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Mein Leben in Rosarot

Originaltitel: Ma vie en rose
  • 1997
  • 6
  • 1 Std. 28 Min.
IMDb-BEWERTUNG
7,5/10
9153
IHRE BEWERTUNG
Georges Du Fresne in Mein Leben in Rosarot (1997)
Home Video Trailer from Sony Pictures Home Entertainment
trailer wiedergeben1:18
1 Video
25 Fotos
Drama

Füge eine Handlung in deiner Sprache hinzuLudovic is an innocent seven-year-old child who provokes horror in his community when he dresses in girls clothes and insists he's a girl.Ludovic is an innocent seven-year-old child who provokes horror in his community when he dresses in girls clothes and insists he's a girl.Ludovic is an innocent seven-year-old child who provokes horror in his community when he dresses in girls clothes and insists he's a girl.

  • Regie
    • Alain Berliner
  • Drehbuch
    • Chris Vander Stappen
    • Alain Berliner
  • Hauptbesetzung
    • Georges Du Fresne
    • Michèle Laroque
    • Jean-Philippe Écoffey
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    9153
    IHRE BEWERTUNG
    • Regie
      • Alain Berliner
    • Drehbuch
      • Chris Vander Stappen
      • Alain Berliner
    • Hauptbesetzung
      • Georges Du Fresne
      • Michèle Laroque
      • Jean-Philippe Écoffey
    • 76Benutzerrezensionen
    • 51Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Nominiert für 1 BAFTA Award
      • 13 Gewinne & 8 Nominierungen insgesamt

    Videos1

    Ma Vie en Rose
    Trailer 1:18
    Ma Vie en Rose

    Fotos25

    Poster ansehen
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    Topbesetzung35

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    Georges Du Fresne
    Georges Du Fresne
    • Ludovic Fabre
    Michèle Laroque
    Michèle Laroque
    • Hanna Fabre
    • (as Michele Laroque)
    Jean-Philippe Écoffey
    Jean-Philippe Écoffey
    • Pierre Fabre
    • (as Jean-Philippe Ecoffey)
    Hélène Vincent
    Hélène Vincent
    • Élisabeth
    • (as Helene Vincent)
    Daniel Hanssens
    • Albert
    Laurence Bibot
    • Lisette
    Jean-François Gallotte
    Jean-François Gallotte
    • Thierry
    • (as Jean-Francois Gallotte)
    Caroline Baehr
    • Monique
    Julien Rivière
    • Jérôme
    • (as Julien Riviere)
    Marie Bunel
    Marie Bunel
    • La Psychoanalyste
    Gregory Diallo
    • Thom Fabre
    Erik Cazals De Fabel
    • Jean Fabre
    Cristina Barget
    • Zoé Fabre
    Delphine Cadet
    • Pam
    Morgane Bruna
    • Sophie
    Raphaelle Santini
    • Christine Delvigne
    Marine Jolivet
    • Fabienne Delvigne
    Anne Coesens
    Anne Coesens
    • La Maitresse d'École
    • Regie
      • Alain Berliner
    • Drehbuch
      • Chris Vander Stappen
      • Alain Berliner
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen76

    7,59.1K
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    Empfohlene Bewertungen

    robertvannsmith

    I Missed This One At The Theatres, But Managed To Rent It On Video

    The French have been known to make several great movies, in my opinion and this it one of their bests. Georges Du Fresne's stunning performance makes you smile, as well as makes you think. The idea of getting to know yourself has been around for a long time and his character had a long way to go to getting to know himself.
    witchy_mac

    Painful to watch

    I found this movie extremely painful for me to watch, as I saw little Ludovic just trying to be what he feels in his heart is his true role: as a young girl. He even (as young children tend to do) plans to marry one of his classmates, but only when he can become a female, as apparently he sees that that is the only form of coupling between people -- male & female.

    He has to fight off the fear and resentment of his neighbors, classmates, and even members of his family as he insists on trying to become a girl. The most disturbing factor of this movie is that Ludovic remains innocent and rather naive as to why his wants are so wrong, and no one really bothers to explain to him why it is seen as unseemly and even perhaps immoral.

    The most fascinating point seems to be how his relationships with his family members shift throughout the storyline; his father takes the standard role of masculinely denying that his son is very effeminate and then gradually accepting his little quirk, while his mother acts supportive and concerned for him only until her social life and connections are threatened by the way others view Ludovic. She becomes the ultimate antagonist, because a mother's role is to be loving, caring, and supportive of all of her child's wants, and she throws those all away just so that she can blame their family's downfall on someone other than herself.

    I seriously recommend this film to anyone who is either an emotional masochist or is interested in studying varied interpretations of how a family may react to the uncommon wants of a little, innocent boy.
    deedeerostov

    A Touching Walk Down Memory Lane

    I was once a "child" - full of awe, wonderment, and an overall appreciation of...just - being. Yes, just being!

    We were all there at one point in our lives - whether you can, or choose too, remember at all.

    That childhood was full of light. That childhood was full of naivete. That childhood was full of love.That childhood was full of innocence.

    One day I realized that I was no longer a child. I don't know exactly how - nor when. The "light bulb" just turned on. I became a young adult. I knew "certain" things and realized "other" things. That's the day I lost "that childhood". I knew what other people expected of me.

    "That childhood" is what we all long to return to. "That childhood" is the essence of pure love without conditions - and no expectations". That childhood" is what this movie is all about.

    As an "unadulterated being" we see ourselves as the center of the universe. It is "our" world which all about us takes part in. "We" are the reason our parents go to work. "We" are the reason a billboard is placed in a certain spot. "We" are the reason for everything. "We" are neither plotters nor planners. "We" are not in it for ourselves - after all - the world is ALL about ourselves - innocently and faithfully we just know this.

    Growing up is a slap in the face of "that childhood". There comes a time when all of society plops it's weight on the unconditional love we feel. There comes a time when all of society says to us "Wake up - this world is not yours".

    I cried as I watched the real world crashing down on Ludovic.

    This is not so much a story about gender identity as it is a story about the loss of "that childhood" innocence.

    ROSTOV RATING:

    *****Highly Recommended***** *****All Audiences - Ignore Rating***** *****Bring Tissues***** *****Buy/Rent?---->BUY*****
    10jotix100

    His life as a girl

    Most comments submitted to this forum seem to give credit to the French cinema for bringing "Ma vie en rose" to the screen. While this is a co-production, the film is a Belgian movie, as well as its talented director, Alain Berliner, who co-wrote the screen treatment with Chris Vander Stappen.

    We first saw this excellent film in a film festival before its commercial release. Thanks to IFCTV, which is airing it lately, we revisited it, and again, we were charmed by this unpretentious movie that has its heart in the right places. The idea of Ludovic, the young boy, who thinks of himself as a girl, has been discussed in some of the wonderful comments submitted to IMDb.

    "Ma vie en rose" is a film that has the courage to tackle a subject that is different from all what one sees in mainstream movies. It also has a lot of messages for the viewer, but those issues are lightly handled by the writers, who had the common sense of treating the film in such manner, instead of throwing it one's face. In fact, it shows how resilient little Ludovis is in spite of all the rejection he suffers at the hands of his peers, as well as the adults, who should have a better understanding of the situation.

    Little Georges de Fresne does excellent work under Mr. Berliner's direction. He is never bratty and one's heart goes to him because no child should suffer for something they didn't create and have no control about who they really are.

    The R rating ought to be examined more closely. For a film that doesn't have any nudity, violence or sex, that classification seems too extreme by a film that should be watched by a wider cross section.

    Thanks to Mr. Berliner for dealing with a taboo with a lot of class.
    8ufotds

    I am astonished about some reactions

    I am astonished about some reactions

    I am amazed to read things like this, "To me, this was not a film about a "disturbed" child, but about parents. The parents made, apparently, no effort to explain the biological difference between boys and girls. Second, nobody enlightened the child on the difference between your secret, internal sensitivities and those that one displays publicly.", have you really not understood this movie or was it me?

    Of course this movie is not about a disturbed child! Maybe this movie is about the fact that all people, from the moment they are born, are conditioned to be like this and like that, and especially not to be themselves. Boys have to play with cars and guns, and girls with barby puppets, and most definitely not the other way around, otherwise you should take your kid to a therapist. Boys have to wear trousers and girls skirts or frogs, just check school uniforms, there are still quite some schools where girls may not wear trousers except for the really cold winter months. A child can not explore the world in a natural way, whenever it yells to test the capacity of its lungs, and any adult might dislike that, it is silenced, with other words whenever they are themselves, they are silenced. We are all conditioned like rats in a skinner box and we are no more and no less than rats in a skinner box until we can say f**k you to that society, those politicians, law enforcers, teachers, parents, employers, media, so called friends that don't accept us like we are, etc that gratefully fulfill the role of skinner. Maybe the biological difference between the two sexes is much less clear than most of us think and are people in the first place humans rather than men and women, and maybe hormonal and genetical, there are many stages between "absolute woman" and "absolute man".

    I also don't think that the film wants to implement that the boy could have these feelings as a secret, but nobody else may know that. With other words you are saying the same like all the other skinners, whatever you think, try not to give in to it, and keep acting like a robot, wearing your mask because your real self is disgusting and abnormal, and something to be ashamed of. For myself, i am a guy, but i like to wear long skirts, noting to do with gender (there is fundamentally nothing female about a skirt) because the are comfortable and give your legs much more freedom than trousers, but i never wear them when I'm at my hometown, because i just don't feel like being stared at by the local baker, neighbors, etc. I just can't cope with being the weirdo again, and i am like everybody else in this society threatened with being laughed at, being discredited,... if i am myself.

    I also read:"Great! Great! Great! I've told everyone I know to see this one! Really a fun, entertaining, charming, sweet film. It will take you emotionally all over the place. But believe me, it is really a great emotional ride. I love to see films like this that show all aspects of life! Enjoy this one with several friends!"

    I think this film was everything except charming, entertaining, sweet, fun... I think this film tries to confront people with the DISGUSTING society to which they all contribute, it is a good movie, but it has nothing to do with sweetness and charm and the like. Now sorry for the enraged start that i took, of course everyone understands a movie in their way, and i don't want to sound patronizing, but i was shocked by some reactions.

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    Handlung

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    Wusstest du schon

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    • Patzer
      When Ludovic is helping Elisabeth put on a cucumber mask, the number and position of cucumber slices on her face changes between shots.
    • Zitate

      Ludovic Fabre: I'm a girlboy.

      Jérôme: A girlboy?

      Ludovic Fabre: To make a baby, parents play tic-tac-toe. When one wins, God sends Xs and Ys. XX for a girl, and XY for a boy. But my X for a girl fell in the trash, and I got a Y instead. See? A scientific error! But God will fix it and send me an X and make me a girl and then we'll get married, okay?

      Jérôme: That will depend on what kind of girl you are.

    • Verbindungen
      Featured in The 55th Annual Golden Globe Awards (1998)
    • Soundtracks
      Rose
      Performed by Zazie

    Top-Auswahl

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    FAQ19

    • How long is Ma vie en rose?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 6. November 1997 (Deutschland)
    • Herkunftsländer
      • Belgien
      • Frankreich
      • Vereinigtes Königreich
    • Offizieller Standort
      • Sony Pictures Classics
    • Sprache
      • Französisch
    • Auch bekannt als
      • Ma vie en rose
    • Produktionsfirmen
      • Haut et Court
      • La Sept Cinéma
      • TF1 Films Production
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 2.162.043 $
    • Eröffnungswochenende in den USA und in Kanada
      • 76.212 $
      • 28. Dez. 1997
    • Weltweiter Bruttoertrag
      • 2.162.043 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 28 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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