IMDb-BEWERTUNG
6,6/10
10.434
IHRE BEWERTUNG
Der Brooklyn Cigar Store ist ein Nachbarschaftstreff in Brooklyn mit Auggie Wren/H.Keitel im Mittelpunkt. Einige Leute werden über Brooklyn interviewt, gewürzt mit Statistiken über Brooklyn.Der Brooklyn Cigar Store ist ein Nachbarschaftstreff in Brooklyn mit Auggie Wren/H.Keitel im Mittelpunkt. Einige Leute werden über Brooklyn interviewt, gewürzt mit Statistiken über Brooklyn.Der Brooklyn Cigar Store ist ein Nachbarschaftstreff in Brooklyn mit Auggie Wren/H.Keitel im Mittelpunkt. Einige Leute werden über Brooklyn interviewt, gewürzt mit Statistiken über Brooklyn.
- Auszeichnungen
- 2 Nominierungen insgesamt
Roseanne Barr
- Dot
- (as Roseanne)
José Zúñiga
- Jerry
- (as Jose Zuniga)
Empfohlene Bewertungen
This is a light and fun - although intelligent - movie, worth seeing, if not for the whole marvellous opus of pop culture, for his cast alone: Harvey Keitel, Roseanne, Victor Argo and precious appearances of Lou Reed, Jim Jarmusch (as Bob, in my favorite sequence of the movie), John Lurie and Madonna, to name a few. Soundtrack by David Byrne only adds to the mix.
´Blue in the Face´ cynically, cleverly and ironically chronicles the life and the history of Brooklyn, NY. Watch it, it´s independent cinema at its best.
´Blue in the Face´ cynically, cleverly and ironically chronicles the life and the history of Brooklyn, NY. Watch it, it´s independent cinema at its best.
Blue in the face is a follow up to 'Smoke' a film which I saw recently and very much enjoyed. I thought I'd give this one a try as well.
Like the first film (even more so) this is a collection of beautifully acted, largely improvised vignettes, involving the customers and general passers-by of the Brooklyn based cigar shop run by Auggie (Harvey Keitel). There is a lose storyline involving the relationship between Auggie and his girlfriend Violetta (brilliantly played by Mel Gorham) and the troubled marriage of Vinnie the storeowner and his wife. The store has been a part of the local community for years and when Vinnie gets a very good offer to sell up, it's bound to badly affect a lot of people.
The best moments of the film lie in the documentary style rambling of Brooklyn residents (including Lou Reed) as they describe what it means to them being part of the city, and also the brilliant monologues that some of the characters perform. There are moments of genius in this film. It is very funny in a very understated way, the assembled characters are all eccentric in their own way but totally believable. The dialogue is natural and you get to know and feel for the characters very quickly in to the movie.
I loved this film; I thought it was better than 'Smoke' a film I also liked. 'Blue in the Face' might be harder to get in to for some people, it's improvisational style and lack of structured story might put people off or make them think it's hard to follow, but it isn't. Don't try to make too much sense of what's going on you don't need to. Treat it as a series of snapshots in to the lives of a collection of colourful New Yorkers. Just sit back and watch the characters play out their lives, you'll very soon be engrossed by it.
It was an absolute delight to watch. Not for everyone maybe but definitely for me!
Like the first film (even more so) this is a collection of beautifully acted, largely improvised vignettes, involving the customers and general passers-by of the Brooklyn based cigar shop run by Auggie (Harvey Keitel). There is a lose storyline involving the relationship between Auggie and his girlfriend Violetta (brilliantly played by Mel Gorham) and the troubled marriage of Vinnie the storeowner and his wife. The store has been a part of the local community for years and when Vinnie gets a very good offer to sell up, it's bound to badly affect a lot of people.
The best moments of the film lie in the documentary style rambling of Brooklyn residents (including Lou Reed) as they describe what it means to them being part of the city, and also the brilliant monologues that some of the characters perform. There are moments of genius in this film. It is very funny in a very understated way, the assembled characters are all eccentric in their own way but totally believable. The dialogue is natural and you get to know and feel for the characters very quickly in to the movie.
I loved this film; I thought it was better than 'Smoke' a film I also liked. 'Blue in the Face' might be harder to get in to for some people, it's improvisational style and lack of structured story might put people off or make them think it's hard to follow, but it isn't. Don't try to make too much sense of what's going on you don't need to. Treat it as a series of snapshots in to the lives of a collection of colourful New Yorkers. Just sit back and watch the characters play out their lives, you'll very soon be engrossed by it.
It was an absolute delight to watch. Not for everyone maybe but definitely for me!
I wish I could make a movie this funny and so easily. Five days, improvisations, not a definite storyline and a great and funny movie is born. I loved it, it still makes me laugh and will keep on making me laugh. All the actors are great, but if I had to give an award to one of them it would be Jim Jarmusch, with his "last cigarette" speech. Fantastic also is Lou Reed, and his conclusions about life. The movie really benefits from its addition of well-known stars, including a much-in-the-gutter character Michael J. Fox, which is really funny. The film also includes some curiosities about Brooklyn, and works not only as a set of vignettes but also as an account of what's typical and traditional in that neighbourhood. It has some cool moments and some touching moments, but overall it's a movie to see and not to analyse.
"Blue in the Face" was a fastly produced follow-up of director Wayne Wang's and writer Paul Auster's 1994 art house hit "Smoke". While "Smoke" was produced in the usual way with script, casts, etc., this movie was a quickly shot within less than a month, just containing vague ideas, interviews and improvisations with the same production unit and main actor Harvey Keitel, but without a script and with lots of popular supporting actors who were improvising their performance straight in front of the camera. And it works.
Focused on Keitel's smoke shop in Brooklyn, his customers and visitors are telling stories about their lives, views, ideas, dream, relationships and carreers, all focused around the topic of smoking. Lou Reed can't remember his first cigarette, but presents his self-constructed glasses, Jim Jarmusch celebrates his last cigarette, Harvey Keitel reminds which war movie made him a cigarette smoker, and there are several more famous guests in the shop. Michael J. Fox plays a weird insurance guy, Madonna appears as a singing telegram girl, and John Lurie, Mia Sorvino, Paul Keith and the whole NYC artist's scene appear on the screen.
Although the pointless composition of independent scenes and interviews might become a bit out of tune or boring sometimes, the movie works really well. There are lots of interesting (real life?) stories told by the actors, a great rare groove soundtrack that could fit into every Tarantino production, and some really good jokes too. "Blue in the Face" become a minor art house classic in Europe in the nineties, and one could wonder if this movie would have been the same ten years later in the times of anti-smoking laws and campaigns. Nice independent movie.
Focused on Keitel's smoke shop in Brooklyn, his customers and visitors are telling stories about their lives, views, ideas, dream, relationships and carreers, all focused around the topic of smoking. Lou Reed can't remember his first cigarette, but presents his self-constructed glasses, Jim Jarmusch celebrates his last cigarette, Harvey Keitel reminds which war movie made him a cigarette smoker, and there are several more famous guests in the shop. Michael J. Fox plays a weird insurance guy, Madonna appears as a singing telegram girl, and John Lurie, Mia Sorvino, Paul Keith and the whole NYC artist's scene appear on the screen.
Although the pointless composition of independent scenes and interviews might become a bit out of tune or boring sometimes, the movie works really well. There are lots of interesting (real life?) stories told by the actors, a great rare groove soundtrack that could fit into every Tarantino production, and some really good jokes too. "Blue in the Face" become a minor art house classic in Europe in the nineties, and one could wonder if this movie would have been the same ten years later in the times of anti-smoking laws and campaigns. Nice independent movie.
Wang's followup to Smoke is a series of improvised scenes put together to represent the diveristy of Brooklyn's culture. Meanwhile Auggie is struggling with Vinnie's decision to sell the cigar store.
The "plot" to this film doesn't really matter. This was shot in the time that was left over when Smoke wrapped earlier than scheduled. In many ways this is a much better film. It's a huge amount of fun to watch and it all ends in a street party - it all makes you want to live in Brooklyn and meet all these weird and wonderful people that live there. It's sketchy nature can mean that it feels a little piecey but most of it is funny or interesting and you may not notice it's lack of structure. The actual story is actually quite good - Vinnie's decision to shut the store is handled as a threat to the friendships that exist around the story and also the importance of such places in holding the community together. It makes a good point and, mixed with the humour, isn't hard to swallow at all.
The cast are good - many of Smoke's faces are still there and are complimented by famous faces. Stars such as Fon, Roseanne, Madonna, Lou Reed, Jim Jarmusch, Lily Tomlin, Ru Paul etc all make cameos - Madonna isn't great but MJ Fox is really funny. The remainder of the cast are made up of real quality actors such as Victor Argo, Harvey Keitel and Giancarlo Esposito to name a few.
Overall this is a light reward for watching the slighly heavier Smoke. Both films are good in their own way but this is the most fun to watch.
The "plot" to this film doesn't really matter. This was shot in the time that was left over when Smoke wrapped earlier than scheduled. In many ways this is a much better film. It's a huge amount of fun to watch and it all ends in a street party - it all makes you want to live in Brooklyn and meet all these weird and wonderful people that live there. It's sketchy nature can mean that it feels a little piecey but most of it is funny or interesting and you may not notice it's lack of structure. The actual story is actually quite good - Vinnie's decision to shut the store is handled as a threat to the friendships that exist around the story and also the importance of such places in holding the community together. It makes a good point and, mixed with the humour, isn't hard to swallow at all.
The cast are good - many of Smoke's faces are still there and are complimented by famous faces. Stars such as Fon, Roseanne, Madonna, Lou Reed, Jim Jarmusch, Lily Tomlin, Ru Paul etc all make cameos - Madonna isn't great but MJ Fox is really funny. The remainder of the cast are made up of real quality actors such as Victor Argo, Harvey Keitel and Giancarlo Esposito to name a few.
Overall this is a light reward for watching the slighly heavier Smoke. Both films are good in their own way but this is the most fun to watch.
Wusstest du schon
- WissenswertesEvery scene was filmed in ten-minute uninterrupted takes. The directors would hold up signs reading "Keep it up" or "Boring" for the actors and actresses instead of stopping the filming.
- PatzerDot bolts the store door to talk with Auggie, then leaves without unlocking it.
- Crazy CreditsSituations Created in collaboration with THE ACTORS
- SoundtracksGod's Child
Performed by David Byrne and Selena
Written by David Byrne
Published by Moldy Fig Music (BMI)
David Byrne appears courtesy of Luaka Bop/Warner Brothers Records Inc.
Selena appears courtesy of EMI Latin Records
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- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
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- Auch bekannt als
- Blue in the Face
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Box Office
- Budget
- 2.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.268.636 $
- Eröffnungswochenende in den USA und in Kanada
- 104.365 $
- 15. Okt. 1995
- Weltweiter Bruttoertrag
- 1.268.636 $
- Laufzeit1 Stunde 23 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Blue in the Face - Alles blauer Dunst (1995) officially released in India in English?
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