Radioland Murders - Wahnsinn auf Sendung

You can see what critics in 1994 were complaining about. You can get a headache from this movie. Gags are too snappy (too packaged), editing is too rapid (if someone trips over the shot is only just long enough to cover the actual tripping over - we don't see the crucial bit at the start where they don't trip over, or the bit at the end after they trip over), and there's not a single moment of still contemplation which would allow all the feverish activity to be as funny as it deserves to be. And while it's nice to see a film that doesn't milk its gags for more than they're worth, at least that would be a fault on the right side. Some of the comic ideas are just begging to be WALLOWED in. For example (I'm going to end up recommending this film, so if you don't want its best sight gag ruined, for God's sake skip the next paragraph)...

One of the radio serials is about an aristocratic English explorer and his native jungle sidekick. We hear the former saying things like `What ho, I mean to say, steady on, old chap', while the latter is going, `Ooga booga - me mongo mongo man' - then we see that the African is being played by a dopey-looking white man, and the Englishman is being played by a black (in a tuxedo). It's a glorious moment. We realise what if their roles had been reversed they would BOTH have been demeaned ... as it is, they merely look like a couple of prize wallies. Unfortunately, that's IT. If we'd seen more of this radio play - and got to watch the bemused/assured/disgusted/bored expressions on the faces of the two voice actors - it would have continued to be funny; it would have got even funnier. But we cut to some other zany thing or other and the moment is lost.

(To be fair, some throwaway gags - like the one involving the policemen and television - are true throwaway gags: snappiness suits them.)

But it works, on the whole. There are plenty of good jokes, many of which have been weakened by the style of presentation, but by no means destroyed. The radio performances are amazingly polished and varied - you'd swear that Lucas sent talent scouts back in time to 1939. Sure, the film wants to be more than a highly entertaining comedy variety show (it's also trying for murder mystery, love story, nostalgic reverie, and social commentary), so it fails on its own terms, but it IS a highly entertaining comedy variety show, which is good enough.

I am glad to say that I have this picture on video now, and it is still one of my favourite movies. I think the film brilliantly captures how a radio station (or a stage production even) can be controlled chaos at times.

This film was unfairly maligned in my opinion. I like the murder mystery/comedy genre. At times, it can be badly done, but here it is very well-handled. Brian Benben, Mary Stuart Masterson and the squad of celebrities who cameo, handle their scenes very well. My only real complaint would be that Christopher Lloyd and Michael McKean have very little to do.

But the plot twists and the resolution both pay off excellently and Mel Smith directs the piece with panache. There are also several great musical numbers thrown in as well. I give this film 8/10.

Having spent three decades working in radio, I was encouraged by friends to pick this up on DVD. My impression is that the Lucas folks attempted to cram 10 pounds of stuff into a 5 pound bag. The potential is obviously present with a cast of extremely talented actors and even some of the folks who were a big part of radio history (George Burns and Rosemary Clooney), but someone (the Director? Producers? The Studio?) decided to increase the pace to the point where it feels like watching Spielberg's "1941" in fast-forward.

There is a stable full of interesting characters whom we never really get to know. Harvey Korman and Bobcat Goldthwait's characters obviously had some serious issues - but what was their story? The same with Brion James, Ned Beatty, and Jeffrey Tambor. Michael McKean's homage to Spike Jones was a joy, but too short, and there were too many missed opportunities to show what actually went on in radio broadcasts performed in front of a live audience. Sound effects played a major role, which was hinted at but never fully glorified in Christopher Lloyd's role. I would bet there is probably another whole movie sitting on the cutting room floor.

On the plus side, however, at least SOMEONE made the effort to capture the feel of major broadcast radio from it's heyday, and the look as well as the overall mood is fairly authentic. I appreciate that this is not a documentary, and the story itself is pure fantasy, but this film left me wanting more - like someone had torn half the pages out of a book. Perhaps, someday, the Lucas folks will release some kind of "director's cut" edition with restored scenes and a feature on the Golden Era of radio. Most people under the age of 50 have no idea of the remarkable entertainment that was available over the airwaves during this era - but for fans of the medium, and for those who have worked in it, this is a gem that will bring a smile.

If you're looking for a serious mystery--or for that matter, a serious anything--don't watch this movie.

If you just want a fun movie that you can watch again and again, this one is for you! It takes place in the studios of radio station WBN on the night of its national debut. The station managers, directors, writers, and actors, already stressed with the debut and pleasing the affiliates, are shocked when a trumpet player in the orchestra is poisoned and killed. The station crew then has to keep the programs going while the police investigate and the writers go on strike. After more murders are committed, writer Roger Henderson, the innocent prime suspect, has to simultaneously evade the police, rewrite scripts for shows about to air, and solve the crime to prove his innocence.

There are some discrepancies and parts I'm sure critical people split hairs over. Don't expect a masterpiece, just some good fun.

The (normally) Jazz number "And The Angels Sing" behind the ending credits works its way through half a dozen musical styles, including a wildly improbable Western Swing.

Be sure to listen to the end.