Pink Floyd: P. U. L. S. E. Live at Earls Court
- Fernsehspecial
- 1994
- 2 Std. 25 Min.
IMDb-BEWERTUNG
9,2/10
5394
IHRE BEWERTUNG
Die britische Kultband, deren legendäres Album "The Dark Side of the Moon" 1973 erschien, ist längst ein Mythos geworden. Dies ist ein Mitschnitt ihres letzten Liveauftritts - das "Pulse"-Ko... Alles lesenDie britische Kultband, deren legendäres Album "The Dark Side of the Moon" 1973 erschien, ist längst ein Mythos geworden. Dies ist ein Mitschnitt ihres letzten Liveauftritts - das "Pulse"-Konzert vom Oktober 1994.Die britische Kultband, deren legendäres Album "The Dark Side of the Moon" 1973 erschien, ist längst ein Mythos geworden. Dies ist ein Mitschnitt ihres letzten Liveauftritts - das "Pulse"-Konzert vom Oktober 1994.
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Clearly the best concert video I have ever seen. The effects (at the concert) were stunning. Floyd played their absolute best. The choice of songs was excellent and covered their entire musical history up to the date of filming. This video would only be better if it was put on DVD so that the sound and video were even sharper. This is one that you can watch over and over and never get tired of it.
The lightning system. The songs. The sound. A band that decides to hide beneath the complex riggings and supports (what a welcome relief!). Perfection, indeed. This is the best concert video footage I've ever seen in my life. The moment I saw it I could not stop watching it (it was too late at night, and I wanted to get some sleep) for all the right reasons.
Suffice to say, I don't think I'll ever see a concert as incredible as that one. The moment when they play the encores (Wish you were here / Comfortably Numb / Run like Hell) qualifies as the stuff dreams are made of. Laser lights, explosions, a huge rose hanging from the ceiling with a disco ball inside, huge reflectors onstage, a dancing circular screen, a dancing light stage, lights at the bottom flashing messages and to the music... I couldn't have imagined a more complex light show. Or better tunes. Or better playing.
Wow. 10/10.
Suffice to say, I don't think I'll ever see a concert as incredible as that one. The moment when they play the encores (Wish you were here / Comfortably Numb / Run like Hell) qualifies as the stuff dreams are made of. Laser lights, explosions, a huge rose hanging from the ceiling with a disco ball inside, huge reflectors onstage, a dancing circular screen, a dancing light stage, lights at the bottom flashing messages and to the music... I couldn't have imagined a more complex light show. Or better tunes. Or better playing.
Wow. 10/10.
10wwe3
Anyone familiar with Pink Floyd concerts would agree; this band has the best traveling shows ever. I saw P.U.L.S.E. live in New Orleans, at the Superdome and have never seen a better concert.
The show is visually fantastic; choreographed laser light show, huge circular video screen, and the Pigs. With all this going on the band seems hidden, you barely see them on-stage. Which makes the video perfect. P.U.L.S.E. captures both elements of the show, you don't miss any of the performance while getting to see the band perform.
It's not as good as being at the concert. However, you will never miss another Pink Floyd tour, after you see it.
If you like it try: "Live at Pompeii", "La Carrera Panamericana", "Pink Floyd London '66-'67"
The show is visually fantastic; choreographed laser light show, huge circular video screen, and the Pigs. With all this going on the band seems hidden, you barely see them on-stage. Which makes the video perfect. P.U.L.S.E. captures both elements of the show, you don't miss any of the performance while getting to see the band perform.
It's not as good as being at the concert. However, you will never miss another Pink Floyd tour, after you see it.
If you like it try: "Live at Pompeii", "La Carrera Panamericana", "Pink Floyd London '66-'67"
One of the best concert films I have ever seen, and Floyd more than redeems themselves for the absolutely crappy "Delicate Sound of Thunder" concert video. Here, it's like you are there with the audience. The camera work does of a good job of making you feel that way and the sound really is crisp and has great clarity. Dave Gilmour looks better than he has in years, he looked like he was in fighting trim and he sings better and with more power as a result of it. Dick Parry, the bands original sax player was sorely missed and brings some breathtaking sax solos on "SOYCD", "Money", and "Us and Them". The encore to end all encores, "Comfortably Numb" literally does bring the house down with some really amazing effects, and just when you think its over they come back with a really good version of "Run Like Hell". But what makes this video a collectors item is just a chance to see them play the entire "Dark Side of the Moon" set live in concert. I did miss Rachel Fury, the really hot backup singer who toured with them back in '87. Some people have said Floyd uses the laser and light show to hide their age, but after watching this, I hope I look half as good as they do in my 50's. Also noteworthy is the heartbreaking movie/tribute to Syd Barrett, who founded the band along with Roger Waters in the 60's. The movie is played with their standard opening song "Shine on You Crazy Diamond" and it's a really brilliant short film directed by Strom Thurgenson. Barrett suffered brain damage as a result of his massive drug habit and its gut wretching to see his story played up there on that video screen.
It's terrific to see Pink Floyd playing well together in their mega-dynamic way here in the PULSE concert, now remastered wonderfully for a DVD set. They go through many of their hits, most notably all of Dark Side of the Moon, and seeing the band go through Shine on You Crazy Diamond is as amazing as it gets from the group (a great opener that is hard to top). And overall the core of the musicianship of David Gilmour, Nick Mason and Richard Wright do gel together at times. But then there's the thing of it being such a HUGE event live, lasers and special videos on a big screen behind them included, that they have to work that much more harder to keep up with the theatrics. They're up to task, but there's something missing from it all too, and not just the obvious (Roger Waters, who is now doing his own version of this show more or less on his Dark Side tour). Maybe it's me putting it too much into perspective; seeing the film that preceded this one some twenty years before, Live at Pompeii, PULSE isn't as forceful and tremendous even on such a scale as playing in Earl's Court to who knows how many people.
I guess this is my way of saying that the concert, for me at least, is not a flawless one like Pompeii comes close to (even if that is, by turns, not in the same style of performance as in PULSE). And in comparison with many of the classic Floyd songs of the 70s, the newer work (with a couple of exceptions like Learning to Fly and Keep Talking) sort of falls up short, with a song like High Hopes one that I fast-forward past. But this aspect of the concert is not very detrimental, just a minor liability for more die-hard old-school Floyd fans. In terms of just capturing the band live, and the band with its immense ensemble of back-up players and singers, the director gets it all down without a hitch. If it also has a little added historical value to it too, it may also be because, unless something happens in the next few years (and in 2006 both Gilmour, with the occasional Mason and Wright in tow, and Waters went on their own solo tours), this might be the last time Pink Floyd are seen live on video.
I guess this is my way of saying that the concert, for me at least, is not a flawless one like Pompeii comes close to (even if that is, by turns, not in the same style of performance as in PULSE). And in comparison with many of the classic Floyd songs of the 70s, the newer work (with a couple of exceptions like Learning to Fly and Keep Talking) sort of falls up short, with a song like High Hopes one that I fast-forward past. But this aspect of the concert is not very detrimental, just a minor liability for more die-hard old-school Floyd fans. In terms of just capturing the band live, and the band with its immense ensemble of back-up players and singers, the director gets it all down without a hitch. If it also has a little added historical value to it too, it may also be because, unless something happens in the next few years (and in 2006 both Gilmour, with the occasional Mason and Wright in tow, and Waters went on their own solo tours), this might be the last time Pink Floyd are seen live on video.
Wusstest du schon
- WissenswertesTo promote the original 1995 release of the video and double album, selections from the album were broadcast on rock radio stations in New York City accompanied by a laser and light show from the observation deck of the Empire State Building.
- VerbindungenEdited from Pink Floyd: Time (1972)
- SoundtracksShine on You Crazy Diamond
Music by: Roger Waters, Richard Wright and David Gilmour
Lyrics by: Roger Waters
Performed by: Pink Floyd (David Gilmour, Richard Wright, and Nick Mason)
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- Laufzeit2 Stunden 25 Minuten
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