Trennung

Two of France's great actors give flawless performances as a couple whose marriage is sadly in need of repair. The problem started it seems when they allowed little irritations to accumulate instead of discussing them openly and finding immediate solutions. In a word, this film is about lack of communication between partners. It is so true to life that it's almost painful at times as the couple perpetually nit-pick and argue using hurtful suggestions and criticising every look and gesture. The dialogue is excellent - brief, terse, unforgiving with mounting impatience. As eavesdroppers on their marital problems we become emotionally involved and begin to wonder which of the partners will be the first to crack under the strain. Separation seems inevitable. Early resentments now become uncontrollable outbursts with physical violence. Which partner will leave first? Important to the story is the character of the 18 months old baby, intensely loved by both parents. The sweet innocence of the baby ( Nice little actor!)gives some relief to the bitterness of the sparring parents. Anne asks Pierre:"What made me fall in love with you?" She tells him. The answer will surprise you. The ending of the film may surprise you, too.

This is a carefully crafted study of the break-up of a marriage. The subtle and powerful performances of Daniel Auteuil and Isabelle Huppert as the couple in question, and Vincent's well-paced direction of a good quality script, deliver a film that does not fall into the usual cliches of this genre.

Well worth seeing.

This was a pretty odd film in that there isn't a whole lot of context for what is occurring and there really isn't any resolution as well. Instead of the typical Hollywood-style film with a firm beginning, middle and end to wrap everything together, this movie is more like a slice taken out of a real couple's marriage--like the viewer is peering in through a keyhole just as a marriage is dissolving. You see the couple in crisis but why and how this all turns out isn't there. Now for some viewers, this will no doubt be maddening--they NEED this information to enjoy the film. However, if you suspend your need for this information and just watch, you'll see that the actors and writers really do a great job of exploring PEOPLE. This really doesn't look like actors acting, but looks like a reality show of sorts. Because of this, this is an exceptional movie technically and gives an unflinching view of heartbreak and loss.

A sober exploration of the disintegration (in mid-course apparently) of a relationship whose breach is spurred by selfishness and a callous disregard for "the other" and a child. Such disregard then leads to betrayal, devastation (of the betrayed), indecision and disorientation of the betrayed---and the death of the relationship and of reality as it was understood beforehand. The betrayed is left with no longer certain of what was ever real, and what can ever be real again with any degree of certainty. Ultimately, one understands why Dantes 9th and lowest circle of hell belong to those who betrayed their ultimate commitments. Watch the film. If you haven't been "there," you will feel it indirectly. If you have been "there," you will live it over again and find some degree of resonance and solidarity with Pierre, who is lost in so many ways at the film's end.....and can't even find his way "home." After all, Home" is gone forever.

In Paris, Pierre (Daniel Auteuil) and Anne (Isabelle Huppert) have been living together for a couple of years and they have the eighteen-month son Loulou (Louis Vincent), who stays with the nanny Laurence (Laurence Lerel) during the day while they work. Their best friends are the couple Victor (Jérôme Deschamps) and Claire (Karin Viard), who also are not married but live together.

Out of the blue, Pierre feels Anne distant from him and soon she discloses that she is in love with another man. Pierre seems to accept her affair but their relationship goes downhill, and Pierre becomes violent with her.

"La Séparation" is the most realistic and mature film about the end of a relationship, with the sequential phases of the separation process of a couple. The viewer does not need to have self-experience to understand, since he or she might have witnessed this type of process with friends of them. Daniel Auteuil is perfect in the role of Pierre and the bitch Anne is tailored for the magnificent actress Isabelle Huppert.

The conclusion is unexpected, but sometimes it may happen when the couple has just divorced. It is not totally clear or conclusive what Anne may expect from Pierre after her betrayal and bad treatment, but if Pierre accepts to return to her, their relationship will probably not last for a long period. In their first fight, they will split again and will not be friends anymore. This great film does not age and seems to be better and better each time the viewer sees it. My vote is eight.

Title (Brazil): "A Separação" ("The Separation")

Note: The first time I saw this film was on 23 April 2000.

On 16 February 2017, I saw this film again. Would Anne really have a lover?