Eine Frau für zwei

I know many people have a mental block about foreign-language films, but this is an excellent taster for the nervous. No portentous symbolism or moody gazes into the middle-distance - just a witty, sexy comedy of errors, where the audience's sympathies bounce back and forth between the three principal characters. Instantly accessible to monolinguists - and yet its panache and pace could only be French (yeah, I know Abril is Spanish).

Incidentally, I know we're not really supposed to respond to other comments from IMDb users, but it's interesting to note that the movie-loving community displays just as much intolerance and uptightness about sexuality as any other disparate group of people.

As a comedy, the film stands out as it blends in the sexuality and gender issues in. It portraits these relatively controversial issues in an explicit approach. It won Best Screenplay at the 1995 French Academy of Cinema and got nominated for Best Picturefor 1995 French Academy of Cinema and Best Foreign Language Film for 1995 Hollywood Foreign Press Association. Personally, I think this movie is a successful one in terms of the story plot. The story line is easy to follow and the editing style is just the right pace. Things do not get messed up even the relationship between the three is rather complicated. The scenes are nicely set up and every single scene contributes their importance to the whole film. Some may argue that such issue should not be shown in such explicit style, for instance, when Loli and Marijo were naked in the bath tube, at least it should not be rated "Universal" in Europe. However, we may have to refer back to the cultural context since it is rated differently in America. For European countries, it may be accepted to present controversial issues such as sexuality and lesbian relationships in a direct way compared to other countries such as the ones in Asia, where these are considered as taboos.

Overall, I think this is an entertaining film and it is worth watching. This movie is recommended to anyone who wants to know more about gender and sexuality issues, or anyone above illegal age.

I read the user comment for this film, my point of view is quite different :

1. I am surprised to see that Gazon Maudit was rated R and 18 in most countries. I saw this movie at 20:30 PM, on Sunday evening, on the main TV french channel, and I don't remember any scandal for this (and we have our share of intolerant bigots in France too...). OK, this picture is about sex, lesbians, homosexuality and triolism, we can see a few times Victoria Abril half or totally naked and Josiane Balasko smokes a lot of pot, but it is basically a comedy with no real provocation. I find much more vulgarity in, mmmh, let's say, the "American Pie" pictures - even if they don't show nudity - than in Gazon Maudit.

2. This movie is funny. No big laughs, but a good story and brilliant acting. We know that the situations are implausible (a nice married woman falls in love at first glance with a butch-lesbian-truck-driver, who will have a baby with her husband) but the characters are funny enough to forget minor errors in the script and you will enjoy the way of cross that the unfaithful husband (Alain Chabat) will have to go through.

3. I gave a rating of 6 because it's not a masterpiece. But if you find the plot outline attracting, if you ever wonder "What would I do if my wife leaves me for another woman ?", or if you want to see an uncommon film about relationships, you will not be disappointed !

This film is typical of films made outside of mainstream Hollywood studios; it takes some old themes and treats them with an attention-grabbing freshness. Playing Loli, a young housewife living in the south of France, Victoria Abril is as delightful as a spring breeze in Provence. Her husband is an incorrigible infidel; we've seen many of those in films. However, when the masculine Marijo, played poignantly by Josiane Balasko, enters their lives, the story takes many unexpected and entertaining turns which render a fairly common theme completely unpredictable. Everyone to whom I recommend this film ends up watching it numerous times and recommending it to others. The soundtrack is now one of my most-played CD's.

Loli, played by Victoria Abril, has given up a promising career as a dancer to become the wife of a womanising estate agent; and though she knows of one woman he has had an affair with and has forgiven him, she knows nothing about any of the others - not even her own baby-sitter! No. Her main complaint against him is not his promiscuity but that he takes her for granted and shows her little affection. So, when a butch lesbian, played by Josiane Balasko, appears on the scene, stopping at the house to ask for water for her van's radiator, she is a ripe fruit waiting to be picked. And this kind, mature, worldly-wise lesbian is an expert in the art of seduction.

On an evening out together, the husband, played by Alain Chabat, already annoyed at the lesbian's intrusion into his home with his wife's encouragement, is driven into a blind fury when he discovers the lesbian's hand half way up his wife's thigh and sees them dancing together in a way that is very intimate. From this follow many scenes of shouting and screaming, jealousy and rage. You feel for the husband's usurpation and his humiliation at being rejected for a lesbian - though you rejoice at his come-uppance - and you feel for the wife who deserves the affection she has been so long denied, and you feel for the lesbian with a loving heart who wants only to make the wife happy - though others may condemn her for destroying a relatively happy marriage. The husband hates her so much and is so desperate to get rid of her that he is willing to do anything to get her to leave.

But despite all the passion and jealousy this is a light comedy and not a heavy drama, and you have the feeling all along that everything will work out well in the end. And it does. The moral of the story, affirmed at the end, is that the only things that matter are love, tenderness and affection and if we get those the source's sexual gender is immaterial; we are all bisexual.

This is a bright, witty and observant comedy, well-acted, particularly by Victoria Abril,