Wyatt Earp trifft auf andere berühmte Persönlichkeiten der Wildwest-Ära.Wyatt Earp trifft auf andere berühmte Persönlichkeiten der Wildwest-Ära.Wyatt Earp trifft auf andere berühmte Persönlichkeiten der Wildwest-Ära.
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- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 3 Gewinne & 7 Nominierungen insgesamt
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Wyatt grows up a young man who loves the law. When his wife dies early in their marriage he goes off the rails and becomes a drunk and a thief. When he is offered a chance at redemption he takes it and becomes a deputy. His legend spreads and he is offered the chance to be the deputy for Dodge City. He has great success but is removed from the job for being too brutal. When his replacement is killed as the law falls away in Dodge, Wyatt returns before moving on to Tombstone but finds his initial run-in with the Clantonhas left harbouring resentments.
When I saw this in the cinema, it was hassled by the fact that another, more multiplex-friendly version of the story had just been released shortly before. Viewed separately years later it fares better without the comparison to Tombstone, which is, in fairness, more of a fun bang-bang affair, although now it struggles because Costner's reputation is not even at the level it was when this film was released. The plot is good and is supposedly a true telling of the legend, although the film is careful to pepper the running time with hints that stories get changed with the telling.
The very honest and respectful telling of the story means that it gets told in a very deliberate and careful manner. This means on one hand that we get a good picture over Wyatt's life as opposed to the events in Tombstone, however it also means that the film itself is a little dull and overlong. It is overly deliberate and doesn't flow as well as it should - flowing more like syrup than water at times. Where some three-hour running times fly by, here it does feel like at least three hours - not always a good thing! The filling out of the characters doesn't always work either - I knew more about Wyatt but I didn't understand his character much more, also I was surprised that I was none the wiser about why he and Doc became friends considering how long was spent with them. A big failing of the film is that it assumes the status of an epic rather than earning the status. What I mean by this is that it tries too hard to be an epic - with constant sweeping music where it didn't need it. I still thing the film has an epic sweep to it, but it didn't need the cinematic tricks to achieve it; in fact, it could have down played it and let the sweep of the film do it for itself.
The cast is pretty good and also pretty deep. Costner may not be seen as a star anymore but that doesn't mean he can't act and can't hold the attention. He is a reasonable Wyatt but he suffers from being too deliberate and too shut off at times. I understand he needed to do it for the character but it contributes to the film feeling slow. The other brothers are played well by Madsen, Ashby and Andrews. Maybe it is because of Costner's drab Wyatt, but Quaid really lightens things up as Doc Holliday. His colourful character stands out easily against the old west types. The support cast is deep and includes faces such as Hackman, Fahey, Harmon, Pullman, Sizemore, Rossellini, Williams and O'Hara.
Overall this is a film that requires patience - if you prefer your films to contain action more than story then Tombstone may be more for you - but, for all it's failings, this is still a solid western and a good telling of the legend with more emphasis on background than action and fluidity.
When I saw this in the cinema, it was hassled by the fact that another, more multiplex-friendly version of the story had just been released shortly before. Viewed separately years later it fares better without the comparison to Tombstone, which is, in fairness, more of a fun bang-bang affair, although now it struggles because Costner's reputation is not even at the level it was when this film was released. The plot is good and is supposedly a true telling of the legend, although the film is careful to pepper the running time with hints that stories get changed with the telling.
The very honest and respectful telling of the story means that it gets told in a very deliberate and careful manner. This means on one hand that we get a good picture over Wyatt's life as opposed to the events in Tombstone, however it also means that the film itself is a little dull and overlong. It is overly deliberate and doesn't flow as well as it should - flowing more like syrup than water at times. Where some three-hour running times fly by, here it does feel like at least three hours - not always a good thing! The filling out of the characters doesn't always work either - I knew more about Wyatt but I didn't understand his character much more, also I was surprised that I was none the wiser about why he and Doc became friends considering how long was spent with them. A big failing of the film is that it assumes the status of an epic rather than earning the status. What I mean by this is that it tries too hard to be an epic - with constant sweeping music where it didn't need it. I still thing the film has an epic sweep to it, but it didn't need the cinematic tricks to achieve it; in fact, it could have down played it and let the sweep of the film do it for itself.
The cast is pretty good and also pretty deep. Costner may not be seen as a star anymore but that doesn't mean he can't act and can't hold the attention. He is a reasonable Wyatt but he suffers from being too deliberate and too shut off at times. I understand he needed to do it for the character but it contributes to the film feeling slow. The other brothers are played well by Madsen, Ashby and Andrews. Maybe it is because of Costner's drab Wyatt, but Quaid really lightens things up as Doc Holliday. His colourful character stands out easily against the old west types. The support cast is deep and includes faces such as Hackman, Fahey, Harmon, Pullman, Sizemore, Rossellini, Williams and O'Hara.
Overall this is a film that requires patience - if you prefer your films to contain action more than story then Tombstone may be more for you - but, for all it's failings, this is still a solid western and a good telling of the legend with more emphasis on background than action and fluidity.
I've done extensive reading and research on Wyatt Earp, Doc Holliday and this era. With that as a start, let me continue.
The roles of Wyatt, Virgil and Morgan Earp were well-cast and portrayed. The actors bore reasonable physical resemblance to the real men. Dennis Quaid as Doc Holliday was superb; I thought his portrayal was more accurate than that of Val Kilmer in "Tombstone", his personality and his appearance.... although with friends, Doc Holliday was a pretty affable gentleman.
The story was a nice story, although there were significant problems with some of the historical accuracy. First, Morgan and Virgil were NOT shot on the same night... actually 3 months apart. Things like that bother me when seeing a supposedly historically accurate film. But what I considered the weakest part of this movie (and "Tombstone" as well) was the very incomplete and weak buildup to the gunfight. There was so much more that happened, so much that affected the relationship between the good guys and the bad, so much missing that both films almost made the fight look like a spur of the moment battle... which is far from factual. What many people don't realize is that Bat Masterson spent time in Tombstone during this era, although not directly involved in the "action"; also, Luke Short was a major ally of Wyatt's throughout this time.
I very much liked that Wyatt's young life was shown... his time as town constable, his marriage to Urilla Sutherland, her death and his resulting devastation, his pony stealing in Arkansas... all things that most folks never realized.
I would very much liked to have seen more of Wyatt's revenge ride and subsequent deaths and scattering of the Clanton gang. Also, the absence of any sequence involving the robbery of the Benson stage and the killing of Bud Philpot and Peter Roehrig is regrettable, as this was a major factor leading to the battle. Also, as a result of the stage robbery, we should have seen a sequence regarding Wyatt's agreement with Ike about turning in the robbers. Finally, how Behan backed out on his deal with Wyatt regarding the sheriff's office... a major factor in the animosity between the two men.
Yes... there are many other missing historical incidents that would have made the film more accurate and real.
Anyone who has an interest in this era should see the film. If you're not a stickler like I am for total historical accuracy, you should enjoy the film.
The roles of Wyatt, Virgil and Morgan Earp were well-cast and portrayed. The actors bore reasonable physical resemblance to the real men. Dennis Quaid as Doc Holliday was superb; I thought his portrayal was more accurate than that of Val Kilmer in "Tombstone", his personality and his appearance.... although with friends, Doc Holliday was a pretty affable gentleman.
The story was a nice story, although there were significant problems with some of the historical accuracy. First, Morgan and Virgil were NOT shot on the same night... actually 3 months apart. Things like that bother me when seeing a supposedly historically accurate film. But what I considered the weakest part of this movie (and "Tombstone" as well) was the very incomplete and weak buildup to the gunfight. There was so much more that happened, so much that affected the relationship between the good guys and the bad, so much missing that both films almost made the fight look like a spur of the moment battle... which is far from factual. What many people don't realize is that Bat Masterson spent time in Tombstone during this era, although not directly involved in the "action"; also, Luke Short was a major ally of Wyatt's throughout this time.
I very much liked that Wyatt's young life was shown... his time as town constable, his marriage to Urilla Sutherland, her death and his resulting devastation, his pony stealing in Arkansas... all things that most folks never realized.
I would very much liked to have seen more of Wyatt's revenge ride and subsequent deaths and scattering of the Clanton gang. Also, the absence of any sequence involving the robbery of the Benson stage and the killing of Bud Philpot and Peter Roehrig is regrettable, as this was a major factor leading to the battle. Also, as a result of the stage robbery, we should have seen a sequence regarding Wyatt's agreement with Ike about turning in the robbers. Finally, how Behan backed out on his deal with Wyatt regarding the sheriff's office... a major factor in the animosity between the two men.
Yes... there are many other missing historical incidents that would have made the film more accurate and real.
Anyone who has an interest in this era should see the film. If you're not a stickler like I am for total historical accuracy, you should enjoy the film.
As epics go, this film ranks high on my list. I attribute this mainly to the screenplay, which is compelling, visual, and rich. The film follows the life of Wyatt Earp, from his boyhood, through the fight at the O.K. Corrall, and beyond.
Unlike other adaptations of the same subject (namely, Kurt Russell's Earp in 'Tombstone'), this film deals with the famous gunfight as merely a step in Earp's life. Rather, the film focuses on the man behind the legend. To do this, it looks at Earp's life in two stages: his life before, and after, a major transition.
Contrary to what some may think, Kevin Costner does a very good job portraying the lawman. His character experiences a wealth of emotion, but the script is so well written that Costner does not need to stretch himself to portray Earp effectively.
The film comes together so well because of an excellent musical score, visually stunning cinematography, and strong acting by the supporting characters. It draws the viewer in, so much so that you do not feel you are watching a film, but are experiencing a moment in history. The direction by Kasdan is quite low-key, allowing the viewer to be drawn into the story, rather than simply showing it to us.
I recommend this film to anyone who enjoys epic stories, wonderful acting (particularly Dennis Quaid, although Tom Sizemore and Michael Madsen are excellent as well), and visually compelling shots. Do not let the length dissuade you: Kasdan's film is well worth the three hours.
Unlike other adaptations of the same subject (namely, Kurt Russell's Earp in 'Tombstone'), this film deals with the famous gunfight as merely a step in Earp's life. Rather, the film focuses on the man behind the legend. To do this, it looks at Earp's life in two stages: his life before, and after, a major transition.
Contrary to what some may think, Kevin Costner does a very good job portraying the lawman. His character experiences a wealth of emotion, but the script is so well written that Costner does not need to stretch himself to portray Earp effectively.
The film comes together so well because of an excellent musical score, visually stunning cinematography, and strong acting by the supporting characters. It draws the viewer in, so much so that you do not feel you are watching a film, but are experiencing a moment in history. The direction by Kasdan is quite low-key, allowing the viewer to be drawn into the story, rather than simply showing it to us.
I recommend this film to anyone who enjoys epic stories, wonderful acting (particularly Dennis Quaid, although Tom Sizemore and Michael Madsen are excellent as well), and visually compelling shots. Do not let the length dissuade you: Kasdan's film is well worth the three hours.
in some people's criticisms of the flick I usually see "he was dull" or "he didn't give the character life," and I have to disagree. In actuality he gave the best rendition of the real Wyatt Earp and his life. The movie is a biopic, and for historians like myself it served its purpose, in showing the life and true personality of a figure Hollywood overglamourized. Wyatt Earp was not the type to dance in the snow and was indeed a cold hearted SOB. I prefer this to Tombstone and no doubt Costner was better than Russell. And actually Quaid was the better Doc. I wouldn't say it was a classic movie and spaghetti western versions of the story might be more "entertaining," however the darkness of Costner's movie is chilling and is the version that gets more replay value from me.
I have just watched back to back these two movies and ranked both an 8. Kevin Costner, Dennis Quaid, Gene Hackman Etal made me feel that their movie was closer to history and also brought pride in their perceived honor. The chronicle from childhood to the 20th Century felt complete. BUT Then came Kurt Russell, Val Kilmer, Sam Elliott and Powers Boothe (Deadwood 93) etal and left me entertained to the ninth degree. The sheer pace of this one leaves you breathless.
These movies should be seen back to back and not compared as they tell two different stories occurring at the same time and place. Costner as Wyatt was more believable But Russell's Earp was more fun. Quaid was Doc Holiday but Kilmer had a holiday with the role. I will concede that Sam Elliott made Virgil his and nobody is going to take it away. Rent or buy both movies as it a worthwhile investment of your time.
These movies should be seen back to back and not compared as they tell two different stories occurring at the same time and place. Costner as Wyatt was more believable But Russell's Earp was more fun. Quaid was Doc Holiday but Kilmer had a holiday with the role. I will concede that Sam Elliott made Virgil his and nobody is going to take it away. Rent or buy both movies as it a worthwhile investment of your time.
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- WissenswertesThe real Wyatt Earp's six-shooter was loaned by the Earp museum and used in some scenes during a number of close-ups.
- PatzerWyatt wears a so-called Hollywood style pistol belt, which keeps the holster permanently positioned at his right side. Such holsters were not used in the Old West; they are a product of the movie industry. Actual gun belts of the period slipped through a loop on the back of the holster, which allowed the holster to be positioned anywhere along the belt's length. This correct type is worn by most of the film's other characters.
- Zitate
Doc Holliday: Dave Rutabaugh is an ignorant scoundrel! I disapprove of his very existence. I considered ending it myself on several occasions but self-control got the better of me.
- Alternative VersionenIn the USA, Wyatt Earp was also Released on LaserDisc and VHS Expanded Edition. Both had a Running Time of 212 Minutes (3Hrs 32 Minutes)
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Details
- Erscheinungsdatum
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- Auch bekannt als
- Wyatt Earp
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Box Office
- Budget
- 63.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 25.052.000 $
- Eröffnungswochenende in den USA und in Kanada
- 7.543.504 $
- 26. Juni 1994
- Weltweiter Bruttoertrag
- 25.052.000 $
- Laufzeit3 Stunden 11 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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What is the Japanese language plot outline for Wyatt Earp - Das Leben einer Legende (1994)?
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