IMDb-BEWERTUNG
6,1/10
26.329
IHRE BEWERTUNG
Maggies und Sams ehemalige Partner sind ineinander verliebt. Sie will Rache und er will seine verlorene Liebe zurück, also arbeiten sie zusammen, um das glückliche Paar zu trennen.Maggies und Sams ehemalige Partner sind ineinander verliebt. Sie will Rache und er will seine verlorene Liebe zurück, also arbeiten sie zusammen, um das glückliche Paar zu trennen.Maggies und Sams ehemalige Partner sind ineinander verliebt. Sie will Rache und er will seine verlorene Liebe zurück, also arbeiten sie zusammen, um das glückliche Paar zu trennen.
- Auszeichnungen
- 1 Nominierung insgesamt
Tchéky Karyo
- Anton
- (as Tcheky Karyo)
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This generally enjoyable comedy should have been much better than it was, considering all the talent that worked on this film. The problem is, it isn't dark enough to be a dark comedy, but it is too dark to be a romantic comedy. Therefore, some of the revenge seemed too mean-spirited, and some of the sweet moments seemed out-of-place. BUT, even with that big of a problem, I still enjoyed the film. It was consistently funny and entertaining, and Broderick and Ryan both gave good performances. The best performance, however, was by Karyo, and he was probably my favorite thing about this movie.
Revenge, that's the ultimate drive behind this story. Take revenge on your ex, who has cheated on you. Matthew Broderick and Meg Ryan, both have been dumped by their former lovers and now they both wanna take revenge. Will they be able to and will it mend their broken heart?
Bitter sweet romantic comedy. Not the best, but certainly quite funny and charming.
Bitter sweet romantic comedy. Not the best, but certainly quite funny and charming.
I thought this movie was pretty average as romantic comedies go, and frighteningly similar to Meg Ryan's previous vehicle "French Kiss", which saw Kevin Kline playing a Frenchman she falls for, enroute to getting her cheating fiancé back. "Addicted To Love" could have easily been the sequel! That aside, my one objection is not only the lack of chemistry between the two leads, but also the fact that we are launched into the action far too quickly. One imagines the writer/director desperate to start the story and not being bothered to establish the relationship between Sam and Linda, before BOOM! She leaves him and Sam is in New York, all within a few minutes and seconds. The credits had barely finished!!
I found the character of Maggie difficult to get a grip on. Independent and wilful, one finds it hard to imagine what she sees in the dappy, love-sick puppy, Sam. They are in such completely different leagues. Sam quips that they got together via "Common interests", but this is not enough somehow, since the characters really do not have anything in common, despite trying to separate their ex-lovers.
**SPOILER WARNING**: In another scene, Sam and Maggie sleep together whilst fantasising that she is Linda and he is Anton. Yet Maggie's justification for sleeping with Sam is not made clear - she hates Anton and frequently says so. If she slept with Sam because she was falling for him this should have been made clearer, since he sleeps with her whilst pretending she is Linda whom he still loves. Although good, perhaps this scene could have been cut as it is confusing and largely irrelevant.
The rest of the film was OK, the pranks were cruel but effective. More focus should have been made on the relationship between the two leads.
I found the character of Maggie difficult to get a grip on. Independent and wilful, one finds it hard to imagine what she sees in the dappy, love-sick puppy, Sam. They are in such completely different leagues. Sam quips that they got together via "Common interests", but this is not enough somehow, since the characters really do not have anything in common, despite trying to separate their ex-lovers.
**SPOILER WARNING**: In another scene, Sam and Maggie sleep together whilst fantasising that she is Linda and he is Anton. Yet Maggie's justification for sleeping with Sam is not made clear - she hates Anton and frequently says so. If she slept with Sam because she was falling for him this should have been made clearer, since he sleeps with her whilst pretending she is Linda whom he still loves. Although good, perhaps this scene could have been cut as it is confusing and largely irrelevant.
The rest of the film was OK, the pranks were cruel but effective. More focus should have been made on the relationship between the two leads.
Better than average plot but not enough to raise it above B-level.
I think Meg Ryan's star status worked against her because her cute reputation undercut her tough character. However, she proves that she can do something besides "bubbly" and is pretty good in a more edgy role.
Tchéky Karyo was excellent as a semi-likable French guy. One common weakness in romantic comedies is that the viewer can't understand why the "nice girl" would fall in love with the "bad guy." In this movie, we can she why she loves him and, by the end, we even like him a little too. Good writing and acting.
Not Matthew Broaderick's best performance... fairly uneven. He doesn't do "hopelessly in love" very well. Broaderick looked great, even when disheveled. For that matter, all the characters look great.
Kelly Preston is pure cardboard but it sort of works because three developed characters are probably enough in a Romantic Comedy.
The set (the hideout, especially) stole the show. The sound was unusually good for a fluff movie.
I think Meg Ryan's star status worked against her because her cute reputation undercut her tough character. However, she proves that she can do something besides "bubbly" and is pretty good in a more edgy role.
Tchéky Karyo was excellent as a semi-likable French guy. One common weakness in romantic comedies is that the viewer can't understand why the "nice girl" would fall in love with the "bad guy." In this movie, we can she why she loves him and, by the end, we even like him a little too. Good writing and acting.
Not Matthew Broaderick's best performance... fairly uneven. He doesn't do "hopelessly in love" very well. Broaderick looked great, even when disheveled. For that matter, all the characters look great.
Kelly Preston is pure cardboard but it sort of works because three developed characters are probably enough in a Romantic Comedy.
The set (the hideout, especially) stole the show. The sound was unusually good for a fluff movie.
When you hear the words `romantic comedy', the first thing that springs to mind is some sugary, smiley, big-haired, feather-light Julia Roberts escapade. `Addicted to Love' presents us with the polar opposite to this, even if the premise is pretty the same as you'd find in the usual rom-com. The result is a deft, reckless, amusing and entertaining heavy-handed movie. There isn't much to bicker about here.
Meg Ryan and Matthew Broderick show tremendous colour and prove to be likeable characters as the vengeful stalkers. Tcheky Karyo is funny as the clumsy French fool. Kelly Preston is the least convicted of the four main characters, but is still relatively good.
The film has its own generally funny slapstick moments that compensate for the lack of verbal wit. The narrative that follows is good enough to keep you wanting more, and the jokes are all very well timed. The title Robert Palmer song adds to the reckless, but endearing epitome of the film. The directing styles aren't amazing, but they're hip and stylish for the most part.
Overall, it isn't film of the century and is far from outstanding, but `Addicted to Love' is original, entertaining and very funny for the most part. I give it 6.8 out of 10.
Meg Ryan and Matthew Broderick show tremendous colour and prove to be likeable characters as the vengeful stalkers. Tcheky Karyo is funny as the clumsy French fool. Kelly Preston is the least convicted of the four main characters, but is still relatively good.
The film has its own generally funny slapstick moments that compensate for the lack of verbal wit. The narrative that follows is good enough to keep you wanting more, and the jokes are all very well timed. The title Robert Palmer song adds to the reckless, but endearing epitome of the film. The directing styles aren't amazing, but they're hip and stylish for the most part.
Overall, it isn't film of the century and is far from outstanding, but `Addicted to Love' is original, entertaining and very funny for the most part. I give it 6.8 out of 10.
Wusstest du schon
- WissenswertesAlfonso Cuarón turned down the chance to direct, instead he directed Little Princess - Die kleine Prinzessin (1995).
- PatzerThere's a lot of bad astronomy packed into the opening minute.
- SoundtracksThe Little Blue Man
Written by Fred Ebb and Paul Klein
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 34.673.095 $
- Eröffnungswochenende in den USA und in Kanada
- 11.446.098 $
- 26. Mai 1997
- Weltweiter Bruttoertrag
- 34.673.095 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was In Sachen Liebe (1997) officially released in Canada in French?
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