Eine junge Frau, die dazu auserkoren ist, Vampire, Dämonen und andere höllische Kreaturen zu töten, sieht nach einem Umzug ins kalifornische Sunnydale ihre Fähigkeiten auf die Probe gestellt... Alles lesenEine junge Frau, die dazu auserkoren ist, Vampire, Dämonen und andere höllische Kreaturen zu töten, sieht nach einem Umzug ins kalifornische Sunnydale ihre Fähigkeiten auf die Probe gestellt. Gemeinsam mit ihren Freunden nimmt sie den Kampf gegen das Böse auf.Eine junge Frau, die dazu auserkoren ist, Vampire, Dämonen und andere höllische Kreaturen zu töten, sieht nach einem Umzug ins kalifornische Sunnydale ihre Fähigkeiten auf die Probe gestellt. Gemeinsam mit ihren Freunden nimmt sie den Kampf gegen das Böse auf.
- 2 Primetime Emmys gewonnen
- 53 Gewinne & 136 Nominierungen insgesamt
Zusammenfassung
Empfohlene Bewertungen
This was rated, when originally aired, as TV-14 programming, but it is far from your typical YA drivel. It covered a full spectrum of emotional, violent, and sexual content, over its seven season arc. Ignoring the sex, and just considering the human (non-"creature") body count, I'm amazed at what the showrunners were able to get aired over the course of the series. Bottom line, there's a lot of "intense" content throughout the series, and it gets far more graphic in the latter seasons.
Any fantasy, supernatural, or SciFi series fails or succeeds on its "believability". I don't mean the plots, but instead, whether the characters project believability. If it "works", it will stem from a combination of well scripted episodes, but far more important, a cast that buys into, and fully "sells" (110%), their characters. BtVS had all of that in spades. Whether it is their witty banter, a plethora of deeply emotional scenes, or the larger story arcs of the seasons, and/or the overall series, as a whole, these characters are "all in", in terms of their commitment to the stories being told, within their "fantastical universe".
Throughout the series, there are always multiple (concurrent) story arcs in play. Some, especially toward the end, are even multi-seasonal. Certainly, simply because it is episodic, there is a "monster (or problem) of the week" feel, all through the series, but those stories are generally unique and interesting, and many of those play into the larger (and more important) story arcs.
In the first three seasons, the characters are in high school, and many of the plots revolve around that setting (but always with the fantasy-based twist), while the final four seasons move out into the adult world. We basically get to watch these characters grow up throughout the full series arc, and as alluded to earlier, the plots become increasingly more "raw/intense" as the series moves forward.
The most important thing is that, even from the first season, it is easy to become invested in the core suite of characters. And, when season two takes what seems to be a somewhat stable set of core characters, and turns their situation "on its head", you realize that you cannot count on anything being "stable", and consequently, can't really predict what might happen in subsequent episodes (which, obviously, is a "good thing", from a story-telling perspective).
Some of the later (especially season 5 and 6) story arcs are heart-wrenching, and easily some of the best "TV drama" that has ever been aired. Some of the episodes are also some of the creepiest that have ever been aired. The series is a constant mix of many different storytelling genres, which just happen to exist in the (fantasy-based) "Buffyverse". Unlike some series that fizzled out near their end (or simply got canceled), this series really reached its peak in its final three seasons, just continuously "upping the ante", until its epic finale. I own the series, and (roughly) every two or three years, I drag out the discs, and re-binge the whole thing, because of "Buffy withdrawal". It's always feels good to (yet again) watch it all play out, over the characters' seven year arc.
BtVS is "not perfect". There are some episodes that are (IMHO) duds ("Beer" comes to mind), and there is at least one story arc that I thought had a bit too much silliness, but "as a whole", it is easily one of the best TV series, and runs you through the full emotional gamut.
Bottom line, assuming that you "accept" a fantasy/SciFi premise in the first place (as you would with a "Star Trek", a "Fringe", or any similar series), then BtVS is truly a great series (for people of any age... and I'm "North of 60", as I write this), and I believe, well worth your time investment.
One major caution: The first two episodes of season 5 are a major "WTF moment". During its original airing, some viewers (literally) stopped watching the series after seeing those episodes, and also wrote online rants about their disappointment with what happens (avoid reading the episode synopses to avoid spoilers). Those episodes definitely DO leave you asking "WTF", but I would simply say that you MUST have faith, and "trust your tour guide" (i.e. The screenwriters), and settle in for the season 5 "ride", which, as I alluded to above, is an emotional roller coaster, with an "unexpected" season finale that sets up a similarly emotional season 6.
One final note, depending on where you obtain media, and/or from where you stream it, seasons 4-7 may or may not be wide-screen. The latter seasons were shot on 35mm, whereas the first three were shot on 16mm. Even though the entire series aired in the old (narrow) 1:1.33 (original NTSC TV) aspect ratio, and even though Joss Whedon argues that the whole series should be seen that way, I respectfully disagree. I always relish getting to Season 4, where (with my UK DVD versions) the whole series opens up, and fills up the full 16x9 (modern) wide screen. Scenes, and "people", that would have been partially "cropped" (or shifted) in the narrow format, are simply seen "in full".
So, hopefully some of the above is useful, if you are considering the series. It is definitely a unique experience.
In short, if you are considering watching this show, I highly recommend you watch all of the first and second season before making any judgements. Frankly, this is my favorite story of all time. It transcends the TV, and beats out most books, movies, and other TV shows. This show is beautiful.
No other show touches on the major issues of humanity this show does: immortality and it's pros and cons, the power of love and friendship, the inner strength we all have within us, and the ability to appreciate life and learn to laugh at the things that get you down. There are moments of happiness, drama, tears, and moments that make you rediscover who you are, and Buffy deals with all of them. Every episode is layered with meanings and insights into humanity, all in some show about a girl who slays vampires.
Seeing these characters change and grow over the course of the episodes is a gift. Unlike other shows, the characters on Buffy are never the same from season to season. The events of the show change them and mold them into new people all the time, that's how good the writing is.
No episode is boring, in all 144 hours of the series there is something worth watching. Some episodes are truly brilliant pieces of television, especially the gems directed by series creator Joss Whedon such as Becoming, The Wish, Hush, The Body, and The Gift. These are some of the best hours of television ever produced.
The writing is spectacular, perfectly capable of balancing comedy, drama, and horror in every episode.
This is so much more than a show about a girl who slays vampires. It can change the way you react to events in your life and the way you view things. It's that good.
There's little I can say about Buffy that won't become redundant, there is not much to find fault with. Sure it's got it's bad episodes, bad story arcs just like any show. But what kept me coming back with the razor sharp wit and characters that became like a family to me.
This is a beautifully written show and if you can make it past the goofy title, fantastic premise and (for many people) the campy first season (You'll grow to love the camp upon re-visiting it) you'll discover one of the best show's in recent memory.
Due to the age of the show, I don't know if they will ever release a Blu-ray set, but I can only imagine what a tremendous joy it'd be to watch it on Blu-ray (again). Buffy really sets the standard and example for today's Hollywood, if there is show you can relate to 20 years later, then you know it is not the picture quality or special effects, but the story and acting that speak to you. Comparing this to some of modern day shows, it is clear to me that technical advances don't always improve the quality of a show.
Representation: LGBTQIA+ Characters On-Screen
Representation: LGBTQIA+ Characters On-Screen
Wusstest du schon
- WissenswertesSpike's trademark coat cost $2,000 from a top fashion store. It was then run over repeatedly by a truck to give it that distressed look.
- PatzerIn nearly every episode presented in widescreen, there is crew/equipment visible and/or revealing mistakes. This is because the series was originally shot for 4:3 frame and these issues would not have been visible as the show was originally intended to be presented. As such, one should take much of the goofs reported on episodes as being conditional on applying only to the widescreen alternate version.
- Zitate
Rupert Giles: In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer.
- Crazy CreditsThe sequence with the Mutant Enemy mascot, the little monster that goes "Grr Argh" at the end of all episodes, was changed for a total of six episodes: in "Becoming Part Two" (#2.22) it said, 'Oh, I need a hug." in "Amends" (#3.10) it wore a Santa hat and bells were jingling. in "Graduation Day Part Two" (#3.22) it wore a graduation cap. in "Once More With Feeling" (#6.07) it sang its "Grr Argh." in "Storyteller" (#7.16) it sang, "We are as gods." in "Chosen" (#7.22) it looked out at the viewers instead of looking straight-forward.
- Alternative VersionenIn the French and Spanish dubs of the series, Xander's name is changed to Alex.
- VerbindungenEdited into Angel: Jäger der Finsternis: Unaired Pilot (2003)
- SoundtracksBuffy the Vampire Slayer Theme
Performed by Nerf Herder
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Buffy - Under the Demons' Spell
- Drehorte
- 1313 Cota Ave, Torrance, Kalifornien, USA(Buffy's house)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1