Vergiß Paris

This movie is interesting and unique, in the sense that it focuses on love AFTER marriage, and not before.

Billy Crystal plays a basketball referee who travels to Paris in order to bury his recently-deceased father. However alone the way the casket is lost and he's stuck in Paris, where he meets another single woman (Debra Winger) who's under similarly unfortunate circumstances.

They go out, have a fun time, and then resume their normal lives. Crystal goes back to basketball in the US but soon finds he can't concentrate and keeps thinking about his relationship.

Eventually they reunite and get married but it's an uphill struggle.

The movie kind of reminded me of "GoodFellas" (!) due to its structure and how it focused on the downfall of the marriage. Like Ray Liotta's marriage in "GoodFellas" it's not all peachy like most Hollywood films portray them as being.

My favorite sequence is when Crystal is transporting his semen to a hospital and gets stopped by a traffic cop. Some very funny moments like this, as well as good chemistry between the stars and an interesting narrative structure, make it a worthwhile - if not particularly memorable - romantic comedy, better than many others in its genre. At least it's entertaining and believable.

I wanted to like this. It does not shirk from showing the real difficulties marriage has - or the anti-climax marriage can prove after the romance of courtship.

I also applaud its realism - many matters don't prove right in the end in real life - nor in this movie - no matter how much they try. Reconciliations fade in light of fundamental issues that exist from the beginning of the marriage.

However, as comedy, the movie usually seemed lame - it had its moments but they were too few. And as drama, there weren't enough moments of real suspense. As a romance, it fails - it's too realistic and I never felt any magic in Debra Winger's character. She was fairly nice, fairly attractive, but rather humdrum in personality. We are taken down a lane familiar to married couples - with all the aggravations real life produces and an occasional chuckle.

The movie is the rather tedious alternative to "happily ever after" - and though the movie rings more truly than "happily ever after",it's not as satisfying. Very little would be needed to darken this movie into "An Unmarried Woman". I preferred Mr. Saturday Night for its dark look at the life of a Milton Berle sort of character - at least it was unfamiliar and interesting territory - this isn't. I do wish I could say otherwise and again think well of Crystal in one respect: he doesn't sugarcoat his tale.

Is there a specific reason why Crystal has not directed more often? I'm feeling like starting a petition and sending a copy of this to anyone who would potentially sign it. He, Mantegna, Kavner(the three reasons I gave it the much-deserved chance), Winger and Stevenson are fantastic. Their performances and the timing, spot-on. This is incredibly funny, in the clever, dry, not trying too hard kind of way. The humor does have a few gross moments, however, apart from that, it's all hilarious, if you're into the sarcastic, at times cynical, type of material. Hardly any gags or jokes fall flat, throughout it. It's well-acted, and the characters are good. In addition, it's highly involving, and you find yourself caring, not just laughing, during this. Part of the emotion comes from the honesty of this, that it isn't your usual romantic comedy of "boy who looks like a male model meets female lead who appears to have stepped right off the train from Glamourville", and so on and so forth. This has ups *and* downs, and goes beyond the superficial level of the Hollywood pap that we all know, without forgetting what genre of film it is. The story is imaginative and holds surprises. The writing is top-notch. Do note that this is not for kids, the rating the MPAA gave it makes sense. There is language and themes herein. I recommend this to any fan of anyone who was part of creating it, Billy in particular. 7/10

FORGET Paris is a sweet romantic comedy which Billy Crystal made after his best romantic comedy, WHEN HARRY MET SALLY. This time, though, it is Debra Winger rather than Meg Ryan who is opposite him. But Winger does nicely in the Ryan part and Crystal does nicely too.

Crystal is a basketball referee who is accompanying his father's dead body to Normandy for burial. The airline sends the body to Switzerland accidentally, and Winger is the airline official who smooths Crystal's ruffled feathers. She even attends the funeral, and soon the two of them are exploring the sites of Paris together. They get on well, but Crystal has to return to the U.S. But he returns and proposes marriage. After an initial delay, Winger accepts the proposal, and we watch the resulting marriage.

It is an intensely felt love affair, but it isn't smooth. She does not like losing her high paying job in Paris to return to the U.S., nor that he is going around the country most of the time as a referee at games. He tries to work at a different job, and finds her father (William Hickey) driving him batty with his senility (he keeps repeating the Toyota automobile slogan from the 1990s). And there are more serious problems about infertility, including a funny routine when Crystal is repeatedly delayed running to a fertility clinic.

The story of their love affair and marriage is related by Joe Mantegna, Richard Masur, Julie Kavner, and John Spencer, at a dinner party in an Italian restaurant. The personalities and marriage situations of the friends of our hero and heroine get exposed too during the dinner. All of the friends give good performances as does Hickey and Robert Constanza as the world's most philosophically charming waiter. Listen to him describing various drinks.

The film is a feel good movie, and does well as such.

There are those comedies that are a good watch once, and that's it. However, there are those few romantic comedies that capture your attention and the humor is able to stay with you for a long time. This is one of those films. Narrated by several of the characters in the film, it has a special quality one can never forget.

From beginning to end, the narrators tell the love story of how the two leads meet, fall in love, and have troubles. Around four or five years is covered in the whole two hour piece. It's comedically written, but then, Crystal is the genius behind that, and it was well executed acting and directing wise.

Anyone who enjoys beautiful cinematography and great lines in a film, you'll enjoy Billy Crystal's "Forget Paris".