Eine Frau für meinen Mann

1869, at a farm in Nebraska. Amy Hightower (Lea Thompson) discovers that she is affected by an incurable illness. Wife and devoted mother, she decides to find a new woman for her husband, Martin (Peter Weller). Having finally persuaded her husband, Amy visits numerous widows, but always returns empty-handed. Frustrated, she eventually makes her proposition to prostitutes. One of them, Pearl ( Farrah Fawcett), accepts immediately...

Looking like "The Little House on the Prairie ", with a shot of vulgarity and a good dose of unlikeliness. On this insipid cream tart, a cherry: Farrah Fawcett!

Why this movie isn't screened more often I can't understand. It was delicately and sensitively played by all the actors, and incorporated a gamut of emotions from comedy to pathos, but never becoming over-sentimental, gushy, or stodgy.

The problems of males "getting spliced" on the Prairies in the mid 19th century, must have been difficult to solve at any time considering there were about ten men to one woman. For a widower with a bunch of kids in tow it would have been virtually impossible, particularly if he was a sod-buster...the lowest of the low in farming circles.

This was beautifully and amusingly solved by the dying wife, by arranging impending nuptials between her soon to be bereaved husband and a whore looking for a way out of her present predicament.

The film is strikingly, if not lavishly photographed, has an intelligent well crafted script, which makes all the points it can out of a rather thin plot, and some lovely accompanying music to boot.

It may not appeal to others as much as it did to me, but it's well worth a watch, and I also think worthy of a place in anyone's library.

I was captivated by this story because you don't see many stories like this. A woman is dying and finds someone to replace her to take care of her husband and children. Eventually the husband and the replacement start to care for each other and the wife approves. There is more to the story. Was sad and funny and very good story telling.

this is its basic virtue - it is a different western. not only because the classic confrontations between men front to saloon are absent but for the delicate, seductive and touching answer for a basic question about the brave men . it is a comfortable film. and one who, with high care, gives a precise portrait of family life in prairie, with humor and tenderness, bitter scenes and using the poetry of small details. a film like a book from lost age. with the perfect resurrection of atmosphere and a form of romanticism who not becomes too sweet as great virtues. so, a refuge. or, just a great and profound love story.

I enjoyed the movie. It had slow moments, I mean.. a woman taking a carriage down the trail to a city a days travel away?... I know they used it to show how much she endured... but we got that the first 2-3 times. ;)

I do a bit of Genealogy and I have a situation where a Farmer ancestor married a younger wife before the older wife died. I was thinking.. "Mormon"?... then I saw this movie... perhaps this movie actually shows a plausible reason why he married a 2nd wife before the 1st died. I have no history in stories and no written accounts in the marriage license data. Left to speculate, but the fact that my ancestor showed 2 marriages, made me go... hrmmmm... and this movie became more real life to me in my eyes.

The movie played well on many accounts. The emotions, the hardships, the triangle as it moved into play. Very well done.