Die Scheidungsanwältin Kate McQueen wird zur Zielscheibe ehemaliger KGB-Agenten. Auf der Flucht vor den Killern erhält Kate von dem Polizisten Max unerwartete und kompetente Hilfe.Die Scheidungsanwältin Kate McQueen wird zur Zielscheibe ehemaliger KGB-Agenten. Auf der Flucht vor den Killern erhält Kate von dem Polizisten Max unerwartete und kompetente Hilfe.Die Scheidungsanwältin Kate McQueen wird zur Zielscheibe ehemaliger KGB-Agenten. Auf der Flucht vor den Killern erhält Kate von dem Polizisten Max unerwartete und kompetente Hilfe.
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- 4 Nominierungen insgesamt
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Erm, it sounds good on paper, and perhaps it would have been a good idea if they hadn't screwed the damn thing up by giving us a weak script, even weaker plot, weaker villians and then give up on the sexy model as John McClane and turn her into a damsel in distress.
It almost feels like Producer, Joel Silver is satirizing or parodying himself in the constant need for set-piece action after set-piece action strung together on the weakest thing to ever grace the screen.
Everything that hits something explodes, cars hit telegraph poles and explode violently, tree's that are in the way explode even more violently...its almost too much to take in. I know action is what was driving hollywood around the early 90s - but this is just TOO much.
Anyway, the film pretty much nose-dives when Crawford - who looks stunning - turns into a damsel in distress with Baldwin acting like he's painting by numbers - just doing the thing because either Stallone dropped out or because of the money.
Not even the "sex-scenes" can save this terrible affair. Not even Berkov, now type-cast as Russian bad guys, can save it. Everything hurts...everything. The end explosion looks kinda cool, but it can't mask the fact that this film is flimsy at best - and at worst? Well, I just don't wanna think about that.
They could have made it a lot better than this trash. A die-hard with a woman as the hero could have been done a lot better. Its a shame with the buckloads of money they wasted on this trash seems to have gone onto Crawford's make-up.
My Rating: 0/10
I kind of enjoyed this brainless tosh. Cinders looks great, adequately playing an uncompromising, smarty-pants attorney. Baldwin is the cop determined to guard her body when people start trying to kill her. He just about pulls off the hardass cop routine, but never really musters the enthusiasm to look like he's enjoying it.
The bad guys glower and plot, hunting the fleeing pair down with ruthless skill (and some rather suspect computer trickery), then cocking things up each time allowing them to escape. It's hugely violent, fast moving, loud, full of swearing etc., all the things you associate with nineties action fodder, and finishes off with a big enough bang. Don't expect much, and you shouldn't be disappointed.
Oh, and if you're wondering about nudity, Cindy does indeed get them out for the lads', and Baldwin shows his butt.
The acting is terrible, the plot is terrible. There are too many goofs to count. It just goes to show you it does not require a great script or even a great idea to make a movie.
Wusstest du schon
- WissenswertesThis is Cindy Crawford's only starring role in a film.
- PatzerThe whole plot rests on Kazak and his men trying to kill Kate before her court case causes them to lose the Tortuga in the divorce case she is pursuing. However, they only need a couple of days to complete the transfer, and any court case Kate was undertaking would take weeks, if not months, before there was any chance her client would be awarded the ship.
- Zitate
[Max has called his cousin Jodi and got the answering machine]
Ilya Kazak: [on the machine] Hello. You have reached the number of Detective Kirkpatrick's meddling relative. Cousin Jodi cannot answer the phone right now, but if you wish to leave a message, please contact your nearest psychic.
[scream from Jodi, gunshot]
Ilya Kazak: Dosvedanya to you, *asshole*!
- Alternative VersionenEuropean release was 8 minutes longer, less violence, but more sex/nudity.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Trò Chơi Sòng Phẳng
- Drehorte
- Las Olas Boulevard, Fort Lauderdale, Florida, USA(apartment explosion)
- Produktionsfirmen
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Box Office
- Budget
- 50.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 11.534.477 $
- Eröffnungswochenende in den USA und in Kanada
- 4.946.332 $
- 5. Nov. 1995
- Weltweiter Bruttoertrag
- 11.534.477 $
- Laufzeit1 Stunde 31 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1