IMDb-BEWERTUNG
6,8/10
7713
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuFrancesco inherits an old palace from a Turkish aunt and moves to Istanbul to renovate it.Francesco inherits an old palace from a Turkish aunt and moves to Istanbul to renovate it.Francesco inherits an old palace from a Turkish aunt and moves to Istanbul to renovate it.
- Auszeichnungen
- 12 Gewinne & 15 Nominierungen insgesamt
Alessandro Gassmann
- Francesco
- (as Alessandro Gassman)
Ludovica Modugno
- Voice of Aunt Anita
- (Synchronisation)
Empfohlene Bewertungen
This is a wonderful film about happiness and love, not some sex film. Finding your true place in life physically as well as emotionally is the theme. Everything is beautiful about this movie, the people, the love between the two men and the between the family and Francesco. Great performances by the cast, especially Alessandro Gassman. Beautiful scenes of Istanbul, which I am sure is not seen by the usual tourist.
I loved this movie and highly recommend it.
I loved this movie and highly recommend it.
Istanbul has always been my favorite city. Not just because I live there. But I guess the reasons are best "felt" in this movie. Hamam, not only tells us what traditions originally are (not restricting rules, but guidelines to keep senses, the family and the body together), but also reminds us the mystique remains of a city, where nothing is considered wrong, where life just floats along the steam of the Hamam.
Beautiful and sensual, Hamam is a soft and relaxing movie, like its title suggests.
Beautiful and sensual, Hamam is a soft and relaxing movie, like its title suggests.
This film is really a very subtle, literate story. Nothing hits you over the head, there's nothing to win or lose at the end, it's just characters and events unfolding and interacting within a languid pace. It's really a beautiful film, both in scenery, sentiment and depth of feeling.
If you've ever visited Istanbul you should see this film. I expected to see the Hagia Sophia and Blue Mosque right off, but you never see them-- the film chooses to see Istanbul through the charming back alleys and everyday people. The traditions of the country and the warmth of the people are ever-present in this film. Istanbul itself is like a character here, and its special charms are at the center of the story. If you have visited there, you will understand why the characters become so captivated.
But this film only uses Istanbul and the Hamam as a vehicle for showing its characters ways of finding happiness and tranquility in one's life. The story is much more general and eternal. It shares that quality with literature-- it is at once about these specific characters, and also about everyone, everywhere.
Here in New York this film is called "Steam" and is being sold as a major homoerotic experience. It's sad that they have to cheapen this wonderful movie in that way, and people going expecting to get their jollies will be woefully disappointed-- and entirely missing the point.
One tends to think of Turkish/Italian cinema as not being as technically sophisticated, but this film is vary carefully and intelligently written and directed. This really is one of those special, beautiful movies, not as flashy or intense as some, but I think I will remember this film for a long time.
--- Check out website devoted to bad, cheesy and gay movies: www.cinemademerde.com
If you've ever visited Istanbul you should see this film. I expected to see the Hagia Sophia and Blue Mosque right off, but you never see them-- the film chooses to see Istanbul through the charming back alleys and everyday people. The traditions of the country and the warmth of the people are ever-present in this film. Istanbul itself is like a character here, and its special charms are at the center of the story. If you have visited there, you will understand why the characters become so captivated.
But this film only uses Istanbul and the Hamam as a vehicle for showing its characters ways of finding happiness and tranquility in one's life. The story is much more general and eternal. It shares that quality with literature-- it is at once about these specific characters, and also about everyone, everywhere.
Here in New York this film is called "Steam" and is being sold as a major homoerotic experience. It's sad that they have to cheapen this wonderful movie in that way, and people going expecting to get their jollies will be woefully disappointed-- and entirely missing the point.
One tends to think of Turkish/Italian cinema as not being as technically sophisticated, but this film is vary carefully and intelligently written and directed. This really is one of those special, beautiful movies, not as flashy or intense as some, but I think I will remember this film for a long time.
--- Check out website devoted to bad, cheesy and gay movies: www.cinemademerde.com
I agree with those who comment that marketing this as a gay film is an indulgence in false pretenses, but I and my friends have enjoyed this thoughtful, beautifully filmed parable of self-discovery as a parable for the coming-out process. The vagueness and the fact that so much of the story is told through glances, gazes, and shimmering vistas of Old Istanbul means that everyone can bring their own story along with them to illuminate the hints and nuances of this remarkable film.
The ensemble performances were very powerful, and I honestly couldn't find any false notes here, though the atmosphere of Mediterranean melodrama at the film's sudden and somewhat awkwardly contrived conclusion seemed a little heavy and perhaps unnecessary as an ending to the serenity of the film as a whole.
I quite liked the music, and I enjoyed the director's eye for everyday details in a landscape that is very exotic to a North American filmgoer--reminiscent of The Scent of Green Papaya, or Raise the Red Lantern.
The ensemble performances were very powerful, and I honestly couldn't find any false notes here, though the atmosphere of Mediterranean melodrama at the film's sudden and somewhat awkwardly contrived conclusion seemed a little heavy and perhaps unnecessary as an ending to the serenity of the film as a whole.
I quite liked the music, and I enjoyed the director's eye for everyday details in a landscape that is very exotic to a North American filmgoer--reminiscent of The Scent of Green Papaya, or Raise the Red Lantern.
I went to see this film knowing nothing about it whatsoever. From the first heart-wrenching musical note to the heart-breaking end ... I was mesmerized.
The actors are beautiful. They exude intelligent sexuality (if there is such a thing). There is the sense of being entrapped in a circular miserable existence with all the money and the necessities of life but no soul... A married couple works out their banal existence; evolves.
The magic of Turkey and the showering of loving hospitality is reflective of the people from that part of the world. This film is honest, romantic, sensual, intelligent, serene and detailed. This film should have won it's well-deserved Oscar!
The actors are beautiful. They exude intelligent sexuality (if there is such a thing). There is the sense of being entrapped in a circular miserable existence with all the money and the necessities of life but no soul... A married couple works out their banal existence; evolves.
The magic of Turkey and the showering of loving hospitality is reflective of the people from that part of the world. This film is honest, romantic, sensual, intelligent, serene and detailed. This film should have won it's well-deserved Oscar!
Wusstest du schon
- WissenswertesFrancesco stays at the Pera Palace Hotel, the same where Agatha Christie wrote one of her novels.
- Crazy CreditsEnding credits roll from top to bottom, the reverse of what is usually done.
- SoundtracksIstanbul uyurken (Tema di
Hamam")"
Written by Pivio and Aldo De Scalzi
Performed by Trancendental with vocals from Rosie Wiederkehr
Top-Auswahl
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- Bruttoertrag in den USA und Kanada
- 384.793 $
- Weltweiter Bruttoertrag
- 384.793 $
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