operatic
I actually liked this one of the Cremaster-cycle best. The Greenawayish, lush baroque settings were fascinating. I liked the weird idea about the guy climbing around the stage during musical performance for the queen.
Of course, I can't explain WHY those images were so appealing: Barney seems to be searching a sort of subliminal, unconscious expressions of sexuality and sensuality, as they appear in pure, non-verbal forms, clothing, gestures, architecture, art... at least his synopsis for the Cremaster-cycle hints to this.
It also seems that during the making of Cremaster 5 Barney has had more money: it's done on film, it has Ursula Andress in the main role, and the camera work, design and details are more lavish than in the former ones. It's great someone's doing films like this.
Of course, I can't explain WHY those images were so appealing: Barney seems to be searching a sort of subliminal, unconscious expressions of sexuality and sensuality, as they appear in pure, non-verbal forms, clothing, gestures, architecture, art... at least his synopsis for the Cremaster-cycle hints to this.
It also seems that during the making of Cremaster 5 Barney has had more money: it's done on film, it has Ursula Andress in the main role, and the camera work, design and details are more lavish than in the former ones. It's great someone's doing films like this.
- Miksa76
- 2. Sept. 2004