Zwei Hip-Detektive schützen einen Zeugen eines Mordes, während sie einen Fall von gestohlenem Heroin aus dem Beweissicherungsraum ihres Polizeireviers untersuchen.Zwei Hip-Detektive schützen einen Zeugen eines Mordes, während sie einen Fall von gestohlenem Heroin aus dem Beweissicherungsraum ihres Polizeireviers untersuchen.Zwei Hip-Detektive schützen einen Zeugen eines Mordes, während sie einen Fall von gestohlenem Heroin aus dem Beweissicherungsraum ihres Polizeireviers untersuchen.
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
- Fouchet
- (as Tcheky Karyo)
Empfohlene Bewertungen
Michael Bay, former music video and commercial director, has made an incredible directorial debut. The film never stops. When it isn't action-packed, it is funny. It is sexy, fun and always moving. Christian Wagner's editing is phenomenal. I love action movies that really try to be action movies. A lot of action films know that they are action films so they try to incorporate other genres to make the film more complete, but they often fail miserably. They try so hard to be something they are not that they forget what they are in the first place. The essence of the action film is the action. It is a necessary component, it needs to be there otherwise it loses its edge. "Bad Boys" doesn't just throw in the occassional action sequence to meet the expectations of the genre, but instead uses the action to help tell the story. It is this use of filmmaking that allows an action film to remain an action film and still go beyond.
Watch "Bad Boys" again and every time there is an action sequence, ask yourself why that was there and what did it accomplish. You will find that each sequence took the film to another level; it introduced an new conflict, it increased the present conflict, it eliminated a key character, it introduced a new character, and so on. There are a lot of action films out there that sacrifice story for spectacle, and the audience notices this. At the centre of all films lies the story and if it comes to a halt so does the interest of the viewers.
"Bad Boys" of course isn't the greatest story on film, or even in the action genre, but what is so appealing and memorable about "Bad Boys" is that it is just as entertaining with its story as it is with its action by combining the two without sacrificing either. Michael Bay understands the importance of the story within the structure of the film. He tells a visual story, entertaining and complete, and leaves you very satisfied. Watch for Michael Bay because he is here to stay.
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- WissenswertesDirector Michael Bay didn't like the script and often engaged Will Smith and Martin Lawrence in discussions about how the dialogue and scenes could improve. He often allowed them to improvise while the cameras were rolling. He secretly told Will to call Lawrence a bitch before the car-scene. The whole "two bitches in the sea" was improvised, as was Martin's comment when Téa Leoni called him gay.
- PatzerIn the first murder crime scene, Mike and Marcus touch things with no regard for fingerprints and integrity of evidence.
- Zitate
[Mike, Marcus, and Julie start arguing, nobody paying attention to his gun; Julie just walks out]
Store Clerk: Hey, freeze bitch!
Mike Lowrey: [as he points the gun her way, in a flash Mike and Marcus stop arguing and point their guns at his head] YOU freeze, bitch!
Store Clerk: Oh shit, I'm fucked.
Mike Lowrey: Now back up, put the gun down, and get me a pack of Tropical Fruit Bubblicious.
Marcus Burnett: And some Skittles.
- Alternative VersionenThe final chase along the runway has been treated with orange 'sunset' filters in the UK pay-TV version, but in the UK laserdisc release the same scene takes place in normal daylight.
- VerbindungenFeatured in Diana King: Shy Guy (Bad Boys Version) (1995)
- SoundtracksBoom Boom Boom
Written by Daz Dillinger (as Dillinger) and Juvenile
Produced by Steve Shafer and Greg Alan
Performed by Juster
Courtesy of TVT Records
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Dos policías rebeldes
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 19.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 65.807.024 $
- Eröffnungswochenende in den USA und in Kanada
- 15.523.358 $
- 9. Apr. 1995
- Weltweiter Bruttoertrag
- 141.407.024 $
- Laufzeit1 Stunde 59 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1