his protegee is obviously drawn to him. Here is a love story where the lovers admire from a distance never submitting to the chemistry which is drawing them together. When the woman collapses with cholera, all existing barriers are forgotten as he works on her frantically with his acquired knowledge to save her life. One of the great joys of this film is to watch the handsome faces of Martinez and Binoche. Their beauty contrasts sharply with the agonised plight of the villagers and the devilish black crows which hover continuously about the dead, fluttering out through open doors and windows. The ending may not satisfy some, but it leaves us with the thought that somewhere sometime all will be well again.

This is a 19th century story that is strongly reminiscent of a "knight in shining armor" story of long, long ago. The handsome hero is both committed to his cause of freeing Italy from Austrian rule AND protecting his lady from all harm--even when she stupidly blunders into it on a couple occasions. From start to finish, this is an excellent historical "chick flick" and is likely to excite the passions of many female viewers, but I am a guy (at least the last time I checked) and I STILL enjoyed it. The acting was excellent and the cinematography outstanding. About the only minor problem with the film was the occasional stupid behaviors by the female lead (Binoche). A couple times, she just seemed too stupid to live--but, of course, the handsome hero came to her rescue.

An excellent film, but a little disturbing due to its graphic depiction of plague victims. Plus, with a little nudity towards the end of the film (it was explicit but not gratuitous), this is NOT a film for the kids.