Oz - Hölle hinter Gittern

The stature of this program must be measured in the context of its format. These are not feature films, but one hour dramas, no different in concept or constraint from countless other network counterparts. But, oh how different in result.

Oz is not for everyone. It is violent, lurid, obscene, profane and controversial. Oz us narrated dramatically by a "Greek Chorus" of inmates who make insightful observations not just about Oz, but applicable to the outside world as well. The talent, none of it marquee, is nonetheless the finest assembly of supporting actors an ensemble cast could hope for.

In order to keep ratings up, the stories sometimes veer into the unbelievable, but the grit and reality are never gone for long. Oz is also a bundle of irony. Although it deals with homosexuality with insight and objectivity in every episode, it just as often bristles with gratuitous homoerotic overtone. Despite the fact that it overflows with action and violence, it never mistakes kenesis for story.

Sometimes, Oz borders on, and crosses well into, genius. Its often surreal direction elevates otherwise base events to sublime levels. Music, pacing, convoluted story lines careening and intersecting in ways that are at the same time graceful and clumbsy, just like real life.

This is said to be the last season of Oz, and yet, only two seasons are on DVD. With constant reruns and each episode being aired about a dozen times a week, you may be tired of this jewel anyway, but its influence will elevate the level of television drama for years to come.

On HBO, all the Emmy's for hard core drama go to THE SOPRANOS, and I dont' think that's bad. It is a great show. But Oz is better. It might well be the best thing on television. It doesn't get the press of the Sopranos. And the other people who watch HBO (those who don't like all the violence) whould much rather watch Ferris Beuller's wife in SEX AND THE CITY, which I will NEVER watch. Oz is amazing because almost every charachter in it's sea of people is in some way a terrible human being. But the magic of this show is that these terrible people become understandable. They do terrible things, but they are not all bad. Ryan O'Rielly, for example, is a cold-blooded killer. But when it comes to his brother and doctor Nathan, and more recently the priest he befriended, he is a warm and caring person who's pain you empathize with. Oz takes murderers, rapists, thieves, and even a rich lawyer who ran down a young girl in a drunken stuper, and makes them likeable and forgivable. That's incredible. And this show is incredible. It goes off the air soon for good, and I wish it had gotten the respect it deserved.

Consistently well-written and acted, Oz is without a doubt the best thing on TV. Quality wise, it's up there with the first 4 seasons of Homicide: Life on the Street as the most compelling hour of television drama. Presenting a harsh and realistic view of prison life, Oz is a wonderful mixture of superb acting and character development; all of which rides on a nuanced and erudite core (Foucault's Panopticon is the inspiration for Em City's design...and ultimate failure). It is the only show on TV, that I can think of, that has presented characters who were intensely dislikable one moment and oddly empathetic the next. That I am repulsed by, sympathetic with, intrigued about, and involved with every character that has lived, died or survived on the show, is no small feat. Good TV exists. And, for my money, Oz is not only good TV, it is better than most films released throughout the year.

OK, it's violent and bloody and vicious and cruel. It's also wildly creative, beautifully filmed, brilliantly acted (with very few exceptions) and has a great framing device. The stories are both filled with detail and minutiae, and also have overarching moral tales and "big picture" flow. At the end of almost every episode you'll probably find yourself muttering "This is SUCH a good show!"

Although it is ostensibly the story of a prison and its many prisoners, 'Oz' can be viewed as primarily the story of one man, Tobias Beecher. Beecher has committed vehicular manslaughter while driving drunk. Because Beecher is a lawyer, the court decides to make an example of him and sends him to maximum security at Oswald Penitentiary. His journey through Oz is basically the rest of the series, and it's certainly no yellow brick road he follows. Everything that you could imagine happening in a prison setting happens, and probably a lot you wouldn't imagine.

He gets assigned to "Em" City (Emerald City), an experimental unit in Oz; the goal of Em City is to try a different living environment, one that might give the prisoners a chance at changing their lives and possibly rehabilitate them. Managed by a true prison reform zealot, Tim McManus, Em City is for many prisoners the only hope in their lives. The inmates of Em City are some of the most brutal offenders in the entire penitentiary - McManus insists that these are the prisoners to try to reach. McManus also picks newer prisoners, ones that don't have life sentences, to add to the mix and to give them a shot at rehabilitation.

Every episode has a storyteller - most of the time the storyteller is Augustus Hill, shot while killing a cop and now confined to a wheelchair. Because he is unable to be physically brutal anymore, because he is more imprisoned than even his fellow prisoners, Augustus is very insightful and is used to heighten and clarify themes for the audience.

The other inmates in Em City all have their own character development and story arcs - some are impressively vibrant but brief, others last for the whole series - but ultimately the writers always return to Beecher and his story. His friends (few), his enemies (many), his family, and his relationships with the prison staff.

Amid the worst that prison can dish out, the inmates struggle with the meaning of religion, with definitions of family, with the corruption of politics, with friendship, betrayal, and ultimately, survival. There are moments of sheer wanton destruction, unspeakable violence, shocking cruelty, and pure evil. It's prison! There is nothing glorified here; inmates do drugs to escape the horror of their realities, gangs murder each other over trivialities, inmates and guards commit rape just because they can. But how they manage to survive - and IF they manage to survive - keeps you watching.

Some key performances: The always perfect J.K. Simmons as Schillinger, the leader of the Aryans; Chris Meloni as Chris Keller (quite a different part than his character on L&O: SVU!); Lee Tergesen as Beecher; Eamonn Walker as Said, the leader of the Muslims; Dean and Scott Winters (real-life brothers) as Ryan and Cyril O'Reilly; and Kirk Acevedo as Miguel Alvarez, a member of the Latinos. But honestly, the whole cast is excellent. Even most of the "guest starring" roles - new inmates who practically have an expiration date stamped on them - are good, and at least are pretty interesting.

It's coming out on DVD in dribs and drabs - rent it, borrow it, steal it, whatever. But watch it!

It's strange how Oz somewhat got overlooked by shows like The Wire, Deadwood and Sopranos. I guess it comes to the very dark, adult material. Cause this takes no prisoners (no pun intended) describing what goes on in the experimental prison of Oz. The start of it relates around Tobias Beacher (Lee Tergesen) a white collar ending up in max after a fatal DUI. Naive as he is, he becomes the victim of ubernazi Schillinger (JK Simmons in his breaktrough role). The rest of it is a really well made prison drama. Even Netflix own Orange is The New Black have several times mentioned Oz between inmates. It's NOT for everyone. It's extremely graphic in parts, some terrible rape scenes and the "usual" sex scenes (seeing it again, it seems HBO has censored scenes). But beneath it all, there's an excellent written show, with really good actors. My only big complaint is season 4, which is twice as long as the rest, at 16 episodes. You feel the season drags out with fluffy sidestories. Overall, one of HBOs best, and the start of the great JK Simmons.