...Denn zum küssen sind sie da

Kiss the Girls has its problems, but it isn't a bad film by all means. Actually it is decent, compelling viewing. Starting with its problems, the script does have a tendency to become mechanical, and while the film's story starts off very well and really intriguing, it loses steam at the end for two reasons. The film's logic and credibility does go out of the window as the film's conclusion looms nearer, and then the culprit I felt got revealed too early. On the other hand, the film is very atmospherically shot, the cinematography is really very good, and the music is suspenseful. Plus we have great performances from the ever reliable Morgan Freeman and Ashley Judd, as well as from Cary Elwes and some skillful direction. Overall, it is a compelling and intriguing thriller that ran out of steam too early, but there is much to enjoy. 7/10 Bethany Cox

I didn't really know much about this movie when I saw that it was coming on HBO. I just decided "what the hell" and watched it. Besides, Morgan Freeman is one of my favorite actors. After a few minutes of KISS THE GIRLS, I was instantly glued to the television. It was pretty dark and very suspenseful, but I truly liked it.

Dr. Alex Cross (Morgan Freeman), a psychologist/detective from Washington DC is sent to investigate a man known as "Casanova", who is kidnapping, imprisoning and occasionally torturing and killing beautiful women. His niece is among one of the kidnapped. Along with the help of Kate Mctiernan, (Ashley Judd) who escaped from the maniac, and Detective Nick Ruskin (Cary Elwes), Cross sets out to find and stop the murderer.

The plot is fascinating and will most likely keep you on the edge of your seat and holding onto the arm of your chair. The acting jobs are very good too. Some parts are very dark and a little disturbing, but it often only helps the story line. Morgan Freeman, as usual, does a great job as the main character. Ashley Judd and Cary Elwes also did impressive performances.

The ending of this movie is pretty good and rather surprising. Go out and rent this whenever you're in the mood for a little suspense, you won't be disappointed.

In this modest enough psycho-thriller, once more Freeman plays a policeman on the path of a perverse serial killer, and again the shade is bottomless and the antagonist is ingenious and the atrocities are intended to convey some sort of perverted meanings. Though as commercial and formula-driven as it is, the movie's not a rehash but a fertile piece, based on a Patterson book about a criminal who, the Freeman character perceives, is not killing his quarries, but accumulating them. Often said by moviegoers to be the actor whose presence has the most authority of any of his generation, Freeman has an exceptional bearing on the screen, a particular determination that we believe. He never looks or sound like he's pretending. He never gives a superficial, obvious or distracted impression, and even in movies that aren't that good, he's not guilty by association: You feel he's genuine even as a film may capsize around him.

Freeman plays Patterson's pet character Alex Cross, a forensic psychologist with the Washington, D.C., police, who becomes entrenched in a chain of kidnappings in North Carolina. When his own niece is taken, he flies there and calls on the police department, where he's kept waiting for hours until he ultimately barges into the office of the chief. The victims are being taken by a man who inscribes himself "Casanova," and one of his victims is found dead tied to a tree and "left for the critters to find." Cross questions why there aren't more bodies, and speculates that Casanova is a collector who kills only when he believes he needs to. His niece and her fellow captives must still be alive somewhere. His hypothesis is certified by what comes of extraordinarily sexy local doctor Ashley Judd, who also gives the sometimes humdrum drama a helping of forceful energy.

And what Freeman brings to all of his scenes is a really specific thoughtfulness. He doesn't just listen, he appears to cogitate what he is told, to gauge it. That masterful attribute begets a funny outcome, when other actors will tell him something and then stop to see if he trusts it. And Judd shows us such a boldly defined personality, which makes their dialogue scenes, after she's been developed for awhile, engrossing.

Kiss the Girls was directed by Gary Fleder, whose first feature, Things to Do in Denver When You're Dead, boasted skill but too much artifice. Here he's more careful and restrained, with a story where the shades and details are as chilling as anything else. Here as in Seven, we get a steady feeling of not being able to see everything we believe we want to, as in a chase through the woods which Fleder makes effectively tense through its efficient use of space, never revealing the distance between victim and pursuer.

When the film is over and we know all of its enigmas, there's one we'd like to know more about: What precisely are particulars of the histrionics between the two most nefarious characters? But being left with such a wringer is much more fulfilling in a way than being given the explanation in the conventional fast-sketch Freudian description. What we're also left with is the genuine feeling of having met two authentically defined people in the leads. Freeman and Judd are so good, you almost wish they'd chosen not to make a thriller at all, had just discovered a way to create a drama really sinking their teeth into their characterizations. All things considered, I would've preferred that movie.

This movie is not among the best but still has more to offer than the average thriller. This is mostly due to its cast and fine thriller concept, that however doesn't always gets handled well.

Not all plot-lines get handled and wrapped up properly and the movie leaves some loose ends. The movie also picks some not so likely approaches with each story sometimes, which goes at the expensive of the credibility- and therefore also the tension of the movie.

It's a movie that had the potential of becoming a real dark and eerie thriller, I mean the concept of the movie would definitely allow this but the movie gets somewhere stuck between its successful and not so successful thriller moments.

Guess Morgan Freeman wanted to make another "Se7en" like thriller. Well, it's not completely fair to compare this movie to "Se7en" but because Morgan Freeman is in it and it's from about the same period, it's easy and tempting to do so. Also with some imagination the plots and approaches of both movies show some similarities. But unfortunately "Kiss the Girls" is nowhere in the same league as "Se7en" but fans of the genre will still find plenty to enjoy in this movie.

The movie features all of the right required thriller ingredients. So a psychopath, a cop trying to solve the case and of course a couple of plot twists. It also has all the right looks for a thriller. The movie has the right sort of dark undertone and handles some of its moments effectively.

The movie truly benefits from its cast. Morgan Freeman is an experienced actor and always good in these sort of roles. The movie also among other features; Ashley Judd, Cary Elwes, Bill Nunn, Brian Cox and Jeremy Piven.

A better than average thriller.

7/10

http://bobafett1138.blogspot.com/

A devilish maniac is on the loose, kidnapping beautiful women left and right. Many of his unfortunate victims who do not comply to his sadistic demands end up being tortured...and killed. Dr. Jack Cross (Morgan Freeman) is an insightful psychologist working for the police department. He has been hired to investigate a peculiar pattern of apparently random abductions of young, nubile women. Cross fails to secure any leads until his battle with the infamous abductor turns personal. The detective's niece has recently became the latest victim to this psychotic's premeditated schemes...

Calling himself "Casanova," this misogynistic serial murderer is alluring, charming...and equally mentally destructive...

Cross's only assistant is a beautiful and intelligent doctor (Ashley Judd). Another police detective (Cary Elwes) is also chasing after the kidnapper. With no clue or leads for unmasking this elusive stalker, the police with the help from the doctor must find a clever way to unlocking his secrets. As time becomes of the essence and the night takes over, Cross and the doctor rush desperately to seek out the lost souls who are under duress into becoming the fiend's prisoners...

KISS THE GIRLS is a perversely provocative thriller with such stunning photography. The moody atmosphere truly enraptures the viewer into a dark nightmarish world. The lightning is sometimes incomprehensible for the picture, but this fault adds to the disturbing effect of the movie itself. KISS THE GIRLS is a great mystery, with the individual clues and seemingly isolated events carefully stitched together to create one whole puzzle that may just serve as the tip of the iceberg.

Thanks to a seductively morbid tone, the film keeps the viewer fascinated throughout the length of the flick. KISS THE GIRLS is a sophisticated horror show since the audience never knows who the real killer may be. Even so, there is always more to the background scenery then what the eyes are allowed to see. The viewer must always eavesdrop when the leads interact with each other on screen...

Deliciously diabolical! The performances from KISS THE GIRLS are first rate. Ashley Judd is riveting as a kick-boxing doctor whose strong willpower can make her an appropriate inspiration and role model for young females. Morgan Freeman establishes more integrity as a forensics psychologist, determined to track down his kidnapped niece. The main scoundrel, whoever his real name may be, is one of the most unique villains ever to embrace the screen. His characteristics were wisely shot in a series of bleak, unrelenting shots so that the moviegoer may get a glimpse of his cryptic face, yet, they can not spill the beans as to find out who he really is.

KISS THE GIRLS is a startling movie with an array of scares and plot twists to keep you interested plus a decent pace to keep the story-line moving.

RATING: **1/2 out of ****.