Alle meine Väter

Seductive more for stories behind the set. And for memories about Belmondo - Delon couple. But , ignoring the nice presence of Vanessa Paradis - reminding a version of Bridgette Bardot - not very much.

The fights, mafia, cars, drugs are a forced solution, saved by dialogue and, in some measure, by the fatherhood dilemma.

In short, a nice film to remind old succesful movies, an old friendship and the survive of good buddies in cinema of 90 s. And, in some measure, it can be just enough, sure, seeing the film after almost three decades .

Some action, some seduction and two fathers and not the most comfortable daughter .

Belmondo & Delon, together again, and this time with Vanessa Paradis in tow - or is it the other way round? The basic premise of the film is that Alice Tomaso (Paradis) gets out of jail, and goes looking for Léo (Belmondo) and Julien (Delon), one of whom, it appears, is her father. On the way, she steals the wrong car - one belonging to the Russian mafia, and arrives at her destination with a gang of thugs out looking for her and the car. Mayhem and murder ensue, as Delon and Belmondo compete, not to win the girl, but just for the right to call themselves her father. In the process, they join forces, disrupt the mafia, seize the loot and head of to America for a paternity test.

The whole movie is played for laughs, capitalizing on the James Bond, Naked Gun genre of action comedy, and it works really well. The action is as fast paced, and every bit as far fetched, as any Bond flick. The understated humour, the slick gags and special effects, the subtle dialogue all make this a movie to watch, if you're a Bond fan. You won't be disappointed. On the other hand, if you want your French films to be "arty," deep and philosophical, you'd better go look for a Truffaut or an early Jeunet - you won't find what you're looking for here. This is shallow, it's slapstick, it's silly, and it's fun. Nothing special, just a good evening's entertainment that won't tax your brain (unless you have a problem reading subtitles).

Ok... so Une Chance Sur Deux is not the greatest movie ever

made! I'll give you that. It's not even Belmondo's or Delon's

best film. But it is a very, very entertaining piece of film! If

you are a fan of both this actors (like I am) you'll just love

seeing them together in action in this film. And the production

values sure help. All in all, you'll have a great two hours of

fun. Highly recommended.

The long-awaited (since "Borsalino" in 1970, I think) reunion of two of the greatest and most popular French film stars ever, Alain Delon and Jean Paul Belmondo, is a slick but disappointing action comedy. It is mildly amusing when it focuses on these two and their relationship with the daughter they never knew they had, but the secondary crime plot makes very little sense for at least the first 40 minutes, and the villainous Russian mobsters look and (over)act like refugees from a straight-to-video Steven Seagal movie. Delon and Belmondo are still fun to watch, and they have to be commended for still pulling off some hard and risky stunts at their age; as for Vanessa Paradis, she is fresh and sexy. But if you're looking for this type of "Americanized" French cinematic entertainment, the "Taxi" series (especially Part 2) does it better. ** out of 4.

First, the bad news: Vanessa Paradis has announced her intention of returning to the screen. The good news is even she can't ruin this divertissement. Patrice Leconte doesn't like to repeat himself and he clearly decided it was time he climbed aboard the 'Our Man Flint/Matt Helm' bandwagon and laid a spoof thriller on us. The movie is referential to the nth degree because audiences are supposed to have seen or at least be very much aware that Delon and Belmondo enjoyed a mega smash some thirty years ago with 'Borsalino' in which they played Marseilles-based hoods. Those who know and dug the original will feel a frisson when the Borsalino 'theme' strikes up, those who don't won't care either way. The plot, such as it is, hinges on the Paradis character and Oh, how much better it would have been without this Goldie Hawn look-alike and play alike - all big round saucer eyes and the galloping cutes which is calculated to make cases of male arrested development roll over and play dead. Here she plays a car thief just out of the slammer after her dear old mom has gone to the big jump lead in the sky but not before leaving a cassette tapping either Delon or Belmondo as the biological father of Paradis. So, off she goes to find them, via a boosted car which just happens to belong to the Russian mafia who are not best pleased. She locates both Delon and Belmondo who are more or less forced to team up and take on the mafia - that's right, two over-the-hill hard men against god-knows-how-many nasty men. It's not all blowing up casinos and throwing heavies off cliffs cos in between we get lotsa laffs - think Duke Wayne and Bob Mitchum in 'El Dorado' and you're getting there. This is French so even the mayhem is done stylishly. Go see, enjoy. 8/10