Nirvana - Jagd im Cyberspace

Jimi, a computer programmer, is trying to finish his latest role-playing computer game Nirvana for the Okasama Star corporation. He is surprised to find that Solo, the lead character has developed awareness of his location in the game, the fact that every time he dies he is reborn, and that he is doomed to live out the same life and situations over and over again. He asks Jimi to delete the game.

Jimi needs to penetrate Okasama's mainframe, and enlists the help of many technological wizards. Chief among them are Joystick, a poor hacker (or 'angel') who has sold his eyes to raise money and now sees with the aid of small black and white cameras in his eye sockets; and Naima, a woman whose memories have been erased and who can only remember things with the assistance of artificially created memories loaded through a port in her skull. The mainframe is protected by sophisticated anti-hacking devices known as 'devils' which feed off memories and mental energy to destroy the brains of the angels who try to penetrate it. Jimi is also battling painful memories of his own - his lost girlfriend who disappeared from his life leaving only a video recording and a picture to remind him of her...

Although there is not much in this film for action buffs, there is conceptually a link to other films about simulated experience such as Total Recall and The Matrix, as well as some existential musings on the nature of memory and experience in the digital age where such things can be easily synthesised. A delightfully ambiguous ending emphasises the film's main themes.

Good use is made of a medium budget to simulate an anarchic future world sliding into decay, with a decline in morality and a low value placed on the sanctity of life and the human body - the streets of the slums are replete with organ thieves; and Joystick's synthetic eyes are a physical complement to Naima's synthetic memories. A strong visual style is complemented by an insistent soundtrack.

An European hard-science action movie is rare these days, especially a good one, and Nirvana was a good surprise when released in France... The critics bashed it - with some interesting exceptions, and the public did not come to see it (bad promo material)... Nevertheless, it's still one of my favorite. This is not a Wakowsky Bros frenzy festival with "bullettime effect" (did you know that it was a french who created them ?) and kick-ass fighting, but Gabriele Salvatores (an "intellectual" director as it seems) did an excellent low-budget film with GREAT scenario, GREAT acting (Lambert at his best, seriously), a credible world...

It's not centered on the VFX, and it's great. Sometimes a bit slow, but it's for the "ambiance", and, what an ending... A must-see, not especially for Lambert-fans... Be open-minded, and try it...

Nirvana results to be a peculiar Sci-Fi film with an intricate screenplay dealing with the complex relationships between a game designer and program and how the main character , through a virus, controls the artist . Jimi (Christopher Lambert), a successful computer game creator , finds that his latest issue has been infected by a virus which has possessed consciousness to the program's main role named Solo (Diego Abantautono). While Solo has a tormented relationship to a computer generator prostitute named Maria (Amanda Sandrelli). Jimi affected by the memory of his fled sweet heart named Lisa (Emmanuelle Seigner)and begged by Solo to finish its useless "life", starts a search for someone who can help him both to discover what happened to Lisa and to delete his game before it is released . Meantime he is being pursued by a nasty corporation . Later on , Jimi goes to Marrakech and Bombay contacts to Joystick (Sergio Rubini) and Naima (Stefania Rocca). As utilizing the plot of portraying a program within a program, the summary has the spectator haunting if what they are watching is actual or a virtual reality.

This is a sci-fi movie in middling budget full of thrills , symbolisms , some action and weird events . I won't say that there aren't any issues because there are but overall the acting is pretty flawless.The reason that I think Nirvana is more reviewable than pretty much any other film is the story and the philosophical and cyberpunk elements of the story because with every viewing I catch something I didn't see the previous time I watched it. Nirvana not only supplies the world with a whole new level of passable special effects mixed with style and substance, it also brings a whole new meaning to the word 'cyberpunk'. The story was sometimes lame but it's worth watching for the background events and the environment packed with neon lights in ¨Blade runner¨style . Acting wise the film works excellently. Interpretation was wonderful, script, visual, sound, everything about this film is a tribute to a usually overlooked genre. However , it contains regular cinematography , it's necessary an urgent remastering . The motion picture is efficiently realized by Gabrielle Salvatores .The constant theme of his movies is the escape from the problems of the modern world and the most of his movies include philosophical themes . Almost always casts Diego Abatantuono; frequently also casts Sergio Rubini . Among his most important films are ¨Amnesia¨ , ¨I'm not scared¨ , ¨Marrakech Express¨ ,¨ Quo Vadis baby ¨ , his successful and Oscarized ¨Mediterraneo¨ and of course ¨Nirvana¨ .

I've been a fan of Gabrielle Salvatores' dreamy, surrealistic style ever since I saw the first 5 minutes of "Denti" (2000). Now there's a film for movie buffs to sink their teeth into, lame pun intended. I immediately went on the hunt and found his follow up films, "Io non ho paura" (2003) and "Quo Vadis Baby" (2005) which I also thoroughly enjoyed, and now I'm working my way backwards to his earlier films.

Then I saw "Nirvana" (1997) and it stopped me dead in my tracks. My first impression was that it's a really good story but the presentation fell short, felt incomplete and lacked authenticity. Then I found out that's because the Miramax (DVD) is a total hack job of the original film, with 20 minutes chopped off and distracting dubbing of all the actors' voices. In case you didn't already know, the original film is in Italian, and it was dubbed into English for this particular DVD.

The story itself is really interesting, and it's a cut above all the other cyberpunk movies that were churned out in the late 90s capitalizing on the burgeoning net culture. "Nirvana" is set in a dystopian future à la Bladerunner and follows 3 days in the life of a software programmer (Christopher Lambert) who is about to deliver his masterpiece virtual reality game called Nirvana. The problem: with only 3 days to go before it hits the market, the main character in the video game becomes self-aware and starts questioning the game he's in. The movie then splits into 2 concurrent timelines, one with Lambert trying to stop the game's release, and two with the video game character trying to understand his own existence.

With a good dose of action, lots of style and peppered with some good unexpected comedic moments, the film is entertaining. But (I'm assuming due to the Miramax hack job) it often feels rushed, disorienting or just plain nonsensical at times. If you watch the Miramax DVD (96 mins) be sure to take it with a grain of salt, or as I'm trying to do, hunt down the original 113 min Italian version which is generally loved by all who have seen it.

Alright, as I can see, we have very mixed reviews on this one. I personally really liked this sci-fi flick. What's so cool about it? No, no, it's not thought-provoking like eXistenZ of David Cronenberg and then again YES forget about Matrix - Nirvana is magical in a way a Hollywood film will never be. Almost surreal, Nirvana presents the future world in a most atmospheric way, and quite realistically manages to capture the decadent atmosphere of a future cyberpunk world.

What's no realistic at all, and oversimplifying is the whole plot and stuff. But who cares? Characters manage to be quite interesting, the music builds an awesome atmosphere. As you see, I don't try to intellectualise any of it: i like it for what it is, a small euro sci-fi that, at least to me, delivered the goods!

A recommendation... especially if you like Gibson-like, cyber-punk literature. BUT DON'T EXPECT TOO MUCH