Terror in der familie - eine tochter läuft amok

This was an intense film from Lifetime Network, Hilary Swank is a teenage girl who wants her freedom from her parents and wants to be with her boyfriend,, well her parents are going to put a stop to this, but problem is this spoiled brat is violent and she goes after her dad by slamming a door on his arm,, fighting with her mother,, classic tale of teenage girl rebelling but goes way to far in this movie I felt,, the mother escapes by drinking whine during the day,, the husband is busy in the basement doing woodworking,, and the son is busy sipping vodka before bed,, this movie is kinda hard to watch,, in part because I had a teenage step daughter that was violent as she got older, but thank goodness not to the point in the movie , but close enough. interesting watch,,, Dan Lauria was good, and Jo Anna Kerns was great and stole the show for me.

This film was edgy for a made-for-television show, dealing with real issues for a change. Miss Swank showed promise here early on, as well as newcomer Rachel Youngberg. Cinematography was good. Direction, for a film this size, was also good. The location shots were believable, which puts it ahead in my book. What made this film interesting was a storyline that moved it along, and enough action to keep it going. Some of the smaller parts seemed better acted than most, and may be due to the Utah casting. While it dragged in spots, the intensity of the characters pulled it through. I really liked seeing a younger Hillary Swank, with a hint at what she carried inside for later expression.

Joanna Kerns, (Cynthia Martin) plays the role of a mother who loves her family and especially her daughter, Deena Martin (Hilary Swank) who has the hots for her boyfriend who is wild and drags Deena down the wrong way of life. However, Cynthia Martin loves to drink wine all day long and has trouble trying to deal with her husband who wants to make pottery in the basement all the time. In the meantime, Adam Martin, the son of Cynthia Martin loves to drink vodka from a bottle before he goes to sleep or when problems start to hit him in the face. The only sane person in this out of control family is Todd Martin, (Dan Lauria) who plays the role of the husband of this crazy family which needs professional help.

This movie is an alright TV movie. Nothing spectacular but I could watch it again.

Hilary Swank plays a teen who becomes aggressive and violent with her family. Between the constant bickering at home, and running away to spend time with her boyfriend, her life turns out to be more than she can handle.

Swank acts out the role very well but at times her character becomes a little too annoying to handle. Joanna Kerns plays the alcoholic mother who just can't seem to control her daughter as it seems like she's always the one getting knocked around. Kerns is believable as an alcoholic but tries to be a little too complex for her role. Dan Lauria plays the distant father. He acts a little better than Kerns and his character doesn't involve too many sentimental moments, so it's easier to handle him. Everyone else does a good job.

The plot is good but it tends to drag on a little too long. Half of the film could have been cut and it wouldn't have made a difference. After two or three scenes of seeing Swank become violent with her parents, I wanted to turn it off. But I didn't. The ending was alright but like I said, it dragged on and on.

Overall, this is a good TV movie. If you're in the situation like the family that the story revolves around, you might want to watch this.

I was curious about this as an early credit for Hillary Swank, and if I were she and someone mentioned this movie in my presence I'd probably be thinking, "I'm a big movie star now, I've won two Academy Awards, I should be allowed to forget credits like that." Truth be told, though, it's a better than average Lifetime movie and Swank acquits herself marvelously in it as the rebellious teenage girl whose violent relations with her family open a lot of old wounds going back three generations. This has some of the usual Lifetime weaknesses — melodramatic plot construction, an overly reverential attitude towards psychotherapy, sappy piano-and-strings background music (they must have a library of millions of these records) and a limp excuse for punk rock allegedly performed by Garrett's band, as well as the obligatory soft-core porn scene — but it's also solidly acted by a tight ensemble cast, it's all too believable despite the melodramatics, and Gregory Goodell has a visual sense far ahead of most of the Lifetime directors.