Todesschlaf

Why does Hollywood re-make European films? Because they are so great. And this is no exception. I saw the Pacino version first then searched out this European original. Despite the bad press of the Pacino version, I did enjoy it very much.

However, this version is darker, raw and allows the view to see and feel more. A must see for those who have seen the American take of this film. A must see for those who love well acted European cinema.

I don't wish to recommend which version you should watch first, yes the story is known the second time around, but it is the character differences, how the films were made, and the use of dialogue (or not) that are important... surely. Enjoy.

Usually, when a director wants to set a dark mood, he or she relies on shadows and gloom in the camera frame. Here the exact opposite has been achieved through the perpetual midnight sun which throws the descent of Jonas Engstrom into madness all too clearly. At first the effect is subtle, but as the picture continues and there is never any nightfall one begins to feel the same bone-deep weariness and lethargy experienced by the protagonist. I watched it for the first time late at night and it completely threw me off my sleep cycle for the night. Most powerful.

I speak neither Swedish nor Norwegian, but I didn't find the subtitles a hindrance at all--indeed, I much prefer subtitles to dubbing every time. I found that I had to work harder to notice everything that was happening on screen, which was a welcome change from the constant "eye candy" that seems to be the norm coming out of the movie business these days. All of the performances were understated yet brilliant, especially, of course, that of Stellan Skarsgard. I was particularly intrigued by the opening title sequence, showing the murder through the eyes of the murderer in a disjointed and confused sped-up manner, and this point of view is a foreshadowing of how both Engstrom and the viewer will feel by the end of the picture.

I have not seen the remake yet, and I'm not sure that I want to do so. The Hollywood movie business never seems to know when to leave well enough alone. I'll be able to make a better recommendation when or if I get around to the remake.

I was REALLY impressed by 'Insomnia', the directorial debut from Norwegian Erik Skjoldbjaerg. If this movie is any indication of his talents he is one writer/director to watch! I have yet to see Christopher Nolan's Hollywood remake of this movie but I would be extremely surprised if it manages to equal it, let alone top it. (And I absolutely loved 'Memento') At first you think you're going to see something you've seen a hundred times, a mismatched "buddy" cop movie or your standard serial killer mystery, but the movie quickly enters unfamiliar territory and manages to subvert expectations. Apart from Stellan Skarsgard ('Breaking The Waves', 'Ronin') the cast was unknown to me, but they are all first rate, and I couldn't say there was a bad piece of acting throughout. But Skarsgard, a woefully underrated actor, steals the whole show with an utterly brilliant and compelling performance that shows a depth rarely seen by Hollywood actors, especially in thrillers. 'Insomnia' is a fantastic movie that I cannot fault. The less you know about it the better. Whatever you do, SEE this movie! Highly recommended, especially for those sick and tired at how most thrillers made these days are so predictable and formulaic. It doesn't have to be so, and 'Insomnia' proves it!

An excellent psychological drama about a cooly repressed detective unable to own up to causing the accidental death of his partner, at the same time he is persuing an author suspected of killing his young girlfriend. The detective story isn't important here - the detective has no trouble locating the killer, understanding his motives, or "solving" the crime. What is interesting is the detective's inablility to deal with his problems and face life truthfully, metaphorically illustrated by his inability to block out the sunlight and sleep. Stellan Skarsgard gives a very good performance as the detective struggling to keep control of himself and the situation. As he becomes more and more tired, his life and his desires race out of control, and his need to maintain his facade causes him to make decisions that take him to the edge of catastropy.

This film is understated in a way that the 2002 Al Pacino remake missed the boat on. It takes place in Norway, and the director resisted the temptation to show us a travelog of cute Norwegian villages. Most of the action takes place in non-descript rooms, suffused with the cold grey light of the arctic sun. The acting is understated and viewers are left to understand motivations without explicit explanation. The film is engrossing from beginning to end, and I'll never understand why Hollywood feels it needs to try to do better - it rarely can.

I found this film to be exceptionally entertaining. The other reviewer may have found the cinematography/appearance of this film cheap but I found it to be very hipotic. Perhaps people native to the country of the films setting have seen better depictions of their environment, but I think american audiences will enjoy the images. Stellan Skarsgard makes this film worth seeing on his own.